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UserpicTony Manero
Posted by Elizabeth
01.03.2009

tony-manero-dance.jpgAnother coup for Lorber HT Digital, who acquired North American theatrical and home video rights for the 2008 New York Film Festival winner, Tony Manero. Set in Chile during the grim days of the military dictatorship of General Pinochet, the film opens with the seemingly benign protagonist, Raul, protecting a little old lady from neighborhood thugs (where are the ubiquitous Chilean police when you need them?). Any sympathy is quickly shattered when Raul bashes her brains out with his bare hands and then absconds with her color television set, although not before taking care to feed her cat.

A macabre political parable, Raul's obsession with Saturday Night Fever is an apt metaphor for the dictatorship. The film's use of violence and sexual disfunction is appropriate and powerful. Raul's fantasy, and his single-minded pursuit of it, paints a dark picture of life under a dictator.

Read more at Indiewire.

    

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News
UserpicNew Yorker Films Dies; will rebirth follow?
Posted by Elizabeth
24.02.2009

Lots of sepculation in the industry regarding the fate of New Yorker Films, an icon in the art distribution world. By Andrew O'Hoheir at Salon.com

Beyond The Multiplex

New Yorker Films

An icon of independent cinema crumbled before the nation's widening financial crisis on Monday, as New Yorker Films, owner of an unparalleled library of art-house films from all over the world, announced it was closing up shop after nearly 44 years. While the company had evidently been in distress for some time -- it had sharply downscaled its theatrical operations, and its DVD releases were frequently delayed -- the announcement still sent shock waves through the independent film world.

New Yorker was founded in 1965 by moviehouse proprietor Dan Talbot, who continued to run it, in partnership with co-president José Lopez, until the closing was announced Monday. In case you're wondering, it has no connection with the New Yorker magazine, owned by Condé Nast. Talbot named the film company after the repertory cinema he then operated on Manhattan's Upper West Side. (While that theater is long gone, Talbot still owns a majority share of the Lincoln Plaza Cinemas, another Upper West Side institution, which is unaffected by New Yorker's closing.)

Read the rest at Salon.com

 

    



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