Movie 43
Film Review by Kam Williams

Movie 43 is a shallow shocksploitation flick which revels in raunchy lowbrow humor. What is supposed to elevate this terminally-crude comedy above your typical bottom-feeder is its A-list cast topped by Academy Award-winners Halle Berry and Kate Winslet, as well as Oscar-nominees Uma Thurman, Naomi Watts, Hugh Jackman and Terrence Howard.

However, the picture fails miserably in this regard, as it merely ends-up dragging the entire ensemble into the mud. This scatterplot sketch flick features a dozen directors, including Peter Farrelly (There's Something about Mary), Brett Ratner (Rush Hour trilogy), Bob Odenkirk (The Brothers Solomon), to name a few.

The film is essentially a series of skits being pitched by a writer (Dennis Quaid) to a skeptical Hollywood producer (Greg Kinnear). After Charlie sets up each scene, the screen cuts away to an enactment of a fully fleshed-out production of his idea.

For example, the first vignette, "The Catch," revolves around a socialite named Beth's (Winslet) blind date from Hell with Davis (Jackman), a successful, eligible bachelor with a distracting drawback, namely, a hairy scrotum hanging from his neck in place of an Adam's apple. The sight gag serves as fodder for a running joke since Beth, inexplicably, is the only person in the restaurant able to see the deformity.

So, while Davis looks perfectly normal to everybody else, the poor woman finds herself forced to suffer such indignities as posing for a picture with sweaty gonads in her face. The subject matter goes from gross-out fare to incest and pedophilia in the next segment, "Homeschooled," which is about a mother's (Watts) taking her son's (Jeremy Allen White) virginity. Worse, the 13 year-old's perverted dad (Liev Schreiber) comes on to the kid, too.

Halle Berry's breasts co-star in "Truth or Dare," another bit about a blind date. In this tacky tableau, her character first exposes herself after accepting a challenge to make guacamole with her bosom. The oversexed exhibitionist bares her gargantuan mammaries again at the end of the evening, even though she's supposedly not attracted to Asian men.

Dating is also the theme of "Super Hero Speed Dating" where Batman's (Jason Sudeikis) sidekick Robin (Justin Long) attempts to charm both Super Girl (Kristen Bell) and Wonder Woman (Leslie Bibb). And "Middleschool Date" milks its mean-spirited mirth from a 7th grader's (Chloe Moretz) being mercilessly teased about getting her first menstrual period while sharing a kiss with a classmate (Jimmy Bennett) she has a crush on.

More creepy than comical, Movie 43 represents a disgusting, cinematic descent into depravity destined to leave its victims, sitting slack-jawed and speechless in stunned disbelief.

Poor (0 stars)

Rated R for violence, drug use, pervasive profanity, graphic sexuality, frontal nudity, crude humor and coarse dialogue.

Running time: 90 minutes

Distributor: Relativity Media

To see a trailer for Movie 43, visit

Mumia: Long Distance Revolutionary
Film Review by Kam Williams

Wesley Cook, aka Mumia Abu-Jamal, was born on April 24, 1954 in the City of Brotherly Love. There, he founded a branch of the Black Panthers at the age of 15 after being kicked by a cop at a rally for segregationist presidential candidate George Wallace.

After attending college in Vermont, he returned to Philly to pursue a career in journalism. He proceeded to provide a voice for the voiceless as a politically-progressive reporter while simultaneously moonlighting as a cab driver, until the fateful night in 1981 when he and his brother William crossed paths with a police officer named Daniel Faulkner.

The cop was killed during the traffic stop, when the bullets from a gun registered to Mumia were emptied into him at close range. Faulkner managed to get off a few shots, wounding Mumia.

At trial, the jury deliberated only a few hours in what seemed like an open-and-shut case, and the defendant was convicted and subsequently handed a death sentence. However, because of Mumia's previously clean record and his having served as such an articulate mouthpiece for the poor and disenfranchised, he soon became something of an international cause célèbre.

Was he indeed a murderer or had he been railroaded to prison because of his radical views? The left and the right would disagree strongly on the issue. Eventually his sentence was commuted to life with no parole, and the fundamental question of guilt or innocence was essentially left unanswered.

The same can be said after viewing Mumia: Long Distance Revolutionary, a documentary which doesn't seek so much to clear the controversial figure's name as to showcase his intellect and longstanding defiance of The Establishment.

To director Stephen Vittoria's credit, he hauls out a long line of luminaries like Dr. Cornel West, Ruby Dee, Hurricane Carter, Alice Walker, Angela Davis, Dick Gregory and Amy Goodman to take turns heaping praise on his sympathetic subject.

While their heartfelt testimonials leave no doubt about Mumia's commitment to the struggle and considerable talents as a writer, none of them were eyewitnesses to the murder. Thus, this is not a biopic which seeks to poke holes in the prosecution's case or to indict the State of Pennsylvania for a rush to judgment.

Rather, it merely endeavors to highlight the squandered potential of a gifted, if fatally-flawed individual. Love him or hate him, no one watching this inconclusive piece can deny that Mumia has a way with words.

A film that wisely leaves the damning evidence on the back burner in favor of focusing on everything about Mumia Abu-Jamal except for what exactly transpired at the corner of 13th and Locust in the wee hours of December 9, 1981.

Excellent (4 stars)

Unrated

In English and Spanish with subtitles

Running time: 120 minutes

Distributor: First Run Features

To see a trailer for Mumia: Long Distance Revolutionary, visit

Opens February 1st at Cinema Village in New York City, with special appearances by the filmmaker and people appearing in the film. 

Les Miserables
Film Review by Kam Williams

Published by Victor Hugo in 1862, Les Miserables is generally recognized as one of the most important novels of the 19th Century. The socially-conscious, 1900-page opus explored a plethora of themes, particularly power, justice, monarchy and religion.

The moving morality play specifically shed light on the plight of the poor, especially women and children, with the hope of raising awareness about the insensitivity of a callous legal system. I digress by way of introduction only to remind readers that Les Mis' source material was a relatively-profound examination of France's prevailing issues of the day.

Directed by Academy Award-winner Tom Hooper (for The King's Speech), the screen adaptation is based on the long-running Broadway production which won 8 Tony Awards back in 1987. The film version has landed just as many Oscar nominations, including Best Picture, Best Actor (Hugh Jackman), Best Supporting Actress (Anne Hathaway) and Best Original Song ("Suddenly").

Understandably, the novel's labyrinthine plot has been simplified considerably into a tale of love and redemption. Unfolding in Paris in 1815, the movie basically revolves around Jean Valjean (Jackman), a recently-paroled ex-con intent on turning a new leaf after serving 19 years in prison for the theft of a loaf of bread.

On the road to redemption, he promises a prostitute on her death bed (Hathaway) to raise her about to be orphaned young daughter (Amanda Seyfried). Meanwhile, he finds himself mercilessly haunted by a ruthless policeman (Russell Crowe) intent on putting him back behind bars. Officer Javert believes once a crook, always a crook, and accordingly devotes his days to a dogged pursuit of Valjean.

Les Mis is a cinematic rarity in that virtually every line of dialogue is sung. Furthermore, I suppose it might mean something to theater purists that the director eschewed dubbing in favor of having the cast sing live on set.

Entertaining enough to garner this critic's stamp of approval, Les Mis nevertheless pales in comparison to so many of those enchanting classics from my childhood like West Side Story, My Fair Lady and Guys & Dolls. I guess they don't make musicals like they used to anymore.

Very Good (3 stars)

Rated PG-13 for violence, mature themes and suggestive material

Running time: 158 minutes

Distributor: Universal Pictures

To see a trailer for Les Miserables, visit

The Pirogue
Film Review by Kam Williams

Senegalese Peasants Set Out for Spain in Seafaring Tale of Survival

You might find the title of this movie a little misleading, since to most people a "pierogi" is a puffy Polish delicacy stuffed with potatoes, sauerkraut and ground meat. However, the similar-sounding "pirogue" is also the name of the flat-bottomed, wooden boat used by West African fishermen for centuries.

Directed by Moussa Toure, the fact-based drama revolves around 30 Senegalese peasants, 29 men and 1 woman (Mame Astou Diallo), who make a break for Spain by sea in search of a better life. Because of their country's bad economy, even the fishing industry is dying, which means some ship owners have turned to using their vessels to smuggle needy refugees to Europe.

The story was inspired by the over 30,000 souls who attempted the transoceanic voyage between 2005 and 2010, and it is dedicated to the 5,000 of them that perished in the financial freedom flotillas. The captain of the pirogue at the center of the adventure is Baye Laye (Souleymane Seye Ndiaye), a married man who requests that his wife be paid his fee of a million Francs before his departure on the dangerous journey.

The boat is outfitted with a radio, a GPS device, 260 gallons of gasoline, 80 gallons of water and 300 pounds of rice. And the passengers have brought along musical instruments like bongos, bells and a kalimba to break up the monotony of what they expect to be long boring days.

Not so fast, kimosabe. After passing the point of no return, they encounter a host of horrifying ordeals ranging from homesickness to madness to sexual tension to infighting to a hurricane to leaks to starvation. Ultimately, their plight becomes so overwhelming that they end up praying to Allah for divine intervention.

A compelling cross of Life of Pi and Lifeboat, a seafaring tale of survival sans the Bengal tiger and Tallulah Bankhead.

Excellent (3.5 stars)

Rated: Unrated

In French with subtitles

Running time: 87 minutes

Distributor: ArtMattan

To see a trailer for The Pirogue, visit

2013 Golden Globes Recap
by Kam Williams

The Hollywood Foreign Press Association jumpstarted the 2013 awards season Sunday evening with its annual recognition of the best in film and television. An early indicator of Academy Award potential, the Golden Globes have established Argo and Les Miserables as favorites in the Oscar race, much to the chagrin of fading-fast Lincoln. That much-ballyhooed historical drama prevailed only in an acting category (Daniel Day-Lewis), attendee President Clinton's stamp of approval notwithstanding.

Les Mis won for Best Musical, with Hugh Jackman and Anna Hathaway's performances also being feted. And Argo won for Best Drama and Best Director.

Meanwhile, in terms of television Homeland, Girls and the made-for-TV movie Game Change, walked away with the most trophies, with 3, 2 and 3, respectively.

The Globes were marked by its trademark, champagne-fueled informality, starting with co-hostesses Tina Fey and Amy Poehler's taking potshots during their dialogue at everyone from their predecessor ("Ricky Gervais could not be here tonight because he is no longer technically in show business.") to Quentin Tarantino ("The star of all my sexual nightmares.")

Some of the presenters proved to be just as hilarious, such as when their fellow, SNL alums Will Ferrell and Kristen Wiig feigned familiarity with the Best Actress nominees' performances. Later, Sly Stallone and Arnold Schwarzenegger exchanged barbs about each other's poor command of English before opening the envelope for Best Foreign Language Film (Amour).

As for acceptance speeches, Lifetime Achievement Award-winner Jodie Foster came off as uncharacteristically-uncomfortable in front of the camera during a rambling rant during which she complained about her lack of privacy, came out of the closet, announced that she was available, and retired from show business. The camera caught several audience members crying in response to her emotional dump, although most appeared nonplussed.

As for sore losers, Taylor Swift frowned after losing to rival Adele as if the Best Original Song-winner had rushed to the stage and just pulled a Kanye West on her. Fey reacted equally-ungraciously to being beaten in the TV comedienne category when 26 year-old Lena Dunham thanked the also-rans for getting her through middle school.

In the end, co-host Poehler proved to be a better sport when she brought down the curtain on the festivities with the suggestive, less-catty sendoff, "Goodnight! We're going home with Jodie Foster."

Complete List of 2013 Golden Globe Winners

FILMS

Picture, Drama: "Argo"

Picture, Musical or Comedy: "Les Miserables"

Actor, Drama: Daniel Day-Lewis, "Lincoln"

Actress, Drama: Jessica Chastain, "Zero Dark Thirty"

Director: Ben Affleck, "Argo"

Actor, Musical or Comedy: Hugh Jackman, "Les Miserables"

Actress, Musical or Comedy: Jennifer Lawrence, "Silver Linings Playbook"

Supporting Actor: Christoph Waltz, "Django Unchained"

Supporting Actress: Anne Hathaway, "Les Miserables"

Foreign Language: "Amour"

Animated Film: "Brave"

Screenplay: Quentin Tarantino, "Django Unchained"

Original Score: Mychael Danna, "Life of Pi"

Original Song: "Skyfall" (music and lyrics by Adele and Paul Epworth), "Skyfall"

TELEVISION

Series, Drama: "Homeland"

Series, Musical or Comedy: "Girls"

Actress, Drama: Claire Danes, "Homeland"

Actor, Drama: Damian Lewis, "Homeland"

Actress, Musical or Comedy: Lena Dunham, "Girls"

Actor, Musical or Comedy: Don Cheadle, "House of Lies"

Miniseries or Movie: "Game Change"

Actress, Miniseries or Movie: Julianne Moore, "Game Change"

Actor, Miniseries or Movie: Kevin Costner, "Hatfields & McCoys"

Supporting Actress, Series, Miniseries or Movie: Maggie Smith, "Downton Abbey"

Supporting Actor, Series, Miniseries or Movie: Ed Harris, "Game Change"

CECIL B. DeMILLE LIFETIME ACHIEVEMENT AWARD

Jodie Foster