Little Hope Was Arson
Film Review by Kam Williams

In little over a month, starting in January of 2010, ten churches located within a 40-mile radius of a rural section of East Texas were all burned to the ground. Was this the work of devil worshipping atheists, arsonists in search of a spectacle, or someone else?

The crimes confounded the criminal investigators who mounted the largest manhunt in the history of the region. Eventually, the authorities did crack the case, arresting a couple of troubled young men, Jason Bourque, 19, and Daniel Mcallister, 21.

Daniel soon started to sing, confessing after waiving his right to remain silent. He also implicated his pal Jason in return for word from his interrogator that he’d receive half the sentence of his co-conspirator. But that handshake wasn’t worth the paper it was written on, and both defendants landed life sentences when they got their day in court.

After all, this was not only the heart of the Bible Belt, but Texas, a state notorious for its lack of patience for felonious behavior. And when you factor in the ire of unforgiving church members who’d lost their place of worship, all bets were off in terms of any promised plea deal.

Little Hope Was Arson marks the noteworthy directorial debut of Theo Love. The picture is less sensational than understated as it relates an engaging tale in matter-of-fact style. Along the way, we learn about the family dysfunction in each of the boy’s childhood which ostensibly contributed to their lives spiraling out of control.

Personally, I only felt empathy towards the two upon learning how long they’ll have to spend behind bars, since nobody died during their month-long reign of terror. But maybe I was surprised to see a couple of white kids have the Good Book thrown at them.

Nevertheless, I’m sure that they were taught right from wrong as little boys, and somewhere along the way they simply opted for the dark side. So, now they must pay their debt to society.

The moral? Like the ghetto gangstas say: If you can’t do the time, don’t commit the crime. I can only pray that Daniel and Jason’s momentary thrill of setting those buildings ablaze was worth flushing their futures down the drain.

Excellent (4 stars)

Unrated

Running time: 73 minutes

Distributor: The Orchard / Submarine Deluxe

To see a trailer for Little Hope Was Arson, visit: https://www.youtube.com/watch?v=GwrOdbanxyg

Brooke Shields
The “There Was a Little Girl” Interview
with Kam Williams

A Look at Brooke!

Brooke Shields is an award-winning actress and a Princeton graduate with honors in French Literature. She started in iconic films such as “Pretty Baby,” “The Blue Lagoon” and “Endless Love.”

Brooke is also a renowned model, and starred in the long-running TV show “Suddenly Susan” as well as the critically-acclaimed “Lipstick Jungle.” She has appeared on Broadway on numerous occasions, too, and wrote and performed in her own one-woman show, “In My Life.”

A gifted writer, Brooke penned the New York Times best-seller “Down Came the Rain” and a couple of well-received children’s books. She lives in New York City with her husband, Chris Henchy, and their daughters, Rowan and Grier.

Here, she talks about her life, her career, and about her new memoir, “There Was a Little Girl: The Real Story of My Mother and Me.”  

Kam Williams: Hi Brooke, I’m honored to have this opportunity to interview you.

Brooke Shields: Omigosh! Thank you, Kam, for wanting to. I’m losing my voice a little bit, but I’ll try to speak up. I hope it’ll sound clear.

KW: I live in Princeton, and once met you briefly, when you were a student here, in that tiny pastry shop on Palmer Square. We were both being waited on and I remember being quite stunned when I realized it was you in line ahead of me. But you were quite natural when I said “Hi” and struck up a little chit-chat about the offerings in the case. Was that a favorite place of yours to frequent?

BS: Yeah, they had those really big, like three-pound bran muffins. [Chuckles]

KW: Yep! My readers sent in a lot of questions for you. Let me start with Editor Lisa Loving. She says: Brooke, what an interesting person you are! We are around the same age and I have always followed you. What was the turning point in your life? To me, it seems that you have had more than one.

BS: That’s a very astute way of looking at it, Lisa. Most people assume there’s only supposed to be one turning point which dictates the rest of our lives. But I think we have to be open to additional turning points when they arrive. Things happen in our lives. Classmates graduate… careers change… babies are born… friends are lost… loved ones die… There are so many milestones that I believe are important to acknowledge as being significant to you. That’s a very refreshing perspective that Lisa shares, because there really isn’t just one critical turning point in a life, but rather a number that you’ll need to be willing kind of bend with.  

KW: Sangeetha Subramanian says: You are awesome Brooke! What was your favorite spot to hangout in Princeton?

BS: Ooh! Wow! In town, it was all about food. I became a bit addicted to Thomas Sweets [ice cream] which is one of the reasons why I gained about 20 pounds while I was in college. [Chuckles] Winberie’s [restaurant] was always an unbelievable, safe place where we could go as a group and have meals and have fun playing games. I don’t even know if it’s there anymore.

KW: It is.

BS: I’m glad. Well, those were my favorite spots in town. At school, I felt very free anywhere on campus. On warm, sunny days, I especially loved sitting outside the library, hanging out by the fountain or camping out in the fields behind the independent study. They were all amazing!  

KW: Princeton has eating clubs instead of fraternities. Had they begun admitting women when you arrived?

BS: Yes, although when I went there in ’83, Ivy Club was all-male when I arrived and it was still all-male when I graduated. I joined Cap & Gown.

KW: Dave Roth asks: Who is your intended audience for this book? Is there a particular demographic you believe will gain from it?  

BS: I think there’s a difference between who will be interested in reading it and those who might be able to gain perspective. I’ve been around for so long that those people who have actually grown up with me might read it just for the trivia. However, I’m hoping that younger audiences will sort of tap into the part that simply deals with getting to know your parents and asking them to try to understand who you are. That’s a dialogue that needs to happen.

KW: Harriet Pakula-Teweles asks: What becomes a legend most? That’s the old Blackgama slogan. Do you remember those ads?

BS: I do! I do, Harriet!

KW: Harriet goes on to say that “What becomes a legend most?” is an interesting question to pose to you, given how you’ve been a legend since childhood.

BS: Well, there’s a certain sense of longevity that’s associated with legends, as well as a sense of endurance. I think what becomes a legend most is not only that which lasts the test of time but an ability to keep adapting. I’ve been around for decades, and I’ve tried to stay afloat by seizing upon opportunity when presented to me. And the opportunities presented to me now look very different from the ones in the Eighties. But instead of waiting for everything to happen in the way you think it should, it’s a matter of being able to see what the real lay of the land is, and figuring out how you can play a part in it.

KW: That makes me think of Isabella Rossellini, whom I interviewed a couple of weeks ago. She’s also an actress who has made herself over numerous times.

BS: But besides being talented, she’s also smart, artistic and beautiful. There’s a beauty in her that was considered amazing, not the norm. Yet, she managed to maintain a sense of self through all of her films, and she’s endured the test of time. I think that’s what “legend” is, in addition to being willing to fail, get up, and try again.

KW: Documentary filmmaker Kevin Williams asks: Can I ask a Blue Lagoon question? Then he says: I fell in love with you after watching that film when I was 12. But he forgot to ask his question.

BS: well, the fact that he was allowed to watch it when he was 12 was pretty forward-thinking of his mom.

KW: Sarah Jane Cion says: I love Brooke Shields! I just ordered the book. My pen name is Sally Shields, and the Shields part was picked for Brooke. When I was 16, you were on the cover of Seventeen Magazine, and I thought you were the most beautiful girl I had ever set eyes upon. I wish I had a question, but all I can think of is how much I admire and appreciate you. Wait, do you need a jazz pianist to play at any functions?

BS: Wow! I’m honored that I inspired you to pick Shields as part of your pen name. And what’s funny is that my first fake name was Diana Williams, which I made from Princess Diana and baby William. And what does she play, jazz?

KW: Yes.

BS: I’m so much more in awe of people who can play an instrument than of almost any other talent. I wish I could play an instrument.

KW: Peter Brav says: I look forward to reading the memoir. I once sat next to you and your mom at a dinner for the Israeli Film Festival in 1983 and found you both to be very charming. My question is: if you hadn't entered the entertainment industry, what do you think you’d be doing today?

BS: I’ve been in the entertainment industry for so long, before I even knew that I wanted to be in it. So, it would be hard to know what else I might be doing. I probably would have still made my way into it somehow because, to me, making people laugh, and entertaining, and watching people experience storytelling is one of the most rewarding things I can imagine. So, I think I would’ve found a way to entertain people in some capacity.

KW: Both Alice Yi and environmental activist Grace Sinden, a Princeton resident and former Princeton University researcher, ask: How important to you and your career has been the education you received at Princeton University? 

BS: It’s been the thing that’s helped me stay standing.

KW: Producer/director Larry Greenberg says: Brooke, thanks for being so nice to me when I met you briefly when you were a student at Princeton. When I see the tremendous wealth of work you have done in the industry, I can't help but wonder when you will try your hand as a director.

BS: Gosh, Larry, that’s just a beautiful sentiment. I directed Chicago at the Hollywood Bowl the summer before last, and I got a bit of the bug for it. So, I’m sure that within the next few years, there will be some sort of foray into it.

KW: Wesley Derbyshire asks: Did classmates ask you out on dates while you were at Princeton?

BS: After awhile. Not much my freshman year. But by my sophomore year, I had asked enough people out that they started to ask me back.

KW: Children’s book author Irene Smalls asks: If you could talk to your mother today, what would you say to her?

BS: I hope you knew how much I loved you.

KW: Marcia Evans says: I have every intention of reading your book from cover to cover. From the interviews that I've seen this week of you discussing the book had me feeling proud of your courage and honesty, discussing your private emotional and psychological child-rearing matters about growing up with your mother. I believe that your book will help many heal from the pain of being raised in an unhealthy or challenging environment.

BS: I think we can all look at our situations and find reasons to make them healthier and healthier. Nobody really has it all figured out. I believe there’s healthy and unhealthy in each of us. It’s when you operate with a sense of love in your heart that you maintain the integrity that enables you to keep going forward.

KW: Editor/Legist Patricia Turnier was wondering whether you might be interested in acting in a French language film, given that you majored in French Literature.

BS: I would absolutely say “yes” in a second, if given the opportunity. I would take on that challenge enthusiastically and work really hard.

KW: Thanks again for the time, Brooke, and best of luck with the book.

BS: Thank you so, so much, Kam.

25 to Life

Film Review by Kam Williams

Out-of-the-Closet Documentary Chronicles Clandestine Life of Brother Hiding His HIV Status

            When William Brawner was 18 months-old, his single-mom Linda left him in the care of a suspicious male babysitter against her better judgment while she went off to class at Howard University. Upon returning home, she found her baby so scalded by hot water that he needed numerous skin grafts and blood transfusions.

Doctor’s didn’t buy the babysitter’s story that it was all the result of an accident. And the proof in the pudding rested in the fact that the creep quickly slipped out of town before subsequently disappearing from the radar entirely.

Unfortunately for William, this tragedy transpired in the early Eighties at the dawn of the AIDS epidemic, well before the medical community became aware of how to protect the country’s tainted blood supply. Consequently, he contracted HIV from one of his transfusions.

Because of the social stigma then associated with AIDS, his mother decided to studiously hide Bill’s positive HIV status over the course of his childhood. Furthermore, since the guilty woman had no idea how long he might live, she also proceeded to spoil him rotten, admittedly raising a monster the rest of the world was going to have to deal with.

For, Bill eventually blossomed into quite the handsome ladies’ man. And while he did inform his high school sweetheart, Natasha, that he was infected, he never told any of the 20+ classmates he slept with when he followed in his mother’s footsteps to Howard.

He even had unprotected sex with some of those sisters, and was almost outed by his angry ex-girlfriend who sent an anonymous letter to the President of the University, warning, “Bill Brawner is HIV+ and infecting everyone at your school.” But the roaming Romeo’s culpable response was to never again share his status with anyone, though he would remain promiscuous.

Finally, in 2006, William confessed to his shameless behavior by going on the radio to reveal to the world once and for all that he was HIV+. In addition, he founded a Haven Youth center, a healthcare facility offering infected teens treatment and counseling.

Directed by Mike Brown, 25 to Life is reverential biopic that revisits all of the above, opting to present Bill in a positive light despite his risky behavior with a string of sex partners. Granted, it’s great that he ultimately embraced honesty and even settled down and got married, but it would’ve been nice to hear from his former conquests to learn how they felt about being used and whether they’ve tested positive for the AIDS virus.

A cautionary tale about a charming predator’s penis dispensing potentially-lethal demon seed.

Very Good (3 stars)

Rated PG-13 for PG-13 for action and sci-fi violence

Running time: 87 minutes

Studio: SimonSays Entertainment

Distributor: AFFRM

To see a trailer for 25 to Life, visit: https://www.youtube.com/watch?v=T9b7qEVRpQc  

The Hunger Games: Mockingjay – Part 1
Film Review by Kam Williams

In recent years, movie studios have started splitting into two their adaptations of finales from young adult book series, most notably, “Harry Potter and the Deathly Hallows” and “Twilight: Breaking Dawn.” The money-making ploy is arguably little more than a transparent attempt to milk the last dollar out of a soon to expire franchise.

The Hunger Games is the latest such production to employ the cash-generating tactic, as it divides in half “Mockingjay,” the last opus in Suzanne Collins’ best-selling, sci-fi trilogy. Unfortunately, this uneventful installment basically treads water while functioning as a setup for the upcoming dramatic conclusion. Nevertheless, nothing in the power of these words could possibly affect the box-office returns of this review-proof episode.

Directed by Francis Lawrence (The Hunger Games: Catching Fire), the movie again stars Jennifer Lawrence (as protagonist Katniss Everdeen) augmented by a support cast featuring Josh Hutcherson as Peeta, Liam Hemsworth as Gale, Woody Harrelson as Haymitch, Jeffrey Wright as Beetee, and the late Philip Seymour Hoffman as Plutarch Heavensbee.

At the point of departure, we find the country of Panem plunged into chaos and on the brink of revolution. Hunger Games victor Katniss reluctantly allows herself to be recruited by the leader of the rebellion, Alma Coin (Julianne Moore), to serve as the face of the struggle in propaganda videos designed to foment further insurrection.

However, besides Katniss’ frequently fretting about the mental state of her pal Peeta’s being caught in the clutches of Panem’s ruthless President, Coriolanus Snow (Donald Sutherland), not a lot transpires over the course of this anticlimactic adventure. Worse, we have to wait another whole year for the decisive denouement.

A lame excuse to fleece the legions of loyal Hunger Games fans in the target teen/tween demo.

Fair (1 star)

Rated PG-13 for intense violence, disturbing images and mature themes

Running time: 123 minutes

Distributor: Lionsgate Films

To see a trailer for The Hunger Games: Mockingjay – Part 1, visit: https://www.youtube.com/watch?v=IXshQ5mv1K8

Horrible Bosses 2
Film Review by Kam Williams

Timing is everything, when it comes to comedy, and this sequel suffers from an acute case of terrible timing. First of all, with the Bill Cosby rape allegations figuring so prominently in the news nowadays, the last thing anybody wants to laugh at is a premise predicated upon secretly slipping a knockout pill into the drink of an unsuspecting victim.

Equally distasteful is the running joke revolving around a female trying to turn a homosexual man straight by seducing him, suggesting that all you need to alter a gay guy’s sexual preference is an attractive seductress in a skimpy outfit. The picture’s political-incorrectness even extends to ethnic jokes, such as a cringe-inducing scene where a man mocks his Asian housekeeper’s thick accent.

Throw in unfunny skits about rape, pedophilia and the Ku Klux Klan, and you have a raunchy romp that repeatedly resorts to terribly tasteless fare simply for the sake of a cheap punch line.

Directed by Sean Anders (We’re the Millers), Horrible Bosses 2 features Jason Bateman, Jason Sudeikis and Charlie Day reprising their lead roles as BFFs Nick, Kurt and Dale, respectively. Also returning are Jennifer Aniston as nymphomaniac Dr. Julia Harris, Jamie Foxx as feloniously-inclined Mother-[expletive] Jones, Kevin Spacey as conniving Dave Harken, and Lindsay Sloane as Dale’s wife, Stacy, while additions to the cast include Christoph Waltz, Chris Pine, Keegan-Michael Key and Jonathan Banks.

This go-round, the intrepid protagonists morph from disgruntled employees into hapless entrepreneurs with no clue about bringing their invention, the Shower Buddy, to market. Consequently, they soon find themselves ruined financially by a sleazy investor Bert Hanson (Waltz), who rationalizes cheating them with, “I make new enemies every day. It’s called business.”

So, the three hatch a cockamamie plan to recoup their losses by kidnapping the creep’s son (Pine) for ransom. What they didn’t bank on, however, was the possibility that Bert couldn’t care less about freeing his ne’er-do-well offspring (a motif reminiscent of Ruthless People (1986), where Danny DeVito ignored a demand for cash being made by his wife Bette Midler’s abductors).

Horrible Bosses 2 does admittedly have its moments, like a quite captivating car chase during which our heroes drag an uprooted chain link fence onto the freeway while on the run from the authorities. It’s just too bad that most of the movie is devoted to such a misanthropic and misogynistic brand of humor.

Fair (1 star)

Rated R for pervasive profanity and crude sexuality

Running time: 108 minutes

Distributor: Warner Brothers

To see a trailer for Horrible Bosses 2, visit: https://www.youtube.com/watch?v=utriEZFno0E