The Giver
Film Review by Kam Williams
Despite being born in the same year and enjoying overlapping enduring careers, Oscar-winners Meryl Streep (for Kramer vs. Kramer, Sophie’s Choice and The Iron Lady) and Jeff Bridges (for Crazy Heart) never made a movie together prior to The Giver. Such a long overdue collaboration proves well worth the wait in this haunting, sci-fi adventure set in a deceptive dystopia masquerading as heaven on Earth.
The film is based on the Lois Lowry best-seller of the same name which won the Newbery Award as America’s best children’s book of 1994. This author-approved adaptation was directed by Phillip Noyce (Patriot Games) who tapped fellow Aussie Brenton Thwaites to portray the young hero, Jonas.
The picture’s point of departure is the young protagonist’s graduation day, when he participates in a coming-of-age ritual during which 18 year-olds are assigned a profession by the elders of their idyllic community. Jonas’ BFFs Asher (Cameron Monaghan) and Fiona (Odeya Rush) soon learn that they’ll be trained as a drone pilot and a nurturer, respectively.
Jonas, however, long recognized as special, because of an uncanny ability to see things differently, is designated the “Receiver of Memories,” the protégé of the “Giver” (Bridges). In that capacity, he quickly becomes aware that the whole society is a charade which shields its citizens from the fact that there is suffering in the world by injecting them once a day with a drug which keeps them naïve, obedient and blissfully content.
Truth be told, evil does exist in their midst, though invariably veiled, such as how the sick and the old are “Released” in a fashion that gives no hint that they’re actually being euthanized. And Jonas experiences a crisis of conscience in choosing whether to obediently follow in the Giver’s footsteps or to upset the apple cart by letting the cat out of the bag about how everybody’s mind is being controlled.
Among the factors influencing his critical decision is the unexpected pleasure associated with the “Stirrings,” the formerly-suppressed pangs of sexual awakening he suddenly feels for Fiona. Another involves the impending euthanizing of a baby with a birth defect (Alexander Jillings) he’s already bonded with.
Besides the historic pairing of Streep and Bridges, the film features sterling performances by the trio of emerging thespians playing the leads, as well as by Katie Holmes and Taylor Swift in support roles. A thought-provoking meditation on mind control offering a valuable lesson about the virtue of challenging any totalitarian authority.
Very Good (3 stars)
Rated PG-13 for action, violence and mature themes
Running time: 94 minutes
Distributor: The Weinstein Company
To see a trailer for The Giver, visit
Congressman James Clyburn
The “Blessed Experiences” Interview
with Kam Williams
Gentleman Jim Clyburn
James Enos Clyburn made history in 1993 when he became the first African-American to represent South Carolina in the House of Representatives since Reconstruction. Over the course of his tenure, he has served as Majority Whip and as Chairman of the Congressional Black Caucus, and is currently the third-ranking Democrat in the House as the Assistant Minority Leader.
Representative Clyburn is an alumnus of the HBCU South Carolina State College, where he majored in history and was active in the civil rights movement. During his junior year, he was arrested and convicted as a member of the Orangeburg Seven, a group of student leaders who had organized a non-violent demonstration against segregated lunch counters.
Congressman Clyburn has been married to his wife, Emily, since 1961, and they have three daughters, two sons-in-law, and three grandchildren. Here, he talks about his life and career, and about his autobiography, “Blessed Experiences: Genuinely Southern, Proudly Black.”
Kam Williams: Congressman Clyburn, thanks for the interview. I’m honored to have this opportunity to speak with you.
James Clyburn: Yes, sir. How are you, Kam?
KW: Great! I loved your autobiography. It really gave me a chance to get to know you in so much more depth than your appearances on C-Span and other cable news networks. I really knew next to nothing about your rich civil rights background and lifelong commitment to the underprivileged.
JC: Oh, you’re so kind, Kam.
KW: I’ll be mixing in my questions with some from readers.Editor/Legist Patricia Turnier says: I am from Canada and thank you for taking the time to share your experience and knowledge in your autobiography. What is the main message you want people to take away from the book?
JC: The memoir’s main lesson is grounded in that old adage, “If at first you don’t succeed, try, try again.” I lost three times before I got elected. There’s no limit. Stay in pursuit of your dreams. That’s what this book is about. I hope young people get a lesson out of every chapter and are motivated by the notion that the next time might be “the” time that they succeed.
KW: Patricia also says: Warren Buffett wrote about your book that you are the most significant African-American member of Congress who broke many barriers. What does it take for a visible minority to shatter the glass ceiling and enjoy longevity in a career in politics?
JC: First, get yourself prepared, not just in terms of education, but mentally. A question I often get is, “How do you maintain your sanity with so much happening all around you?” I think I developed a certain mental toughness that is required in this business. You have to have a thick skin and a brass bottom, because you’re going to kicked a lot.
KW: It also seems that the higher you go, the more they come after you.
JC: You’re exactly right. All you have to do is achieve a modicum of success.
KW: Patricia finishes by saying: Older females are among the most vulnerable individuals in the economic crisis. They are twice as likely as elderly males to be living near or below the federal poverty threshold. What needs to be done to secure a reasonable retirement for this segment of the population?
JC: Patricia is correct that it’s a very vulnerable population. But I don’t know that anything additional needs to be done outside of sensitivity to the fact that these issues are unique for this demographic, and that we ought to be aware of that uniqueness. We need to make sure that they are aware of and are able to gain access to what’s available for them. That’s why I was so concerned about the Affordable Care Act. A big part of it is the expansion of Medicaid, which includes not only low-income people, but senior citizens in nursing homes, the disabled and children who are vulnerable.
KW: Environmental activist Grace Sinden says: As a Democratic leader in the U.S House of Representatives, you must often feel frustrated by the destructive resistance of the House Republican majority to move forward on any of President Obama's programs such as job creation, much-needed infrastructure improvements, including unsafe roads and bridges, and the impingement of voting rights in many states. How do you deal with the frustration that results from the blockage of necessary progress, since the opposition has made this their prime strategy in terms of the President's programs? An appeal to reason does not seem to work, because this is a blanket strategy.
JC: Sure, it’s frustrating at times, but you keep going at it. It took me seven years to create the Gullah-Geechee Cultural Heritage Corridor, which failed to pass for a long time. All of a sudden the break came, and I was ready to pounce, as soon as I saw that opening. It’s now law. And it turned out to be one of the most popular things I’ve ever done. Often it depends on your not being hung up on getting the credit, since the best way to get legislation that you’ve proposed passed sometimes is to let another Congressman put his or her name on the bill.
So, I think stick-to-itiveness and a little humility can go a long way.
KW: So, an ability to compromise is important, right?
JC: Absolutely! That means stepping back and getting the ego out of the way in order to accomplish what you want to get done.
KW: Grace also says: While you have a commendable voting record, you support nuclear power concluding that wind and solar power are too expensive. How do you respond to the legitimate fears of nuclear accidents, such as happened in Russia and Japan, and of acts of terrorism, as well as concerns about the safety and adequacy of the storage of highly radioactive spent fuel?
JC: Well, I’m very concerned about the storage of nuclear waste, but I’m not worried about it. That’s one of the reasons why I’m so supportive of what we’re doing down at the Savannah River Plant. I think the technology’s there. All we need is the funding to turn the waste into additional energy. And I’m a big supporter of research. My wife, Emily, has had five bypass surgeries. She’s alive today because of nuclear medicine. You ought not be afraid of nuclear, but respectful of it. Yes, it has dangers, but it also has benefits. If not for nuclear, much of the medicine that’s saving lives today would not be in existence.
KW: Publisher John Zippert says: There are many Black farmers who were still left out of the Pigford/USDA lawsuit settlement. Do you see Congress acting again to complete the process and make sure everyone who is eligible receives the settlement?
JC: Well, I’m satisfied that we’ve done all that’s going to be done on that issue. That’s not to say that everyone who should’ve gotten in on the settlement got in on it. Remember, we’ve done not just one Pigford, but Pigford II because a lot of people, through no fault of their own, were left out. That’s why we went back and did Pigford II. I suspect that some people might still have been left out, but I’ve been working very closely with the advocates, John Boyd [Founder of the National Black Farmers Association] and others who seem to be satisfied that we have done as well as we can do on that issue.
KW: Mr. Zippert also says that less money was appropriated under the Farm Bill for the Section 2501 Outreach Program for minority farmers in Fiscal Year 2014 than previously when "veteran" farmers, a whole new category was added to the program.
JC: I think what he’s asking for is outreach to make sure that farmers who qualified did get contacted. Sure, there probably was less money this year than in the first round. But these are the sort of programs you phase out. You just don’t set aside the same amount of money as you did for 5,000 people, if there are only 2,000 left to be searched for. These moneys do get phased out, and they will eventually be phased out altogether.
KW: What do you think about Attorney General Eric Holder’s recent statement that he believes there is a racial animus behind much of the criticism of him and President Obama?
JC: I was glad to see him finally getting there. I’ve felt that way a long time. I’ve even said it publicly and been chastised for it, but I’ll say it again, a lot of it is racial animus. I ask anyone who disagrees with me to just read some of the hate mail that comes into my office. Or listen to some of the phone calls. I’ve had college student interns working for me who arrived bright-eyed and bushy-tailed hang up the phone crying after taking calls because people are so racist and cruel. So, don’t tell me that it’s got nothing to do with race. With some people, it’s got everything to do with race.
KW: What do you think of the Republicans suing President Obama?
JC: I think they’re playing to their base. These guys know full well that even if the lawsuit had any merit, which I don’t think it does, he’d be out of office before it worked its way through the courts. But this is their way of sending a signal to their base. There are a lot of people who have endorsed the narrative that there are certain things people of color aren’t supposed to be doing, and one of those things is running the United States of America as President. These are people who are going to work hard all day, every day, trying to make factual this narrative that there are certain areas of our society and of our economy that ought to be shut off from people of color.
KW: Since you’re from South Carolina, I need to ask you about the 2010 Democratic primary for the U’S. Senate when this unknown black man named Alvin Greene, ostensibly a Republican plant, miraculously won the nomination by a landslide over a credible candidate. I suspected computer tampering. What did you think?
JC: I always felt that, too.
KW: Is there any question no one ever asks you, that you wish someone would?
JC: [Laughs] I can’t think of one, but that’s a good question.
KW: What is your favorite dish to cook?
JC: Grits.
KW: The Ling-Ju Yen question: What is your earliest childhood memory?
JC: Kindergarten.
KW: When you look in the mirror, what do you see?
JC: A 74 year-old who is not disappointed with his life.
KW: How frightening was it for you to be arrested and even convicted, when you were a college student activist, just for trying to integrate a lunch counter?
JC: Those were very trying times with a great deal of apprehension, although I don’t think we ever operated out of fear. We knew that segregation was unfair, and that we were going to challenge it, and that’s just what we did.
KW: Well, I salute you for service in the Civil Rights Movement, because you could’ve very easily been beaten, blacklisted, imprisoned or even slain.
JC: Thank you. And some people were martyred, and some, like Congressman John Lewis, did get hurt. But we never thought about those things.
KW: The Jamie Foxx question: If you only had 24 hours to live, how would you spend the time?
JC: Reading and in contemplation.
KW: The bookworm Troy Johnson question: What was the last book you read?
JC: “The Warmth of Other Suns” was the last one I read cover-to-cover. That was a great book.
http://www.amazon.com/exec/obidos/ASIN/0679763880/ref=nosim/thslfofire-20
KW: Harriet Pakula-Teweles says: Let's say you’re throwing your dream dinner party—who’s invited… and what would you serve?
JC: I would love to sit at a table with Abraham Lincoln, Harry Truman, Nelson Mandela, Martin Luther King, Warren Buffett and Matthew Perry, the great civil rights attorney and judge mentioned in my book quite a bit.
KW: The Anthony Anderson question: If you could have a superpower, which one would you choose?
JC: Omniscience.
KW: The Judyth Piazza question: What key quality do you believe all successful people share?
JC: Perseverance.
KW: What advice do you have for anyone who wants to follow in your footsteps?
JC: Like I said before, get yourself prepared, educationally and emotionally, and develop mental toughness. Don’t ever give up.
KW: Lastly, what does family mean to you?
JC: Oh, it means a whole lot. Not a day goes by when I don’t communicate with one or all of my daughters. My wife and I already exchanged several emails today. And I spoke to my brother John on the phone this morning, and to my brother Charles last night. We are a pretty closely-knit family.
KW: Thanks again for this opportunity, Congressman Clyburn, I really appreciate your taking time from your extremely busy schedule to speak with me.
JC: Thank you, Kam. I think it’s important for me to communicate with the public at-large, even on those occasions when I know it’s not going to be pleasant.
To order a copy of Blessed Experiences, visit:
http://www.amazon.com/exec/obidos/ASIN/161117337X/ref%3dnosim/thslfofire-20
Wesley Snipes
“The Expendables 3” Interview
with Kam Williams
Yipes, it’s Snipes!
Wesley T. Snipes is a globally celebrated actor, film producer, master in various martial arts, and a loving father and husband. Born in Orlando, Florida on July 31, 1962, he spent his childhood between Orlando, Florida and Bronx, New York while attending the High School of Performing Arts in NYC and graduated from Jones High School in Florida.
While attending the High School for Performing Arts, Wesley started appearing in Off-Broadway productions where he started to fine-tune his craft as a drama and musical theater artist. He later founded with friends a bus-n-truck street troupe called “Struttin Street Stuff” which took him into Central Park, dinner theaters, and regional productions around Florida before his college years at the State University of New York at Purchase.
Wesley’s work onstage and in TV commercials soon caught the attention of Joe Roth who cast him as an Olympic boxing hopeful in Streets of Gold. He was then handpicked by Martin Scorsese and Quincy Jones to play the gang leader in Michael Jackson’s Bad music video. And he subsequently joined the cast of Wildcats (1986) as well as Spike Lee’s Mo’ Better Blues (1990) and Jungle Fever (1991).
The unique diversity of Wesley’s charisma, acting ability, and proficiency in the martial arts led to roles alongside some of showbiz’s biggest names – Robert De Niro, Sean Connery, Dennis Hopper and Sylvester Stallone. These roles include Major League (1989), Passenger 57 (1992), Rising Sun (1993), Boiling Point (1993), Demolition Man (1993), Drop Zone (1994), The Fan (1996), Future Sport (1998), and Undisputed (2002), all of which made him a most favored African-American action star not only in Hollywood, but internationally, as well.
Wesley has pleasantly surprised audiences with his versatile dramatic acting skills, evident in his award winning roles in The Water Dance (1992) and as a drag queen in the drama To Wong Foo: Thanks for Everything, Julie Newmar (1995). Other notable dramatic roles include Disappearing Acts (2011), One Night Stand (1997), Murder at 1600 (1997) and US Marshals (1998).
In 1998, although faced with strong opposition and concerns, Wesley recognized the need for an urban action hero. Hence Blade, a lesser known Marvel character, was adapted and released. The Blade Trilogy is still one of the highest grossing adaptations at over $1.5 billion worldwide.
Wesley ranks among the highest paid African American actors with gross earnings worldwide estimated at over $2 billion. He has been married to Korean artist Nikki Park since 2000, and has four children with her and an older son from a previous marriage.
Here, Wesley talks about his latest outing as Doc alongside Sly Stallone, Arnold Schwarzenegger, Harrison Ford, Mel Gibson, Antonio Banderas, Terry Crews and Kelsey Grammer in The Expendable 3.
Kam Williams: Hi Wesley, thanks for the interview.
Wesley Snipes: How’re you doing, Kam?
KW: Great! What interested you in The Expendables 3?
WS: [Sarcastically] Really, it was the filming location, the food, and the wonderful hotel suite that they could give me. [Laughs] No, honestly man, it was the opportunity to work again with Sly, and the chance to be a part of that ensemble with a lot of the best of the best of this particular genre.
KW: Documentary director Kevin Williams asks: Did you enjoy watching this genre of film growing up?
WS: Oh yeah! All the way back to The Seven Samurai. I’m a big fan of this type of film. And hearing about all the heavyweights they were bringing back only made it even more attractive. It was a blessing, Kam, just to be on the set with some of these iconic actors, to see how they perform, to have a chance to get up close and personal with them, and to crack a joke or two or three or four with them.
KW: Was it ever trouble making any elbow room with so many egos on the set?
WS: Not really. What would make you think that?
KW: So many matinee idols having to share the limelight might make for sharp elbows.
WS: [Chuckles] Yeah, but you’re talking about some of the best in the game. They’re all veterans who bring a certain level of sophistication and professionalism to the table. For what it’s worth, this action hero/action star genre is a small clique. There aren’t a lot of guys that do it.And there aren’t many guys who have excelled at it. There’s an appreciation for what it takes to pull it off, and for the durability reflected in being able to survive after all these years.
KW: Director Rel Dowdell says: Wesley, You are one of the few marketable African-American actors who can be effective in any genre, including comedy. Are you aware of any up-and-coming black actor who is as versatile as you have been?
WS: Well, I think they’re out there, but I don’t know whether they’ve been given the opportunity to shine like I have. I hope there are. It’d be great to work with them. But, hey, it’s been a blessing. I was fortunate enough to be trained in the theater. Coming from the theater background, you’re schooled to play diverse roles in preparation for the repertory environment, or the repertory type of lifestyle. So, to me, going back and forth from genre to genre is only keeping true to the way I was trained in the theater. And I’m really an action fan. I’m a movie fan in general, but I’m definitely an action fan, as well. I appreciate all the work and thought it would be cool if it could be one of the tricks that I could bring to the table.
KW: Tony Noel asks: Wesley, what styles of martial arts have you studied, and how do you feel about Mixed Martial Arts?
WS: I appreciate Mixed Martial Arts, Tony. I’ve been training for a long time. I started training in the Japanese system, when I was 12, in Goju and Shotokan. From there, I was exposed to Grandmaster Moses Powell which is the Aiki-Jujutsu form. And after that, I got into capoeira, and I got ranking in three different systems: Indonesian, African and Japanese. And I’ve done Tae Kwon. So, I’ve done pretty well.
KW: Publisher Troy Johson asks: Wesley, was it difficult to produce the documentary, John Henrik Clarke: A Great and Mighty Walk?
WS: Thank you for asking, Troy. No, that was a very personal project which meant a lot to me because Dr. Clarke was a teacher and mentor of mine. I made the movie because I wanted future generations to learn about him and read his books, too. I’d love to make more films like that.
KW: Attorney Bernadette Beekman asks: What was the toughest stunt you had to do for this movie?
WS: Hanging onto the side of a truck. That was pretty hard. Another that was tough, because of the horrible air quality on the set, was the wild scene we shot inside a big, abandoned building. A lot of us had respiratory issues for a couple of weeks afterwards because of all the stuff flying around.
KW: Children’s book author Irene Smalls says: Wesley, how did you feel about getting to play Blade, one of the first black superheroes?
WS: I don’t remember getting that excited at first, because it hadn’t been done before. So, the reception was all a big surprise.
KW: Thanks again for the time, Wesley, and best of luck with the film.
WS: Thank you, Kam.
To see a trailer for The Expendables 3, see: https://www.youtube.com/watch?v=sTte6BQndTQ
Fifi Howls from Happiness
Film Review by Kam Williams
Bahman Mohassess (1931-2010) had the misfortune of being born gay in a country hostile to homosexuality. Nevertheless, the flamboyant iconoclast managed to carve out an impressive career as an artist in pre-revolutionary Iran, enjoying celebrity status as the “Persian Picasso.”
He earned that recognition despite creating scandalous works such as anatomically-correct sculptures of men which had some censors breaking off their penises. Unfortunately, Bahman’s world came crashing down around him when Ayatollah Khomeini toppled the Shah in 1979.
For, the new regime was an Islamic caliphate which stepped up the oppression of homosexuals by passing strict religious laws making sodomy a capital crime. So, Bahman wisely hightailed it to Rome where he would live out his days in relative obscurity.
Over the ensuing years, Iran was criticized by human rights activists for doling out the death penalty to thousands of gays, prompting its President Mahmoud Ahmadinejad to assert in 2007 that “We don’t have any homosexuals.” Regardless, Bahman Mohassess continued to be an important historical figure, even in exile, and his controversial contributions have been preserved for posterity in Fifi Howls from Happiness.
Directed by Mitra Farahani, the enlightening documentary features an extended interview conducted with her cantankerous, camera-shy, chain-smoking subject shortly before his demise. And the film augments Bahman’s reflections with file footage of his art shows and installations, along with commentary by surviving friends and admirers.
A poignant tribute proving Iran has definitely had at least one homosexual, in fact, a national icon-turned-persecuted persona non grata who had the good sense to escape before being exterminated for his sexual preference.
Very Good (3 stars)
Rated PG-13 for profanity, sexual references, and scenes of intense peril and destruction
In Persian with subtitles
Running time: 96 minutes
Distributor: Music Box Films
To see a trailer for Fifi Howls from Happiness, visit: https://www.youtube.com/watch?v=J6YNQWzVgpc
Into the Storm
Film Review by Kam Williams
The skies are deceptively serene over Silverton, Oklahoma, offering no reminder of the fact that four people recently perished in a deadly tornado that touched down in a neighboring city. Consequently, we find the townfolk blissfully unaware of the rough weather bearing down on the area threatening to ruin high school graduation day.
Vice Principal Gary Morris (Richard Armitage), who is in charge of the commencement festivities, has assigned his sons, Trey (Nathan Kress), a sophomore, and Donnie (Max Deacon), a junior, the thankless task of filming the ceremony in order to preserve it for posterity in a buried time capsule. His younger boy complies with the request, but the elder is immediately distracted from the task at hand by an opportunity to assist acute classmate (Alycia Debnam Carey) salvage her own video project.
Meanwhile, a team of storm chasers is rushing towards Silverton at the direction of its meteorologist, Allison Stone (Sarah Wayne Callies), since her computer data has predicted that the next funnel cloud is likely to form somewhere in that vicinity. But because she’s a single-mom with a 5 year-old (Keala Wayne Winterhalt) back home, she’s a lot less enthusiastic about her job than their leader, Pete Moore (Matt Walsh).
Like a latter-day Captain Ahab, Moore is maniacal in his quest to capture the mother of all cyclones on camera. So, he exhorts Allison and the rest of the crew to risk life and limb in search of that elusive dream shot from inside the eye of a storm.
At least they have a couple of vehicles specially outfitted for such an occasion, including a glass turreted tank with grappling claws that can withstand winds of up to 170 mph. That’s more than can be said about local yokels Donk (Kyle Davis) and Reevis (John Reep), fate-tempting daredevils who have decided to try to capture footage by riding around in a pickup truck emblazoned on the back with a hand-painted sign that reads “TWISTA HUNTERZ.”
Once the colorful cast of soon-to-be imperiled archetypes has been introduced, Allison’s dire forecast proves uncannily accurate as ominous clouds form overhead. That’s when the fun starts in Into the Storm, a Seventies-style disaster flick reminiscent of such unnerving classics as Airport (1970), The Poseidon Adventure (1972) and The Towering Inferno (1974).
This update of the genre benefits immeasurably from state-of-the-art CGI, a worthwhile investment for the eye-popping special f/x alone. A campy and cheesy yet visually-captivating roller coaster ride that makes Sharknado look like Sharknado 2!
Excellent (4 stars)
Rated PG-13 for profanity, sexual references, and scenes of intense peril and destruction
Running time: 89 minutes
Distributor: Warner Brothers
To see a trailer for Into the Storm, visit