Advance Style

Film Review by Kam Williams

Iconoclastic Doc Focuses Lens on Ageless Fashion Plates

We live in a culture which unfortunately equates beauty with youth. Why else are so many women to make a joke of their own faces so long as the skin remains as tight as a ten year old’s? As the late Joan Rivers, a big fan of cosmetic surgery, might ask: Can we talk?

For, flying in the face of this conventional wisdom is Ari Seth Cohen, a street photographer who roams around Manhattan looking for flamboyant elderly females to capture with his camera. He even has a blog, Advanced Style (http://advancedstyle.blogspot.com/) dedicated to portraits of these classy ladies ranging in age from 60 to 95.

The website generated so much interest that we now have Advanced Style, the movie, a documentary featuring some of his most attractive subjects. The picture marks the “Fabulous!” directorial of Lina Plioplyte who makes quite the splash simply by shedding light on seven, ageless fashion plates.

There’s Jackie Tajah Murdock, 81, who was a dancer at the Apollo during the famed theater’s heydays, and Lynn Dell Cohen, 80, the self-proclaimed “Countess of Glamour.” The baby of the group is Tziporah Salamon, 62 who rides around the city on a pimped-out bicycle. And at the other extreme we have the group’s elder stateswoman, Zelda Kaplan, 95, who has a good sense of humor about being a little addlepated.

Rounding out the crew are Ilona Royce Smithkin, 93; Joyce Carpati, 80; and Deborah Rapoport, 67. What they all seem to share is an infectious zest for life and for looking their best that they can’t help but share with anyone they meet. Ostensibly for the sake of a plot, the picture inexorably works its way to the ladies being feted, whether they’re landing a contract with Lanvin, making an appearance on Ricki Lake’s TV talk show, or just strutting their stuff during Fashion Week.

But it all seems secondary to the obvious fact that natural aging lines can look every bit as good if not better than Botox and face lifts. The best antidote around to America’s unhealthy obsession with youth!

Excellent (3.5 stars)

Unrated

Running time: 72 minutes

Distributor: Bond360

To see a trailer for Advanced Style, visit:

https://www.youtube.com/watch?v=NX46yvihOGU

Believe Me
Film Review by Kam Williams        

Even though I was raised in the church and attended services religiously as a child, I was simultaneously warned by my skeptical grandmother that sometimes, “The closer supposedly to Christ, the further from God.” That sage old saying came to mind while watching Believe Me, an intriguing modern morality play written and directed by Will Bakke (Beware of Christians).

The story revolves around the ethical issues confronting Sam Atwell (Alex Russell), a law school-bound college senior, or at least he thought. Trouble is, his parents suddenly can’t afford to pay his final semester’s tuition which means he won’t be able to graduate on time or continue his education the following fall.

This is the predicament we find the handsome upperclassman facing at the picture’s point of departure, a time when he’d really rather be hazing pledges to his fraternity and hooking up with cute coeds he meets at keg parties. And after a futile visit with the unsympathetic school dean (Nick Offerman), Sam knows he simply has to come up with the $9,000 somehow, if he wants to get that degree in June.

Thinking outside the box, he concocts an elaborate scheme to separate gullible Evangelicals from their cash, figuring them to be a soft touch. So, he enlists the assistance of a few of his frat brothers in the nefarious endeavor, namely, Pierce (Miles Fisher), Tyler (Sinqua Wells) and Baker (Max Adler).

The plan is to prevail upon Born Again congregations by posing as a Christian charity assisting needy children in Africa. In due course, Sam proves to be such a good pitchman that the money starts flooding in.

That development is not lost on Ken (Christopher McDonald), a faith-oriented entrepreneur who offers to help take the boys’ burgeoning business to the next level. Soon, as the God Squad, they’re on the prayer meeting tent circuit and selling a Christian clothing line called Cross Dressing that includes “F-Satan” t-shirts and the like.

However, the sinful scheme begins to unravel when they have no place to send a kid (Chester Rushing) who wants to do missionary work with them in Lesotho. And the moment of truth arrives when the pretty tour coordinator (Johanna Braddy) Sam’s just started dating is given proof by a colleague (Zachary Knighton) that her new beau is a big fraud.

At this juncture, the jig is essentially up, whether or not the arrogant co-conspirators are too blinded by a combination of cynicism and greed to confess to the crime. After all, they’d taken such glee in exploiting foolish followers of Christ by strategically faking everything from appropriately-pious poses to the right religious buzzwords.

A thought-provoking, faith-based parable asking whether it’s ever too late to make a second impression, especially on God.

Excellent (4 stars)

Rated PG-13 for profanity

Running time: 93 minutes

Studio: Riot Studios / Lascaux Films

Distributor: Headline Features / Gravitas Features

To see a trailer for Believe Me, visit: https://www.youtube.com/watch?v=emdGSSHujyo   

An Obama's Journey

My Odyssey of Self-Discovery across Three Cultures

by Mark Obama Ndesandjo

Book Review by Kam Williams

Globe Pequot Press

Hardcover, $25.95

392 pages

ISBN: 978-1-4930-0751-6

“’My family will hate me for this book, baby,’ I explained [to my wife]. She hugged me and assured me they would not, while no doubt sensing I was right.

Later that day in Beijing, my brother replied to an interviewer’s question about our meeting: ‘I don’t know him very well. I met him for the first time only two years ago.’

Hearing myself referred to in the third person like that felt surreal… The pain in my heart disregarded any logic or excuse. After all, I had met him a number of times before…

At that moment, my brother scared me… He had become not my brother, but the President of the United States. This was the politicking Barack, in the media spotlight where politicians perform every day.

I’d thought there might be something about our family tie that would override the carefully bland, ready response, but the dismissive words were spoken… How naïve I had been.”  

-- Excerpted from the Prelude (pages xiv-xv)

President Obama barely knew the biological father who separated from his mother while he was still an infant. In fact, he only saw his dad once ever again, and that was during a brief visit to Hawaii in 1971.

By contrast, his half-brother, Mark Obama Ndesandjo, was in a far better position to take a measure of the man, given how he had spent his formative years with Barack, Sr. So, it would make sense that Barack might consult his younger sibling while conducting research in Kenya about their dad for a book during the summer of 1988.  

When they met, Mark matter-of-factly offered that, “He was a drunk, he beat my mother and us kids.” Nevertheless, Barack would wax romantic about his absentee parent in “Dreams from My Father,” painting a relatively-benign portrait that bears little resemblance to the womanizing, wife-beating alcoholic revealed in Mark’s own new autobiography.

An Obama’s Journey is a jaw-dropping memoir which casts a pall not only over Barack, Sr. but over Barack as well. In it, Mark calls his brother “a stuck-up asshole” and an “arrogant bastard” with a cold demeanor. Perhaps more chilling is his description of a “darker, more insidious presence that was as much a part of him as his DNA.”

That almost demonic side of Barack apparently came to the fore when he lied so cavalierly to the press about Mark, minimizing how long the two had known each other, ostensibly for purely political purposes. Mark felt hurt by this display of callousness reminiscent of how the President had similarly thrown Reverend Wright, the pastor of the church where he’d married and worshipped for 20 years, under the bus when it was expedient for his career to do so.

 Lesser character flaws highlighted here include “the faint smell of cigarettes” Mark detected upon meeting the President in Beijing at a time when he supposedly had kicked the habit. He also felt insulted when his brother stuck out a hand rather than hug him at that reunion.     

In spite of all of the above, Mark loves his brother dearly. After all, they have far more in common than their differences. Besides the same father, they both come from broken families, have white American mothers, brilliant minds, and attended Ivy League schools.

But I digress. For this tome has a larger purpose, and the trajectory of Mark’s own life is no mere footnote to that of the first African-American President. Rather it is fascinating in its own right, a riveting transcontinental tale of survival, accomplishment, adjustment, transformation and, ultimately, triumph taking the reader from Africa to America to China and back.

Lucky for us, the author happens to be blessed with a refreshingly-unguarded honest and introspective nature which in combination with a wonderful a way with words add up to a must-read regardless of how you feel about his very famous sibling.

To order a copy of An Obama's Journey, visit:

http://www.amazon.com/exec/obidos/ASIN/1493007513/ref%3dnosim/thslfofire-20

Amy Tan
“The Boomer List” Interview
with Kam Williams

Born in Oakland, California on February 19, 1952 to immigrant parents from China, Amy Tan is an award-winning writer whose novel, The Joy Luck Club, was translated into 35 languages and adapted into a hit feature film. She resisted her mother’s pressure to become a doctor and concert pianist.

Instead, Amy chose to write fiction. Besides The Joy Luck Club, she is the author of The Kitchen God’s Wife, The Hundred Secret Senses, The Bonesetter’s Daughter, Saving Fish from Drowning, and Valley of Amazement,were all New York Times best-sellers.

She also penned her memoir, The Opposite of Fate;two children’s books, The Moon Lady and Sagwa; The Chinese Siamese Cat; and numerous articles for magazines. In addition, Amy served as co-producer and co-screenwriterfor the film adaptation of The Joy Luck Club and was the creative consultant for Sagwa, the Emmy-nominated PBS television series for children.

She wrote the libretto for the opera based on her novel The Bonesetter’s Daughter. With music composed by Stewart Wallace, the opera had its world premiere to sold-out audiences in September and October of 2008 at the San Francisco Opera.

Here, she talks about being profiled in The Boomer List, a PBS American Masters documentary featuring icons of the Baby Boom Generation. The special premieres from 9-10:30 PM ET/PT on Tuesday, September 23rd (check local listings).

Kam Williams: Hi Amy, thanks for the interview. I’m honored to have this opportunity to speak with you. We’re also both Boomers born in 1952.

Amy Tan: Thanks, Kam.

KW: What interested you in participating in The Boomer List?

AT: I thought it would be interesting to examine who we are as a generation. I also thought it would be fun because I’d worked with [director] Timothy [Greenfield-Sanders] before.  

KW: Harriet Pakula-Teweles says: Thank you for The Joy Luck Club, The Kitchen God’s Wife and all your fine writing since then right up to The Valley of Amazement which I just finished. You’ve been on plenty of best-seller lists. How does that compare to representing your generation on the The Boomer List?

AT: I suppose you could call me representative in terms of my going from being a part of an invisible set of writers who were outside of the mainstream to becoming a mainstream writer. That, people thought was very significant, breaking through some sort of barrier that I wasn’t aware of. I wasn’t trying to break through barriers. I was just writing a book. Before, there were plenty of books out there that had been written by African-Americans which were always treated as somehow on the periphery. They’d be in Ethnic Studies classes but they eventually became part of mainstream American literature. In that sense, I do think my novels have contributed to that development of American literature.

KW: That reminds me of when I took a course in college called The Great American Short Stories and all the writers we covered were white males. On the first day of class, I raised my hand and asked the professor why all the great American writers were white males.

AT: I went through exactly the same education that you’re talking about. I was an English major, and the only woman represented on the course curriculum was Virginia Woolf. I ended up taking a special class in Black literature as part of a summer program, and Asian literature classes still didn’t exist yet.

KW: Editor/Legist Patricia Turnier says: You are among the most successful female writers. Only about a dozen women laureates have won the Nobel Prize for Literature since its inception. Amantine-Lucile-Aurore Dupin had to take the pseudonym George Sand to become a French novelist and memoirist. Historically, it has been difficult for women to thrive in the literary world. How can we break the glass ceiling and what advice do you have for aspiring writers?
AT: I really don’t know how one breaks through unless you have more diversity on the judging panel. What I have observed is that the winners are often books about larger political world issues. All I know is that my books would never win a prize like that because, in the judges’ minds, do not concern larger world politics. As a judge, which I’ve done, you look for literary merit overall, but so many prizes, especially the Nobel, have a political tinge to them. Not to say that’s wrong. It also has to do with what people perceive the value of literature to be, and what function it should perform, as opposed to simply being its own art form and entertaining. 

KW: I found it interesting that your mother focused more on teaching you about being a female than about being Chinese-American?

AT: I think that was because she felt the greater impediment, the greater danger, had to do with being a woman. Among the lessons she taught me was that I should never let anyone else look down on me or determine how I saw myself. She felt that you can be constrained by the way that people think in any culture.

KW: Yet, she also told you that you weren’t beautiful.  

AT: I look back at pictures of myself as a teenager and laugh. I certainly was not beautiful. I had acne, hideous glasses, a hideous hairdo, a puffy face, all the usual things for a 13 year-old. My mother was not one to coddle and say, “You’re so beautiful, darling. People just can’t appreciate it.” My mother always saw danger in beauty and said: “If you try to rely on beauty, you’re going to find yourself lost after awhile because beauty doesn’t last, and because people are attracted to beauty for the wrong reasons. So, you should be glad that you’re not beautiful.” That was her perspective. [Laughs] I think I was very fortunate that at that point when I was forming an image of myself I understood that I was going to have to depend on something else to find someone who was interested in me. My mother never stopped talking about how beautiful she was and how much that had gotten her into trouble. The worst of men were attracted to her.

KW: I saw some pictures of you as a teenager, and I think you looked very cute. When you look in the mirror today, what do you see?

AT: I’m very content when I look in the mirror. I’m happy with the way I look. I’m just me. I’ve grown into this face.

KW: As a child you also felt ashamed of being Chinese. Why was that?

AT: By the time I was 6, I had gradually become aware of the fact that I was different. And as my family moved up the economic ladder, we moved a lot, to better and better neighborhoods, and the classrooms in my schools became whiter and whiter, until eventually, I was the only Chinese girl in the class. By the time you reach 11 or 12, no child wants to be too different. You kinda want to look like everybody else. I had that same feeling. I wanted to have blonde hair and a perky nose and have boys look at me and admire my figure. But that didn’t happen. So much of it had to do with the boy-girl thing which became a hallmark of popularity and acceptability in junior high and high school. I just wanted that like everybody else. And I believed that I didn’t get any dates because I was Chinese.

KW: What inspired you to swim with sharks after you turned 60? A desire to do something daring and dangerous? 

AT: No, it was that I literally wanted to discover something new in the way that Darwin did in discovering new species. It’s such an ambitious and almost impossible goal, but it would keep prompting me to look for something no one had ever noticed before. In some way, we are all different from everyone else in the world. That could be manifested by noticing something no one else has noticed. In Indonesia, I found the ugliest ant condo, and I decided, “I’ll take that.”

I also sensed that one way I could discover something new was by exploring the ocean, because there are so many unidentified species there. So, swimming with whale sharks with some conservationist friends became part of that adventure. I had not anticipated that it would be so life-changing. You simply abandon fear for the pure excitement and beauty and joy and surrealism of being around the world’s largest fish, and having them look you right in the eye. I even accidentally touched some of them at times as they started to turn when swimming close by.  

KW: Do you think China is a lot like the United States today?

AT: Superficially, yes. But I think China has gone beyond just being more Western. There’s a lifestyle, an attitude, and a pace unlike that of the U.S. It’s hyper-speed. As Baby Boomers, we were the last American generation that could assume that we would own a house. However, that’s the norm now in China. Acquisition! And over the top acquisition! People will pay $100,000 for a designer purse. You have no idea how hyper-acquisitive people are in China. I don’t think many Americans would find they have much in common with them. I have relatives in China and I have seen them change dramatically as a result of this new acquisitiveness. Here, a lot of younger people don’t identify with Baby Boomers because they see us similarly. We were the big bulge and set a lot of the trends in the consumer model of what was popular. China is doing that now as well. But they aren’t desirous of being like Americans.

KW: Documentary filmmaker Kevin Williams says: While the Boomers did accomplish much good in breaking up some of the social and gender stratification in our country, many Generation Xers resent the Boomers' cultural domination in the 80s and 90s, and even now as child-raising adults. Do you think that Baby Boomers, as a group, are aware of this animosity towards them on account of how they shaped our country at a high cost to future generations and where they’ve taken the U.S. economically, spiritually and socially?

AT: I’m certainly aware of it, but I don’t know that all Baby Boomers are. I think there are different strands of our generation. One that was very interesting was behind our grassroots efforts which got some traction on behalf of the anti-war movement, women’s liberation and equal rights for gays. We’re the last generation with the expectation of upward mobility and the home ownership and the credit card mentality. Those coming behind us feel that debt is what we’ve left them with, and the idea of having it now, but paying for it later. I think they also resent the amount of our pollution. We were the start of McDonald’s and the fast food culture and of massive consumer waste. But we also did a lot of positive things, entering the Peace Corps, campaigning for George McGovern, loving Jimmy Carter for what he was doing for social good, and I think many Boomers still have that consciousness. I would say to those who really despise Boomers: Don’t lump us all together. The credit card Boomers led us down a very nasty path of debt and unemployment. 

KW: The bookworm Troy Johnson question: What was the last book you read?

AT: I’d be embarrassed to admit the name of the last one I really read. It was a funny, fluffy book. But before that, I reread Love in the Time of Cholera. http://www.amazon.com/exec/obidos/ASIN/0307389731/ref=nosim/thslfofire-20

Next, I’m planning to read Middlemarch which, oddly enough, I’ve never read. http://www.amazon.com/exec/obidos/ASIN/0141439548/ref=nosim/thslfofire-20

KW: What is your favorite dish to cook?

AT: Cauliflower and Brussels sprouts, sautéed together in oil and garlic, and garnished with capers and lemon. I’m vegetarian. I don’t eat meat. I could talk about how bad it is for the environment, but…

KW: Let's say you’re throwing your dream dinner party—who’s invited?

AT: I’m always terrible at that “If you were stranded on a desert island” type of question. I think, if I could have dinner with almost anyone, I would prefer it to be with people gone from my life, rather than important political figures like President Obama and President Assad to see what they’d have to say to each other. I want to see loved ones again and to hear about things that we didn’t have time to talk about. So, it would be the impossible dinner list of people I know I would never be able to see again.   

KW: The Ling-Ju Yen question: What is your earliest childhood memory?

AT: I remember sitting under a tree in the summer, at 2½, when something fuzzy and round fell on top of my head and made me cry. I picked it up, and it looked like a peach. But my mother says it must have been an apricot since we only had an apricot tree in the backyard. We were living in Fresno at that time.

KW:  What are you working on now? 

AT: I’m working on a book about writing. It’s not a how-to book. It’s really about what Ezra Pound call “The Undertow.” The undertow of your life. All the things that come to the surface and all the things can drag you down and take you away forever. I’m trying to capture that sense of who I am from the very beginning, and of what I’ve noticed about life, and death, and relationships. So, I can’t really say what the book is about yet because I still have to find out more of what this writer is about first. 

KW: Wow! I look forward to reading it. Well, have a good trip. I hear you’re leaving for Europe today.

AT: Yeah, I’m headed to Holland, Germany, Iceland and Italy. My big thing is I need to make sure I get enough sleep everyday. 

KW: Thanks again for the time, Amy, and bon voyage!

AT: My pleasure, Kam.

To see a trailer for The Boomer List, visit: https://www.youtube.com/watch?v=jz0icyUEQtc

American Masters: The Boomer List
PBS-TV Review by Kam Williams

The United States witnessed a population explosion in the wake of World War II which came to be called the Baby Boom. Stretching from 1946 to 1964, the period was marked in such a surge of live births that by the time it ended 4 out of 10 Americans were under the age of 20.

This year, the youngest members of the massive generation are turning 50, a development that was not lost on Timothy Greenfield-Sanders, director of a trio of award-winning documentaries: The Black List, The Latino List and The Out List. And with about 8,000 now retiring a day, Timothy decided to mark the milestone by making a film recognizing the contributions of cultural icons, one born in each year of the Baby Boom.

Among the subjects of the show is best-selling novelist Amy Tan, author of The Joy Luck Club, who was born in my year, 1952. At the age of 15, she was deeply affected by the loss of her father and a brother a half-dozen months apart. Here, she reflects upon how she felt abandoned by her dad.

She also talks about what it was like growing up Chinese-American. Sadly, she recalls that, as a teenager, “I felt that I didn’t have dates because I was ugly, and that I was ugly because I was Chinese.” Unfortunately, that insecurity about her appearance was only reinforced by a mother who told Amy she wasn’t beautiful and to work hard in school since she’d “never get by in the world on her looks.”

She admits to actually having felt shame about her ethnicity, which she overcame in college with the help of Black Studies courses. Since there weren’t any in Asian-American Literature at her school, she felt drawn to African-American Literature since it appreciated alternative aesthetics to the mainstream. The world is grateful that she was in turn inspired to write fiction, which she sees as a way of meditating on a question.   

Other luminaries representing their respective years are Deepak Chopra (1947), Samuel L. Jackson (1948), Billy Joel (1949), Maria Shriver (1955) and Erin Brockovich (1960), to name a few. A poignant collection of personal remembrances amounting to a profound tribute to a memorable American era.          

Excellent (4 stars)

Rated TV-PG

Running time: 90 minutes

Studio: Perfect Day Films

Distributor: PBS

The Boomer List premieres on PBS from 9-10:30 PM ET/PT on Tuesday, September 23rd (check local listings)

To see a trailer for The Boomer List, visit: https://www.youtube.com/watch?v=jz0icyUEQtc