Anne Rice
The “Beauty’s Kingdom” Interview
with Kam Williams
Anne Rice’s debut novel, Interview with a Vampire, was adapted into an Oscar-nominated film starring Tom Cruise and Brad Pitt. She is also the author of many other best-sellers, including the hugely successful Vampire Chronicles, The Mummy or Ramses the Damned, Violin, Angel Time, and the Mayfair Witches series.
Born and raised in New Orleans, Anne now lives in Southern California. Here, she talks about her latest book, Beauty’s Kingdom, an eagerly-anticipated extension of her popular, Sleeping Beauty trilogy.
Kam Williams: Hi, Anne. Thanks for the interview. I’m honored to have this opportunity
Anne Rice: Thanks, Kam.
KW: I’ll be mixing my questions in with some sent in by fans. I really enjoyed Beauty’s Kingdom. What inspired you to extend the Sleeping Beauty trilogy after such a long hiatus?
AR: I had more to say. Many years have passed since I wrote the original trilogy. I felt a new book could refine and deepen the vision. Also, times have changed and, with them, attitudes towards erotica. It's accepted today in a way it was not before, and I did find that inspiring.
KW: Bobby Shenker says: I read and loved the Beauty series when I discovered it in the mid-Eighties. Did the appearance of Fifty Shades of Grey have any influence on your decision to continue the series?
AR: Yes, the success of Fifty Shades indicated that people were out of the closet about their appreciation of erotica. Erotica no longer need be an underground thing. I was inspired by this new acknowledgement of the significance of erotica.
KW: Harriet Pakula-Teweles asks: How do you make the writing psychological shift from Gothic fiction to Erotic fiction—or is there a lot of one in the other?
AR: For me erotic and gothic fiction have much in common. Both are imaginative realms that are talking about the meaning of life in metaphorical terms. I love that. I don't have any problem writing in both genres.
KW: Director Lawrence Greenberg says: Anne, I am a huge fan. I think that I have read every one of your books. Can you speak a little bit about how your writing has been adapted to the screen and what you have learned from that process, for better or worse?
AR: I have good and bad experiences with screen adaptation. What I learned above all is that it is always a risk. However, I love film in all forms, and I think it's worth the risk. So I keep agreeing to and encouraging adaptations. Of course, I feel those adaptations which are entirely faithful to the underlying work are the most successful. When producers and directors and screenwriters try to re-imagine and substantially change the underlying material, more often the end product fails.
KW: Editor Lisa Loving says: Wow! OK! Dang! Anne Rice rearranged part of my mind during the years I read her novels, including the three-part Sleeping Beauty. Will… never... get... over... that! Whoa! Anne, one of the things I love the most about your writing is the way you consistently encompass wide swaths of human history. What is your favorite history book, or do you have a go-to source for your historical perspectives?
AR: I read very widely in history and consume an amazing number of biographies. The well written biography is the best way for me to learn about a period, whether we are talking about a biography of Harriet Beecher Stowe or Elizabeth I or Peter the Great or Augustus Caesar. I read history all the time for pure pleasure often immersing myself in a character or a century that might not show up in my novels at all. Reading history for me is like eating ice cream.
KW: Lisa’s also curious about what made you turn to writing about the life of Jesus. What did that historical research involve? And what has been the response of your readers?
AR: Writing my two novels about Jesus involved years of research into life in the First Century, research in the Bible, research in Bible scholarship, research in ancient mythology and literature, etc. I visited Israel twice while writing these books. ---- The reader response to both Christ the Lord books was hugely positive, but I eventually moved away from the project for theological reasons. I loved writing about the private life of Jesus, trying to re-create what daily life was like for Him as a boy in Nazareth, but when it came to tackling His public life and teachings, I found the age old theological battles about Him draining and discouraging. But I loved working in this area. I am a believer in Jesus who has no organized theology to back up that belief. I seek for Jesus outside organized religion and its quarreling churches and cults. And my two books about Jesus are the full expression of my love for Him and faith in Him.
KW: Do you have any favorite "monsters" that you have never written about? Is "monster" the right word to describe vampires, witches and Lasher? Is there a real-life Lestat that you patterned the character on?
AR: My favorite monster is the vampire without doubt. He is a metaphor for the outsider in all of us, the outcast, the lonely one, the lost one. I'll be interrogating that metaphor for the rest of my life.
KW: Editor/Legist Patricia Turnier says: Without giving too much away about Beauty’s Kingdom, tell us what readers should expect from it? If it becomes a movie one day, who’d you like to direct and star in it?
AR: Beauty's Kingdom picks up the characters twenty years after the trilogy. Beauty and her beloved husband, King Laurent, are called upon to come back to the kingdom where they met as slaves and preserve the way of erotica slavery. Beauty declares that henceforth all slavery must be voluntary and open to applicants of all classes. The book explores, among other things, the outlook of those who volunteer to be slaves and how they love it and what they expect from their royal masters and mistresses. ---- Right now, Beauty is being developed for cable television.
KW: Patricia also says: I didn't read Interview with the Vampire but I truly loved the movie. The best movies often come from great books, and it helps when the author writes the screenplay like in this case. How did you insure that the filmmaker would do a great job adapting your novel? Were you involved with the casting? Did you spend a lot of time on the set, too?
AR: I couldn't really insure anything. I did write the script and Neil Jordan added many things but was essentially faithful to the script and the books. But it's always a risk. There was no guarantee it would turn out that way. David Geffen was the producer behind it all, and it was his desire I think for fidelity that underscored the whole effort.
KW: It is amazing that you became highly successful with your first novel. I assume you encountered many naysayers prior to getting published. What kept you going and what advice do you have for aspiring authors?
AR: Writers have to have faith. They have to be stubborn. They have to endure lots of insults, contemptuous dismissal and criticism, and they have to keep going. I always believed this. I always believed the author has to fight for her vision, her story, her characters, her "right" to be a writer and to offer something fresh and interesting in a marketplace that will always be tough. I don't know where I got my courage. I am a scrapper. It's in my genes.
KW: What was your first job?
AR: My first job was as a cafeteria waitress in a downtown cafeteria in New Orleans. I worked on weekends and made 75 cents an hour. It was hard work but I loved it.
KW: Thanks again for the time, Anne, and best of luck with the book.
AR: Thank you, Kam.
To order a copy of Beauty’s Kingdom, visit: http://www.amazon.com/exec/obidos/ASIN/0525427996/ref=nosim/thslfofire-20
Queen Latifah and Keke Palmer
The “Brotherly Love” Interview
with Kam Williams
Keke Palmer is a multi-talented actress, singer, songwriter and talk show host who made her screen debut at the age of 10 in Barbershop 2 before landing a breakout role a couple of years later as the title character in Akeelah and the Bee. The emerging ingenue has since embarked on an enviable showbiz career in film, on TV and in music while also finding time to give back to the community.
By contrast Oscar-nominee Queen Latifah (for Chicago) started out as a hip-hop artist before adding acting to her repertoire. She’s also proved to be a popular spokesperson for everything from Jenny Craig to Pizza hut to CoverGirl cosmetics.
Here, the two talk about Brotherly Love, a hip-hop driven drama starring Keke which was produced by Latifah.
Kam Williams: Hi Queen and Keke, I’m so honored to have this opportunity to speak with both of you.
Keke Palmer: So are we.
Queen Latifah: Thanks, Kam.
KW: Queen, Professor/Filmmaker/Author Hisani DuBose has a question for you: With all that you've accomplished, was it still difficult for you to get this project greenlit?
QL: Well, it wasn’t hard to get it greenlit, because we greenlit it. [Laughs] It’s easy when you’re the greenlighter. Really, it was more about lining up the financing. It always comes back to the dollars and cents, and finding the money to be able to fund the project and make it happen. That’s what we went on immediately, and I’m fortunate to work with a tiger who doesn’t rest until it all happens. He and I really jumped in on it until and worked with some other partners to help create the finances, and they came through for us. So, we all put it together, collectively, and made it happen.
KW: Hisani has one for Keke, too: Did you feel a lot of pressure having to grow from a child star into a woman under the bright lights of Hollywood?
KP: I definitely, at times, felt the pressures of life similar to the pressures anyone would feel growing up. The only difference was that maybe more people were aware of mine. But, if anything, I changed the pressure from negative to positive. So, instead of thinking everybody wanted to see me fail, I decided everybody wanted to see me win, since I wanted to see myself win. I’m glad and appreciate having people on my team who are watching and looking out for me. Let me continue to make them proud and continue to give away the gift that was given to me.
KW: Editor/Legist Patricia Turnier asks: Keke, how did you prepare to play Jackie?
KP: I thought it was really awesome that I got a chance to be in a movie being made right in Philadelphia. Being around a lot of kids, walking around the streets of Overbrook and actually getting to know the neighborhood helped give me an idea of what their reality was like. It was nice to discover that it wasn’t that much different from where I grew up. And then I also got to spend time with the rest of the cast, because this was an independent film. That meant we had so much more creative control and creative liberties, as well as a lot of time to spend with one another while we were trying to get everything going. I think the chemistry among the cast is what really makes the film feel so good to me. We got to work with each other long enough to get a feel for each other and that really made the characters come to life.
KW: Children’s book author Irene Smalls asks: What message do you want people to take away Brotherly Love?
KP: I want them to get whatever they honestly get from it. I don’t want to tell them what they should be receiving from it, ‘cause that would kill the experience. But what I took away from the film was the importance of choices. Sometimes, when you grow up in one of these poverty-stricken neighborhoods where the educational system isn’t the best, you don’t realize that you have any choices. Often, kids don’t appreciate the choices available, as if it’s either the street or nothing. I want them to understand that reality is what’s relative to you, and that you can make choices that allow you to create a new reality for yourself.
KW: Bobby Shenker says: I was so excited to hear that you’re starring as Bessie Smith. Years ago, when I saw you in Living Out Loud [with Holly Hunter and Danny DeVito], I said, “This woman needs to play Bessie Smith in a biopic.” And I'm sure I've posted numerous suggestions of this over the years. So I'm ecstatic! I think I revisited that thought when you did Chicago. My only wish would have been that it was on the big screen. Love from Philly to the Queen!
QL: Thanks Bobby!
KW: Marcia Evans says: Share that we sistahs are proud of the Queen. And tell her that not only myself but my mother and my aunt adore her work. So she must keep her film projects coming because we will be watching. We can't wait to see her upcoming new biopic about the iconic blues singer Bessie Smith. She asks: Do you have another biopic planned?
QL: Thanks, Marcia. There are actually a couple floating around, but the scripts aren’t quite where they need to be for me to pull the trigger on them yet. And I’m working on three scripts that are really close to me featuring three completely different characters from totally different time periods. So, I’m going to have a lot of fun once I decide which one’s going to go first. And I can’t wait! [Chuckles]
KW: Environmental activist Grace Sinden says: Keke, I am impressed with your career achievements at a young age, and I’m additionally impressed with your philanthropic work, for example, with the Boys & Girls Club, Urban Farming, Saving Our Daughters, including anti-bullying, etcetera. What motivated you to be so involved with charitable activities?
KP: Something that was instilled in me by my parents at a very young age is that there is no happy life without a life of service. Over the course of my career, I’ve been fortunate to always encounter others who share that philosophy, like Queen Latifah, people who understand that when you’ve been blessed, you have to share your gifts, and you also have to help others give their gifts away. Being of service is something that really makes me happy. Being able to tell young kids about something they might never have known without meeting someone with my experiences is what really what I feel it’s all about. I feel that’s the only way that you get fulfillment out of life.
KW: Reverend Florine Thompson asks: What advice do you have to offer young girls hoping to emulate your success?
KP: To be true to your heart, and if you’re passionate about your dream, work towards it but don’t allow your idea of how you think it should manifest prevent what’s actually unfolding from happening. You know what I mean? Be present in the moment and allow yourself to be guided by it by God. Allow Him to guide you and just embrace every situation, good or bad, since you’re experiencing it because you’re meant to go through it.
KW: Thanks again for the time, and best of luck with Brotherly Love.
QL: Thanks, Kam.
KP: Bye.
To see a trailer for Brotherly Love, visit: http://brotherlylovethemovie.com/#trailer
Helicopter Mom
Film Review by Kam Williams
Lloyd’s (Jason Dolley) life has been made miserable by his compulsively-hovering mother, Maggie (Nia Vardalos), who can’t help but monitor his every move. The frustrated teenager’s only hope for relief rests with getting accepted to a college clear across the country, since that would make it impossible for her to meddle in his business day in and day out. Until then, he’s doing his best to avoid her while making plans to attend the impending senior prom.
But that proves easier said than done, given how the lonely divorcee has no shame about peppering her beleaguered little boy with probing personal questions like “Are you seeing anyone?” “When was your first kiss?” and “What do you think about when you masturbate?
So, it’s no surprise that Lloyd isn’t at all forthcoming, even about his sexual preference. That hasn’t prevented Maggie from coming to the conclusion that he must be gay, because of such supposedly telltale signs as sensitivity and writing poetry.
Another big clue she’s seized on is the fact that he prefers to have a platonic relationship with the gorgeous cheerleader (Skyler Samuels) who’s gone gaga over him. Consequently, Maggie has not only attempted to coax Lloyd out of the closet, but she’s applied for scholarships that are reserved for homosexuals.
Is he or isn’t he? That’s the question at the heart of Helicopter Mom, a dysfunctional family comedy directed by Salome Breziner (The Secret Life of Dorks). Thanks to a cleverly-conceived, well-concealed script the movie actually keeps you guessing whether or not Lloyd is straight right up to the very end.
The film features Oscar-nominee Nia Vardalos as the title character in her best role since My Big Fat Greek Wedding (2002). She and co-star Jason Dolley generate the requisite negative chemistry to convince you that they really might be mother and son locked in a battle over the right to privacy.
An alternately humorous and sobering cautionary tale chronicling the woes of an exasperated kid smothered by a well-meaning mom in an era of omnipresent parenting.
Very Good (3 stars)
Unrated
Running time: 84 minutes
Distributor: E1 Entertainment
To see a trailer for Helicopter Mom, visit: https://vimeo.com/97173719
Brotherly Love
Film Review by Kam Williams
Twins Jackie (Keke Palmer) and Sergio Taylor (Eric D. Hill, Jr.) already had it tough enough growing up in the ghetto before the untimely demise of their dad a few years ago. But then their mother (Macy Gray) stopped functioning and started hitting the bottle.
That’s when their big brother, June (Cory Hardrict), became the family breadwinner, and it’s been a struggle for him to keep a roof over their heads ever since. So, he started dealing drugs hoping that his becoming an outlaw would at least enable his siblings to keep their noses clean and continue pursuing their dreams. After all, Sergio is one of the top high school basketball players in the nation, while Jackie is an aspiring singer in need of a big break.
By comparison, the living is easy for kids like Chris Collins (Quincy Brown) from “The Hilltop,” the upscale enclave located just across the proverbial tracks. He’s a classmate of Jackie’s at Overbrook High, where students from his ‘hood don’t mix with those from “The Bottom,” especially in the wake of the gang warfare that recently claimed the life of one of his cousins.
Chris has a crush on Jackie, and she likes him, too. Under normal circumstances theirs would be a match made in heaven, since his father is a famous record producer capable of launching a promising talent’s musical career.
However, complications arise reminiscent of Romeo and Juliet when the competing clans suggest that the pair separate. Will the star-crossed lovers follow their hearts or capitulate to the pressure from friends and relatives?
Written and directed by Jamal Hill (Autumn), Brotherly Love is a gritty, inner-city saga of Shakespearean proportions shot on location in West Philadelphia. Provided you have a strong stomach for Ebonics laced with lots of cursing and the N-word, you’ll likely find this super-realistic adventure quite compelling.
As far as performances are concerned, Keke Palmer is terrific in the lead role as Jackie. She also belts out a couple of tunes on the soundtrack, including a mesmerizing, closing credits rendition of the Harold Melvin R&B classic, “Wake Up Everybody.” And the rest of the cast, especially Cory Hardrict, Romeo Miller, Macy Gray, Eric D. Hill, Jr., Quincy Brown and Faizon Love, does a great job creating the requisite edgy atmosphere that imbues the production with a very authentic feel for the duration.
Romeo, Romeo, wherefore art though Romeo? I be hanging with my homeys, mama!
Very Good (3 stars)
Rated R for violence, profanity and ethnic slurs
Running time: 111 minutes
Distributor: Liquid Soul Media / Freestyle Releasing
To see a trailer for Brotherly Love, visit: http://brotherlylovethemovie.com/#trailer
Unfriended
Film Review by Kam Williams
On April 9, 2013, Laura Barns (Heather Sossaman) drank too much at a high school classmate’s unsupervised keg party, and promptly passed out and pooped on herself. Time was when such immature behavior might be forgiven as a youthful indiscretion and quietly swept under the rug just as soon as the hangover wore off the next morning.
But then came the unforgiving Digital Age during which the slightest faux pas can so easily come back to haunt you forever. That’s precisely what happened to Laura, thanks to the mean-spirited fellow reveler who, instead of coming to the assistance of a damsel-in-distress, whipped out a cell to record an embarrassing video of her sprawled on the ground with her skirt hiked above the waist.
The initial invasion of privacy escalated to cyber-bulling when the movie was posted online followed by a thread of cruel comments. After several days of mercilessly teasing, the tortured teen finally took her own life with a gun.
Now, it’s exactly one year later, and we find Laura’s former BBF Blaire (Shelley Hennig) flirting with Mitch (Moses Jacob Storm) via Skype. Their sensual exchange comes to an abrupt end when they are joined in the chatroom by a trio of friends, Jess (Renee Olstead) Adam (Will Peltz) and Ken (Jacob Wysocki).
Next thing you know, an anonymous intruder claiming to be Laura announces her presence and starts divulging deep secrets about each of them. The spooked quintet assumes the uninvited guest to be their prankster pal, Val (Courtney Halverson), until she pops up on a separate screen. Then, when “Laura” starts knocking them off one-by-one, it becomes clear that they are dealing with a disembodied spirit bent on vengeance.
Directed by Levan Gabriadze, Unfriended is a found footage horror flick ostensibly designed with Millennials in mind. For, this novel genre-bender unfolds on a computer from beginning to its terrifying end. Although most folks over 30 are apt to find the hyperactive adventure visually-disconcerting, the up-and-coming generation weaned on screens is likely to be right at home, given how they’re glued to electronic stimuli, 24/7.
Revenge as a dish best served pixilated!
Excellent (4 stars)
Rated R for violence, sexuality, teen drug and alcohol abuse, and pervasive profanity
Running time: 82 minutes
Distributor: Universal Pictures
Alex of Venice
Film Review by Kam Williams
Alex (Mary Elizabeth Winstead) has been such a workaholic attorney that she’s been blissfully unaware of her husband George’s (Chris Messina) discontent with the marriage. Between shuttling their 10 year-old son (Skyler Gartner) to school and making sure his father-in-law (Don Johnson) takes his meds, the stay-at-home dad has grown tired of his role as Mr. Mom.
After all, his original plan was to pursue a career as an artist while caring for the family. But his domestic duties have kept him too busy to do any painting.
So, Alex is caught totally by surprise the day he announces that he wants out and summarily vacates the premises. Suddenly, she finds herself overwhelmed after having to juggle her job and her hubby’s responsibilities.
She’s used to putting in long hours at the office, including on Sunday. But it soon becomes clear that she has to reorder her priorities, despite her sister’s (Katie Nehra) moving in to help pick up some of the slack.
Alex begins to appreciate that there’s more to life than the rat race, and she decides it’s time she step off the treadmill to spend more quality time with her son. Furthermore, George was the only man she’d ever slept with. Now free to date, she impulsively gets involved with a hunky black defendant (Derek Luke) she spots across a crowded courtroom, even though she’s the representing his opponent in a hotly-contested civil case.
Thus unfolds Alex of Venice, a super-realistic slice-of-life adventure featuring Mary Elizabeth Winstead in the title role. The movie also marks the noteworthy directorial debut of co-star Chris Messina, winner of a SAG Award for Argo in the Outstanding Cast category.
This quixotic character study proves to be less poignant than meandering, as it paints a plausible picture of a just-dumped divorcee doing her best to pick up the pieces of her shattered dreams.
Excellent (3.5 stars)
Rated R for profanity, sexual references and drug use
Running time: 86 minutes
Distributor: Screen Media Films
To see a trailer for Alex of Venice, visit: https://www.youtube.com/watch?v=rtLX_Y5_VG4
The Squeeze
Film Review by Kam Williams
Augie Baccas (Jeremy Sumpter) is a God-fearing golfing sensation who credits his phenomenal success on the links to a combination of hard work, talent and a belief in the Almighty. And the promising prodigy is on the verge of leaving his dysfunctional home for the greener pastures of the PGA Tour so that he’ll no longer be mistreated by his abusive stepfather (Elliott Grey) anymore.
But then he’s approached by an unsavory character who rolls into town in a classic convertible with an attractive blonde (Katherine LaNasa) riding shotgun. Reeves “Riverboat” Boatwright (Christopher McDonald) is a brash gambler sporting a thick Southern drawl and enough cash to seduce the youngster into making a deal with the devil
The plan is to sucker a mark unaware of the kid’s prowess into betting a million dollars against him in a two-man match. Augie’s take will be 10% provided he wins. In Las Vegas, they find what they think is a patsy in Jimmy Diamonds (Michael Nouri), a high-roller with his own golf pro (Jason Dohring).
That is the basic setup of The Squeeze, a pat cat-and-mouse caper marking the writing and directorial debut of Terry Jastrow. Unfortunately, this battle-of-wits’ plot proves way too predictable to hold one’s attention very long.
A moralizing, paint-by-numbers parable lifted right out of the Hollywood hack playbook.
Fair (1.5 stars)
Rated PG-13 for sexuality, profanity, drug use and mature themes
Running time: 95 minutes
Distributor: ARC Entertainment
To see a trailer for The Squeeze, visit: https://www.youtube.com/watch?v=91f2vHdkAKc
The Human Experiment
Film Review by Kam Williams
I suspect that this eye-opening expose’ will probably play out like a case of preaching to the converted, since the only people willing to watch a depressing documentary about the toxins poisoning just about everything in the environment are likely to be well-informed folks already inclined to agree with the picture’s central thesis. That being said, The Human Experiment is nevertheless an excellent flick, even if it might have a hard time attracting a wide audience.
Co-directed by multiple Emmy-winners Dana Nachman and Don Hardy, Jr., the picture indicts the chemical industry for the dramatic increases in cancer, autism, genital deformities, asthma, leukemia, ADHD, infertility, birth defects, early onset puberty and pediatric brain tumors. The problem is that instead of policing the polluters, the Environmental Protection Agency has adopted an innocent ‘til proven guilty approach which makes it nearly impossible to get an unhealthy product off the market.
That point is driven home by reminding us how past EPA ineptitude enabled the tobacco, lead, asbestos and vinyl chloride companies to “get away with murder” via a combination of deception and distraction. Today, it is China that is often the culprit, reflected in how it treats the U.S. like a dumping ground by shipping stuff here containing formaldehyde and other poisons it has banned domestically.
The Human Experiment features interviews with a number of very dedicated activists, such as Jessica Assaf who risks arrest to slap homemade warning labels on hazardous goods sitting on store shelves which read, “Ingredients in this product have been linked to cancer, neurotoxicity and reproductive toxicity.” A cautionary expose’ making a convincing argument that consumers would be very wise to learn all they can about the ingredients in the products they buy.
Excellent (4 stars)
Unrated
In English and Spanish with subtitles
Running time: 91 minutes
Distributor: Area 23a / FilmBuff
To see a trailer for The Human Experiment, visit: https://www.youtube.com/watch?v=3crXxGSemv4
Kevin James
The “Paul Blart: Mall Cop 2” Interview
with Kam Williams
Watch Out! The Portly Security Guard’s Back on the Segway
Kevin James, star of the hit comedies Paul Blart: Mall Cop and Zookeeper will also be seen late this year in the ensemble, sci-fi comedy Pixels. He began his showbiz career as a stand-up comic on the Long Island circuit. After being discovered at the 1996 Montreal Comedy Festival, he signed a network development deal to create his own sitcom.
“The King of Queens,” which premiered in 1998, ran for nine seasons on CBS with Kevin co-starring and executive producing. The show garnered him an Emmy nomination in 2006 for Outstanding Lead Actor in a Comedy Series, and has continued to air all around the world in syndication since concluding its run.
On the big screen, Kevin made his feature film debut in Hitch opposite Will Smith. Since then, he headlined Here Comes the Boom, and starred alongside Adam Sandler in Grown Ups, Grown Ups 2, and I Now Pronounce You Chuck and Larry. Besides his live-action work, he’s done voice work in such animated features as Monster House, Hotel Transylvania, and its upcoming sequel, Hotel Transylvania 2, opening this fall.
Here, Kevin talks about his new film, Paul Blart: Mall Cop 2, a slapstick-driven sequel which finds the hapless hero on vacation in Vegas with his college-bound daughter (Raini Rodriguez) until he instinctively jumps into action when duty calls.
Kam Williams: Hi Kevin, thanks so much for another opportunity to speak with you.
Kevin James: No problem, Kam. How’s it going?
KW: Great, thanks! The last time we spoke, you were doing Here Comes the Boom?
KJ: Oh, I wish that one did better. I loved that movie.
KW: So did I. I gave it a great review.
KJ: That was awesome. Thank you.
KW: So what inspired you to put back on the badge on hop onto the Segway again?
KJ: You know, we all loved the character, and after the first film did well, I didn’t want to see him disappear. It was just time, it felt right, and we missed him. We also wanted to bring him back because the world needs a hero now. So, it was nice to bring him to Vegas, make it a bigger platform, and raise the stakes. He’s going through an emotional time with his daughter [played by Raini Rodriguez] who’s about to go off to college. But he can’t separate himself from his calling, and even though he’s on vacation, he’s got to serve and protect. You can’t take him away from his work.
KW: How was it co-writing the script with Todd Garner and Nick Bakay, who wrote Zookeeper for you?
KJ: It’s just great, because these guys know Paul Blart so well. So, we’re able to bounce ideas off each other, which makes the process more comfortable. And of course, the character’s more familiar to us, which means we were able to take it to another level.
KW: I have some questions for you from fans. Editor Lisa Loving says: There is something about the mall cop as a stock persona in American culture. We've all giggled at mall cops. In our town, the mall cops used to dress up in Canadian Mountie hats like Dudley Do-Right. And yet they are serious law enforcement professionals too, as we have seen in some of the more outrageous acts of mass violence during the past decade. In my home state of Oregon that includes the Clackamas Town Center shooting of a few years ago. Paul, what do you draw on in creating this character?
KJ: Initially, I drew on the stereotype of them as goofy. But then I thought about the fact that these security guards have basically the same job as regular cops but without any of the training or lethal weapons. It was inspiring to me. I was like, “These guys are really heroes!” They’re doing more with less. That’s the key.
KW: Sangeetha Subramanian says: Hi Kevin! I'm a huge fan of your stand-up and on-screen work! Is your approach to comedy different for a family-friendly movie like the Paul Blart movies versus your other work?
KJ: They’re certainly different from The Grown-Ups films which aren’t dirty at all. But since I have four kids now, I try to gear my movies towards them, so we can sit down and watch them together. That’s what makes me feel good and drives me to create content for parents who desperately want to have a great time in the theater with their children as a family.
KW: Eleanor Welski asks: What's the special place your song takes you to? I think she might be referring to your character, Paul Blart.
KJ: It takes him to a higher level, to hero status.
KW: The Harriet Pakula-Teweles question: With so many classic films being redone, is there a remake you'd like to star in?
KJ: Wow! That’s a good question. A movie I would like to do again is Planes, Trains and Automobiles. I love that movie. That’s the sort of movie I gravitate towards, one where you have an underdog who somehow overcomes the odds. I’m always looking for movies, and I would definitely consider a remake.
KW: Did you ever see Baby’s Day Out? That’s another great film by John Hughes.
KJ: I’m a huge John Hughes fan, but that’s one of his I haven’t seen.
KW: It’s every bit as funny as Ferris Bueller’s Day Off and Planes, Trains and Automobiles. And you can watch it with your kids.
KJ: I gotta see it.
KW: The “Realtor to the Stars” Jimmy Bayan’s question: What’s your dream locale in Los Angeles to live?
KJ: In L.A., I like Orange County. There also some beautiful spots in San Diego. And I was in Encino for a long time, and enjoyed that as well.
KW: The Kerry Washington question: If you were an animal, what animal would you be?
KJ: I’d say a manatee for several reasons. I don’t have long arms… I like to just float… and I eat a lot. [Chuckles]
KW: The Anthony Mackie question: Isthere anything that you promised yourself you’d do if you became famous, that you still haven’t done yet?
KJ: Get ripped.
KW: The Viola Davis question: What’s the biggest difference between who you are at home as opposed to the person we see on the red carpet?
KJ: On the red carpet, you’re always trying to watch and guide your way through these questions, while at home you free to just be loose and let your kids climb all over you, and you don’t have to throw any makeup on your face.
KW: Is there any question no one ever asks you, that you wish someone would?
KJ: Wow! That’s a good question. That would be the question.
KW: The Sanaa Lathan question: What excites you?
KJ: The possibility of bringing an unsung hero to the screen.
KW: The Judyth Piazza question: What key quality do you believe all successful people share?
KJ: Humility.
KW: Attorney Bernadette Beekman asks: What is your favorite charity?
KJ: I have several different causes I support, but I don’t have one favorite.
KW: Let's say you’re throwing your dream dinner party—who’s invited.
KJ: This is gonna sound weird, but it would be the band One Direction.
KW: Would you be inviting them for yourself or for your kids?
KJ: For both.
KW: The Uduak Oduok question: Who is your favorite clothes designer?
KJ: I think it would be Under Armour.
KW: The Tasha Smith question: Are you ever afraid on the set anymore?
KJ: I get butterflies because I’m excited, but not because I’m afraid.
KW: The Anthony Anderson question: If you could have a superpower, which one would you choose?
KJ: This is awkward, because I do have a superpower. I have a vertical jump of about 17 or 18 feet.
KW: The Laz Alonso question: How can your fans help you?
KJ: By going out with their families and enjoying Paul Blart 2 and the other movies I make.
KW: The Pastor Alex Kendrick question: When do you feel the most content?
KJ: When I’m at home with my family, just hanging out and watching a movie.
KW: Lastly, Kevin, what’s in your wallet?
KJ: What’s in your wallet? My goodness! A little Pyle [GPS chip] to help me find it, because I lose it all the time.
KW: Thanks again for the time, Kevin, and best of luck with the film.
KJ: You’re awesome, Kam. I appreciate the support.
To see a trailer for Paul Blart: Mall Cop 2, visit: https://www.youtube.com/watch?v=bmD2vogB6yE
Freida Pinto
The “Desert Dancer” Interview
with Kam Williams
Born in Mumbai on October 18, 1984, Freida Pinto exhibited an interest in acting from an early age. She had participated in community theater as well as school productions by the time she graduated with a degree in English Literature from St. Xavier’s College, rated the top college in India for the Arts.
Freida was signed as a model by the Elite Agency and was hired to anchor a TV travel show prior to making her highly-acclaimed screen debut co-starring opposite Dev Patel in Slumdog Millionaire, which swept the 2009 Academy Awards. She’s since appeared in Woody Allen’s You Will Meet a Tall Dark Stranger, portrayed the title characters in Trishna and Miral, and played James Franco’s love interest in Rise of the Planet of the Apes.
Here, she talks about her latest outing in Desert Dancer, a biopic about Afshin Ghaffarian, the Iranian dissident who founded an underground, modern dance company in a country where dancing is strictly forbidden.
Kam Williams: Hi Freida. Thanks for the interview. I’m honored to have this opportunity to speak with you.
Freida Pinto: Of course, Kam. Thank you so much for doing this for my little, tiny film.
KW: A small, but powerful art film. It had everybody at my screening crying.
FP: Oh my God! Thank you for telling me. We love hearing that there wasn’t a single dry eye in the room. That’s what we aimed for.
KW: Yes, it was very moving, as well as uplifting. In this picture, you reminded me of Halle Berry in Jungle Fever, where she also played a drug addict. Have you seen it?
FP: No, I haven’t. But I love Halle Berry, so thanks for the compliment. I’m going to watch it.
KW: How did you prepare to play a heroin addict?
FP: I didn’t want to watch any film about heroin addicts, because I didn’t want to imitate or exactly copy someone else’s take on what the individual symptoms were, although I did watch Candy, with Abbie Cornish and Heath Ledger, which was amazing. Instead, what I did was spend a lot of time with my director [Richard Raymond] at A.A. meetings in London, and just listened to people speak.
KW: I told my readers I’d be interviewing you. So I’m mixing in some of their questions with mine. Sangeetha Subramanian says: Hi Freida, the movie looks great! What was the process like learning the dances for the film?
FP: It involved a physically-demanding regimen, because in a movie like this about dance, the actors are expected to look the part. So, first, we had choreographers and trainers come and break us down. If we arrived thinking movement was a certain thing, they were teaching us something brand new. We were being twisted and turned and bent backwards, and under the most challenging of circumstances, as well. We were working really, really long hours, so we had to push ourselves. It was amazing to test your endurance and find yourself motivated to go one step beyond what you thought were your limits. Another aspect was the mental and emotional training, especially with my character, Elaheh. It was very important that I let myself go, and experience things I was afraid of experiencing.
KW: Attorney Bernadette Beekman asks: Did your training in classical Indian dance help prepare you for the 8 hours of daily practice for this role?
FP: [Laughs] I wish I really had any training in classical Indian dance. That’s Wikipedia just lying. That is not true. I came with zero experience from the dance world. The only dancing I’d ever done was in clubs. [Laughs some more]
KW: Bernadette also admires that you are so involved in causes respecting girls and education. She asks: Is there any particular subject or course of study you would recommend to young girls considering a career in film?
FP: In film? I have not been formally trained at an acting school or even a film school. But when I majored in English Literature in college, part of the syllabus covered film in literature, adaptations, and reading poetry and prose from the early 19th Century to the present, all of which was beautiful and opened your mind to so much more. But I also studied Psychology which helped me immeasurably, and continues to help me in terms of the science of accessing emotions and how the human brain functions. I find all of that very intriguing. I’m not saying that’s the answer for other actors, just that I’m a very cerebral and scientific kind of person. More than anything else, if you can spend a great deal of dedicated time observing people without judgment, that can be a great way of learning.
KW: Editor Lisa Loving says: You are such a talented performer, and yet I have been thrilled at the work you have done to support underprivileged women and children around the world. This film, too, shows the power of art in a corrupt society. What do you think are the most pressing political and social issues we should be addressing today? And what do you think we, as citizens of the world, should be doing to make it a better place?
FP: I’m not going to comment on political issues. America and India both have their issues. One thing I can say is that awareness is very, very important because we’re living in a world which is literally shrinking by the day. We are global citizens. So, for us not to be aware of what’s happening to our neighbor is almost sad. Once you’re aware, then you can decide what cause you want to dedicate your time to. I feel that all of us can contribute something, and it doesn’t have to be money. It can just be service or talent.
KW: Environmental activist Grace Sinden asks: Have you ever felt culture shock in moving between the Indian and American cultures? If so, what have you found to be the biggest differences between the two cultures?
FP: No, not at all. Perhaps growing up in Bombay made me immune to culture shock, in a way. So, culture shock is not part of my DNA.
KW: Editor/Legist Patricia Turnier asks: Would you be interested in dubbing your dialogue into Hindi?
FP: I’d love to, if that means opening up the film to another audience. In fact, I did that for Slumdog Millionaire and in Trishna, which was part Hindi, part English. The subject-matter of Desert Dancer is not just limited to Iran. Freedom of expression can be a topic of discussion in India as much as it is in America or Iran.
KW: Patricia also asks: Is there an Indian figure you would like to portray in a biopic, such as Indira Gandhi?
FP:Yes! Quite a few. Indira Gandhi and Jhansi Rani, to name a couple. Jhansi Rani was actually a soldier. You should Google her. She’s phenomenal! There’s also a Pakistani character I’d love to play. But I’d never mention her name right now, because I’d get into so much trouble.
KW: The Harriet Pakula-Teweles question: With so many classic films being redone, is there a remake you'd like to star in?
FP: Oh, I’ve never been asked that… I’m a great admirer of Audrey Hepburn, so I’d love to be a part of a different take on any of her films, like a re-versioning of Breakfast at Tiffany’s.
KW: The Uduak Oduok question: Who is your favorite clothes designer?
FP: Gosh, there are so many. My association and affiliation with a lot of fashion brands goes way beyond the fashion itself, almost into a relationship. Right now, I have a very, very strong relationship with the Ferragamo family. So, I’d have to say Salvatore Ferragamo.
KW: The Ling-Ju Yen question: What is your earliest childhood memory?
FP: This was an exercise I had to do in an Actor’s Workshop. It was of me getting lost in a fair in Bombay. I thought I was lost for about 2 hours, but my dad said it was only about 2 minutes.
KW: What is your favorite dish to cook?
FP: Anything that is breakfast-related. I love making eggs and avocado toast, but I have no patience for the rest of the day. The only thing I can pride myself on is making a really good breakfast.
KW: Lastly, what’s in your wallet?
FP: Money, hopefully. [Laughs] I don’t carry a wallet, per se. I just carry a tiny thing that can hold a credit card, an I.D. and a little bit of cash.
KW: Thanks again for the time, Freida, and best of luck with the film.
FP: Thank you, Kam.
To see a trailer for Desert Dancer, visit: https://www.youtube.com/watch?v=MZC3er0RuVw