A Good Day to Die chronicles a movement that started a revolution and inspired a nation. By recounting the life story of Dennis Banks, the Native American who co-founded the American Indian Movement (AIM) in 1968 to advocate and protect the rights of American Indians, the film provides an in-depth look at the history and issues surrounding AIM's formation. From the forced assimilation of Native Americans within boarding schools, to discrimination by law enforcement authorities, to neglect by government officials responsible for the Bureau of Indian Affairs, AIM sought redress for the many grievances that its people harbored.
A terrific review and analysis of two recent Kino Lorber releases PUTIN'S KISS and KHODORKOVSKY in this month's Atlantic.
As depicted in Putin's Kiss, Khodorkovsky, and even in the more equivocal Target, the most damaging way that a state can be tyrannical is by breeding an attitude of cynicism and apathy toward democratic freedom—in essence, censoring the desire for freedom in the mind before it can emerge in the real world. Surely this is the real tragedy of authoritarianism, and it remains to be seen whether the Russian people will be able to overcome it as they choose their new leader in Russia's upcoming elections.
Read the entire review here. If you would like to bring either film to your community, drop us a note.
Are all film distributors equal? (Of course not!) What do the most successful distributors have in common? How can a filmmaker find out? In A to Z of Distribution (with an emphasis on 'E'), come learn what distinguishes four of the leading documentary distributors in the marketplace: Kino Lorber, Women Make Movies, Cinema Guild and New Day. Moderated by Elizabeth Sheldon, VP of Kino Lorber, each distributor will discuss how they select films, their different paths to market, what makes each company unique, and what they all have in common (hint, hint: starts with the letter ‘E’). Whether it is a theatrical department, digital distribution, specialty collections, or a strength in reaching the college/university/library market, each of the featured distributors has survived and thrived over the decades. Come learn why, how you and your film can benefit, and what they are looking for at SXSW.
Read more here.
Daring Expose Chronicles Gradual Disillusionment of Pretty Putin Protégé.
Born outside Moscow in 1989, Masha Drakova is a member of the first generation raised in Russia in the wake of the collapse of the Soviet Union. At the impressionable age of 15, she was recruited to join Nashi, a political youth group created by the Kremlin to shape the country's future leaders via a subtle form of mass mind control.
Consequently, young Masha soon took to heart the benign party line about the organization's primarily being pro-democracy and anti-fascist. And within a year, the poised and pretty patriot was promoted to a top position as the student movement's spokesperson.
Rising through the ranks, Masha was richly rewarded during her tenure as a reliable mouthpiece, enjoying her own television talk show, as well as such perks as a car, an apartment and a college education, all paid for by the government. She also became famous as the girl who had kissed Vladimir Putin after receiving a widely-publicized peck on the cheek while accepting a medal from him.
Totally taken with the President, Masha stated openly that he was the role model for the type of man she'd like to marry someday, citing such virtues as his strength, charisma and intelligence. But in swallowing the proverbial Kool-Aid hook, line and sinker, she was blinded to the secret flaws in her idol's persona.
Truth be told, Putin was a tyrant who was simultaneously discouraging dissent with the help of an army of henchmen comprised of Nashi zealots. His loyal goon squads were willing to advance the power-hungry President's agenda by any means necessary, whether that called for burning books, breaking a journalist's jaw, or by pooping on a political opponent's automobile.
Putin's Kiss is a daring documentary which carefully chronicles all of the above, along with Masha's gradual disillusionment with Putin and his repressive regime. The movie marks the marvelous directorial debut of Sweden's Lise Birk Pederson, an intrepid first-time filmmaker who ostensibly put herself and her brave subjects at considerable risk to shoot such an incendiary story on location in such an unforgiving police state.
An eye opening expose' not to missed, which reveals a "New Russia" that looks a lot like the "Old Russia."
See the trailer and visit the official website here: www.putinskissmovie.com. Opens February 17th at Cinema Village. Click here to buy your ticket now.
Excellent (4 stars)
Unrated
In Russian with subtitles.
Running time: 85 minutes
Distributor: Kino Lorber Films
Deadlines to Apply: March 9 (Documentary) / April 6 (Narrative)
IFP's Independent Filmmaker Labs are a year-long fellowship supporting independent filmmakers when they need it most: through the completion, marketing, and distribution of their first features. Lab submission is open to all first-time documentary and narrative feature directors with films in post-production. Structured in three week-long components held over the year, the Labs offer personalized attention on post-production, audience building, and distribution strategies in the digital age, followed by continued support from IFP as the project premieres in the marketplace.
Recent Lab Project alumni now in theaters include Dee Rees' Pariah (Focus Features), Alrick Brown's Kinyarwanda (AFFRM), and Victoria Mahoney's Yelling to the Sky (MPI), being released this spring. Premieres at 2012 festivals have included An Oversimplification of Her Beauty (Sundance), Welcome to Pine Hill (Slamdance, Grand Jury Award), Una Noche (Berlin), and The Light in Her Eyes and Smokin' Fish (IDFA 2011) - with more Lab alumni set for upcoming festivals and broadcast. To apply or for more information, please visit http://www.ifp.org/programs/labs.