The Judge
Film Review by Kam Williams
Downey and Duvall Square-Off in Character-Driven Courtroom Drama
Hank Palmer (Robert Downey, Jr.) is a very successful, criminal defense attorney with a good reason to hide his humble roots. After all, he was a rebellious kid who frequently landed in trouble with the law while growing up in tiny Carlinville, Indiana.
That juvenile delinquency only served to alienate him from his father, Joseph (Robert Duvall), who just happened to be the town’s only judge. In addition, one of Hank’s more egregious missteps left him permanently estranged from his older brother, Glen (Vincent D’Onofrio). And since their only other sibling, Dale (Jeremy Palmer), was mentally handicapped, Hank hadn’t been back in ages when he received word that his mother (Catherine Cummings) had died.
So, he only planned to make a perfunctory appearance at the funeral before quickly returning to Chicago where he had his hands full, between his high-flying career and a custody battle with his estranged wife (Sarah Lancaster) over their young daughter (Emma Tremblay). However, everything changes when Judge Palmer is suddenly arrested in the hit-and-run killing of a creepy convict (Mark Kiely) he’d publicly castigated in court before releasing back onto the street.
This shocking development conveniently forces Hank to stick around to represent his father, and simultaneously affords him the opportunity to mend a few fences. Plus, it gives him time to unwittingly seduce a woman he meets in a bar (Leighton Meester), who is not only the daughter of his high school sweetheart (Vera Farmiga), but might be the love child he never knew he had.
Thus unfolds The Judge, a character-driven drama which is half-whodunit, half-kitchen sink soap opera that pulls another rabbit out of the hat every five minutes or so. A potentially farcical film remains rather well grounded thanks to Robert Duvall who plays the Palmer family patriarch with a sobering, stone cold gravitas.
Both Robert Downey, Jr. and Billy Bob Thornton turn in inspired performances, too, as the opposing attorneys matching wits in a classic courtroom showdown. And the rest of the ensemble more than holds their own as well in service of a script that has a tendency to strain credulity.
A fanciful, thoroughly-modern variation on the parable of the Prodigal Son!
Excellent (3.5 stars)
Rated R for profanity and sexual references
Running time: 141 minutes
Distributor: Warner Brothers
To see a trailer for The Judge, visit: https://www.youtube.com/watch?v=7TA5Y86yAo4
Boris Kodjoe
The “Addicted” Interview
with Kam Williams
Kodjoe Aglow!
From his big screen and television roles to his theater and entrepreneurial skills, Boris Kodjoe has proven to be one of Hollywood’s most sought-after talents. He is probably best known for his role as Damon Carter on the TV series “Soul Food.”
He can currently be seen opposite Kevin Hart, Nick Cannon and JB Smoove on another hit sitcom, “The Real Husbands of Hollywood,” and will soon be starring in the upcoming series “Members Only” which will premiere this fall on ABC. And on the big screen, Boris was recently seen reprising his role as Luther West in the box office hit Resident Evil: Retribution, as well as in Baggage Claim opposite Paula Patton, Derek Luke and Trey Songz.
He was born in Vienna, Austria to Ursula Kodjoe, a psychologist from Germany, and Eric Kodjoe, a physician from Ghana, West Africa. They raised Boris, his brother Patrick and sister Nadja in Germany where he became one of the best tennis players in the country before earning an athletic scholarship to Virginia Commonwealth University.
While studying in Richmond, he was approached by a talent scout for Ford Modeling agency which he joined after earning his marketing degree in May of 1996. Immediately, he booked a dozen campaigns such as Ralph Lauren, Perry Ellis, Yves Saint Laurent, and The GAP. His career skyrocketed as he quickly became one of the most recognizable male supermodels.
Hollywood soon took notice. While studying with acting coach Janet Alhanti, Boris started guest starring on sitcoms such as “For Your Love,” and landed a supporting role in the feature film Love and Basketball. He also starred in Brown Sugar, alongside Taye Diggs and Sanaa Lathan, for which he was nominated for an NAACP Image Award. His other screen credits include Tyler Perry’s Madea’s Family Reunion, The Gospel, Surrogates and Resident Evil: Afterlife.
Onstage, Boris made his Broadway debut in Cat on a Hot Tin Roof, opposite James Earl Jones, Phylicia Rashad and Anika Noni Rose. Previously, he toured the country in the play Whatever She Wants with Vivica A. Fox and Richard Roundtree.
Boris and his brother Patrick have launched the clothing company ALFA (Affordable Luxury For All), bringing the luxury of custom-made clothing to every man and woman in America at affordable prices. The line can be accessed at www.worldofalfa.com. But his primary personal interest is to raise funds for Sophie’s Voice Foundation (www.sophiesvoicefoundation.org), a charity he started with his wife in honor of his daughter Sophie, who was diagnosed with spina bifida at birth.
Here, Boris discusses his new movie, Addicted, the screen adaptation of the steamy best-seller by Zane.
Kam Williams: Hi Boris, thanks for another opportunity to interview you.
Boris Kodjoe: Thank you, Kam.
KW: You know, I recently met Nicole at a charity function here in Princeton after one of her performances of Antony & Cleopatra.
BK: Wow!
KW: That was a lot of fun after having interviewed her several times over the years. She’s even more beautiful and gracious in person. Now, let me ask you about the movie. What interested you in Addicted? Were you already a Zane fan?
BK: I wasn’t as aware of her before I read the script. That’s when I began to find out more and more about Zane, her tremendous fan base, and all of her books.
KW: How did you like the idea of playing the aggrieved party instead of the hunk the female lead is after?
BK: It was interesting to me, because he went from being a victim to being a protagonist, in a way, once he found out that his wife had been leading this parallel life. So, the character had to deal wiith all kinds of obstacles, and ups-and-downs that I found intriguing.
KW: Tell me a little about what it was like making this movie.
BK: It was great. It was almost like a family affair. I’ve known [director] Bille Woodruff for years, as well as [fellow cast members] Tyson [Beckford], Sharon [Leal] and everybody. So, it was quite easy to trust my director. My job was basically to make Sharon feel comfortable and protected. She was so courageous and vulnerable, and did such an amazing job. And I was sort of the safety net for her to do all that.
KW: Was there any tension on the set between Zane, the author of the novel, and Bille in terms of their vision for the screen adaptation?
BK: No, they got all of that out of the way before we started shooting. They had numerous meetings, and made sure they were on the same page. To make a movie like that, you really have to trust your director, and they were on the same page.
KW: What message do you think people will take away from?
BK: It’s about communication, weathering the storms, and making sure you really understand each other. In a situation like that, especially where addiction is involved, that lines of communication are open for the spouse not only to understand but to be ready to jump in and help. In the film, you see how difficult it can be because there’s guilt, there’s blame, there’s doubt, and therapy comes into play, as well. And it encourages the audience to engage in conversation after seeing the movie, which is great, too.
KW: You’re really busy on TV nowadays, between Real Husbands of Hollywood and Members Only.
BK: Yeah, Husbands starts up on October 14th, that’s when Season Three premieres. And I just finished the first episode of Members Only, which takes a unique look into contemporary life at a country club, at a lot of scandal and other ridiculousness that transpires there. So, it’s been exciting for me to do both shows, and a diverse selection of work overall.
KW: Do the series’ shooting schedules overlap?
BK: No, it worked out perfectly, which things usually do when you relinquish control and give it to God.
KW: Harriet Pakula-Teweles asks: How do you and Nicole balance your busy careers with being the parents of young children?
BK: It’s not about balance. It’s about priorities, and we make family our priority, and everything else sort of falls into place around it. When you do that, you don’t have the stress of trying to make things happen. They happen organically. Our kids are more important to us than any movie or TV show. So, we want to make sure they have what they need, and mostly that’s quality time with us.
KW: The bookworm Troy Johnson question: What was the last book you read?
BK: An amazing book I read with my kids about the life of a child with a very rare and severe facial disfigurement, and about how his environment responds to him, and how he makes his life, his community, friends and school. It’s phenomenal. We’re reading it right now. The book is called “Wonder” and the main character’s name is August. http://www.amazon.com/exec/obidos/ASIN/0375869026/ref=nosim/thslfofire-20
KW: The Sanaa Lathan question: What excites you at this point in your career?
BK: Anything that’s new and different.
KW: The Uduak Oduok question: Who is your favorite clothes designer?
BK: Our new clothing line, World of Alfa [ www.worldofalfa.com ]. That’s our company.
KW: Let's say you’re throwing your dream dinner party—who’s invited… and what would you serve?
BK: My wife, my father, my brother, my mother, James Earl Jones, Sidney Poitier, Rupert Murdoch, Desmond Tutu, J.J. Abrams, Roger Federer, Serena Williams, John Stewart, Bill Maher, Chris Rock and Banksy. A big table.
KW: The Ling-Ju Yen question: What is your earliest childhood memory?
BK: In Vienna, when I was a year-and-a-half or two years-old. I remember it because I remember the little blue raincoat I used to wear, and how the buttons felt. I liked to walk on the street in front of our house when it was raining, and jump into all the puddles. That’s weird, but that’s my earliest memory. I’m going to have to go to therapy to figure out what that means.
KW: The Anthony Mackie question: Isthere anything that you promised yourself you’d do if you became famous, that you still haven’t done yet?
BK: No, I never dealt with fame. It was never a goal of mine to become famous. So, I never projected any goals associated with that. But I did have a bunch of goals I wanted to achieve when I was financially able to do so, but they had nothing to do with fame. When I set goals, they’re more tangible than becoming famous. You don’t build a company or a foundation for fame. By the way, October is Spina Bifida Month, so that’s a big deal for us.
KW: The Melissa Harris-Perry question:How did your first big heartbreak impact who you are as a person?
BK: I had to make a decision about whether it would impact how I felt about trusting people, and I decided I wasn’t going top allow it to impact my outlook on trust, because I believe trust is a choice. And I’ve always given people the benefit of the doubt until they prove me otherwise. So, it just made me stronger in my conviction about that, but it also taught me never to put anything past anyone.
KW: Ausgezeichnet!
BK: danke sehr.
KW: The Viola Davis question: What’s the biggest difference between who you are at home as opposed to the person we see on the red carpet?
BK: Just the way I dress. [Laughs] Otherwise, I’m the same person. I don’t put on a face. I’m the same guy every time you see me. I like to laugh, I like to smile, and I don’t take myself too seriously. I can be a goofball. When I come home, the only thing that changes is that I take off the suit and put on tennis shorts and play with the kids.
KW: The Gabby Douglas question: If you had to choose another profession, what would that be?
BK: I’m always an entrepreneur, but I’d probably be a teacher. I like teaching kids, whether that’s tennis on the courts or history in the classroom.
KW: The Harriet Pakula-Teweles question: With so many classic films being redone, is there a remake you'd like to star in?
BK: American Gigolo.
KW: The Judyth Piazza question: What key quality do you believe all successful people share?
BK: Conviction. Belief in yourself. What it really says is that we are willing to weather the storm of multiple failures to achieve a goal. We’re so convinced in the destination that we are able to let go of the reins and give it to God.
KW: The Pastor Alex Kendrick question: When do you feel the most content?
BK: When I’m with my family.
KW: The Pastor Alex Kendrick question: What defines who you are?
BK: My actions.
KW: What advice do you have for anyone who wants to follow in your footsteps?
BK: Abort the mission, and build your own.
KW: Thanks again for the time, Boris, and best of luck with Addicted.
BK: No problem, thank you, Kam.
To see a trailer for Addicted, visit: http://www.lionsgatepublicity.com/theatrical/addicted/
Jeremy Renner
The “Kill the Messenger” Interview
with Kam Williams
Chillin’ with the Messenger!
Jeremy Renner starred in The Hurt Locker, which won a half-dozen Academy Awards, including Best Picture and Best Director (Kathryn Bigelow). For his portrayal of Sgt. William James, he received many accolades, including his first Academy Award nomination, in the Best Actor category.
The following year, he was again an Academy Award nominee, this time as Best Supporting Actor for his performance as James Coughlin in The Town, directed by Ben Affleck. Moviegoers worldwide also know him for his starring roles as Hawkeye in The Avengers, as William Brandt in Mission: Impossible: Ghost Protocol, and as Aaron Cross in The Bourne Legacy.
Jeremy’s breakthrough movie role was as Jeffrey Dahmer in Dahmer. And his other films include American Hustle; The Immigrant; Hansel & Gretel: Witch Hunters; The Assassination of Jesse James by the Coward Robert Ford; 28 Weeks Later; Take; North Country; S.W.A.T.; and Neo Ned.
Here, he talks about his new film, Kill the Messenger, directed by Michael Cuesta. The two previously collaborated on 12 and Holding which was nominated for the Independent Spirit Awards’ John Cassavetes Award.
Kam Williams: Hi Jeremy. I’m honored to have this opportunity to speak with you.
Jeremy Renner: Thank you, Kam. My pleasure.
KW: I told my readers I’d be interviewing you, so I’ll be mixing in my questions with theirs.
JR: Okay, great!
KW: Editor Lisa Loving says: Oh my God! Oh my God! You made a movie about Gary Webb. Thank you. Wow! You are ripping my heart out right now. I am not going to cry. I just forgot what the heck I was supposed to be doing today. Jeez! I’m giving myself permission to cry a little. Jeremy, to me, this is one of the most important stories of the Modern Age. And the way Gary’s life was systematically destroyed—not just by the CIA but by the newspapers that mindlessly colluded with them—makes me weep for all time. His book, “Dark Alliance,” is one of my most treasured possessions. She asks: Mr. Renner, did either your role in Kill the Messenger or The Hurt Locker change the way you regard the world or our nation?
JR: Yeah, but not in a political sense. Just five minutes ago, I was talking to someone else about The Hurt Locker’s not being a political movie, whereas it could have quite easily been spun into one very heavy-handedly. Kill the Messenger is a little more obviously a political picture, but I didn’t really want politics to weigh-in on that, even though I might have my opinion and thoughts about it. I think politics and religion are personal belief systems that have nothing to do with anybody else. That’s where I stand. And I don’t like to make movies that try to force people to change their opinions. However, while the backdrop of Kill the Messenger involved politics and journalism, what was important to me was the underdog story. I love to watch an Everyman rise to the occasion under extraordinary circumstances, like in David and Goliath. I think that universal theme resonates with almost anyone, since most people are trying to do the best they can. Like The American way. I pride myself in sort of representing that, as an actor, especially with Gary Webb coming from the same area as I. It was a tragic situation all the way around, and a big story that’s impossible to tell in two hours, which is why we focused more on Gary Webb personally.
KW: Lisa also asks: What did you learn by immersing yourself in Gary’s life story?
JR: I’d always been on the other side of journalism, just being asked questions. This afforded me a chance to learn a lot about newspapers, satellite stations, and the work of an investigative reporter, and how they get a story. But what I still really enjoyed the most was learning about Gary Webb’s personal life as a father and husband, as well as a journalist.
KW: Lisa’s last question is: Do you think Gary committed suicide, or do you think he was killed by the CIA?
JR: I have an opinion about it, but I don’t care to address that on the record. I’ll let the movie speak for itself. What matters more to me is what other people think.
KW: David Roth thinks that since you’re one of the producers, you must feel pretty passionate about this project. He asks: Why do you think this story took a back seat to the Monica Lewinsky scandal?
JR: [LOL] The Monica Lewinsky story… [Laughs some more] and I do say this laughing… is just more entertaining to follow. Dark Alliance was talking about the CIA connection to cocaine and crack as opposed to blow jobs, which was a lot easier to swallow, no pun intended. [Chuckles]
KW: David also asks: Why didn’t you include Webb’s decline and death in the film, since it was under such suspicious circumstances?
JR: We did, actually. We have a very beautiful, long tracking shot. We replicated the morgue photo, and we originally had it bookending the beginning and end of the movie. But it felt too heavy-handed, and made what we were saying glaringly obvious, which wasn’t how we wanted the movie to be. So, we took it out, and put in a little text at the end saying what happened, instead of showing all that stuff. We wanted to be very delicate about showing what happened to Gary Webb as opposed to going, “Eff you, CIA! Eff you, government! Eff you L.A. Times and the San Jose Mercury News! It’s not about shooting all these other people down, because I don’t think there’s just one bad person to point at here, at all. The tragedy is really on Gary Webb and his being victimized by uncovering something that was ultimately true.
KW: Sangeetha Subram says: Your performance in Kill the Messenger was sensational! I also loved you in The Bourne Legacy also. She asks: Is there one actor or actress that you would say has inspired you?
JR: Thank you, Sangeetha. Jeez! Most of the people I’ve worked with have inspired me. I’ve been lucky to work with so many great actors. Speaking of the Bourne Legacy, Rachel Weisz was someone I’d been trying to work with for so long. She’s amazing! I love Emily Blunt, too. She’s another one of my favorites. But there are loads and loads of them. It’s a long list.
KW: Harriet Pakula-Teweles says: You’ve achieved leading figure status and you also do wonderful ensemble work—how different is your focus for each kind of different ‘space’ on the screen?
JR: The focus, I suppose, is the same. The requirement of time is not nearly as demanding, but the work is the same whether you work one day or a hundred days on a movie. You still have to bring a fully-realized, three-dimensional character to the screen. So, the work is the same, it’s just that the responsibility of carrying the movie is lightened.
KW: Harriet also asks: How do you put your own imprint on a movie that is based on a true story, you’ve done a bunch of them, when you already know your character’s motivation and outcome?
JR: I guess it’s a subjective thing. If I’m playing a real-life person, I’m beholden to the truths of who they are or who they were, if they’re dead. It’s easy, but then there are limitations to that, because they’re a known figure. If it’s something I’m creating, it’s free game. So, I guess truth is really the ultimate decider of what it is.
KW: The Harriet Pakula-Teweles question: With so many classic films being redone, is there a remake you'd like to star in?
JR: I feel like we’re constantly remaking movies, but they just have different titles. I believe there are twelve stories that we retell over and over again thematically. I’ve never thought about remaking a film, but I’ve probably already done it. [Chuckles]
KW: Is there any question no one ever asks you, that you wish someone would?
JR: It’s usually the other way around. They ask a question I wish they wouldn’t ask. [Laughs heartily] But I welcome any opportunity to answer a question I’ve never been asked before. But I don’t know what that is. You’re asking me to divulge something I don’t really want anyone to know about me, but I don’t want anybody to know anything about me. [LOL]
KW: Here’s one you might never have been asked: The Ling-Ju Yen question: What is your earliest childhood memory?
JR: [Chuckles] I can’t tell that story. I was running around naked in my mom’s high-heeled shoes. I was a tyrant. I was always disappearing a lot, like a ninja.
KW: What is your favorite dish to cook?
JR: Breakfast. Anything for breakfast. It’s my favorite meal.
KW: When you look in the mirror, what do you see?
JR: Flaws.
KW: The Sanaa Lathan question: What excites you at this stage in your career?
JR: The same thing as ever. The same principles that did with my very first job: to be challenged to grow.
KW: The Viola Davis question: What’s the biggest difference between who you are at home as opposed to the person we see on the red carpet?
JR: I suppose I can get a little loose on the red carpet, but I’m not wearing a suit at home where I’m relaxed and a bit more of a goofball. Who I am as a person is a pretty down-to-earth, simple, simple man.
KW: If you could have one wish instantly granted, what would that be for?
JR: To be with my daughter.
KW: The Judyth Piazza question: What key qualities do you believe all successful people share?
JR: Tenacity, perseverance and fearlessness.
KW: The Anthony Anderson question: If you could have a superpower, which one would you choose?
JR: Flying is always a good one.
KW: The Gabby Douglas question: If you had to choose another profession, what would that be? You were a makeup artist before you got your big break, right?
JR: Yeah, I was a makeup artist for a little while, instead of waiting tables. I’d probably be a teacher, a musician or a real estate developer, which I’m already doing.
KW: What instrument do you play?
JR: Drums, guitar and piano, and I sing.
KW: Can I find you performing on Youtube?
JR: There’s some stuff from SNL and from when I was pressured to sing on some talk shows.
KW: What advice do you have for anyone who wants to follow in your footsteps?
JR: If there’s anything else that makes you happy, please go do that. But if this is what you love, and what you want, make it your Plan A, and don’t have a Plan B. Don’t plan to fail.
KW: The Tavis Smiley question: How do you want to be remembered?
JR: As complicated.
KW: Thanks again for the time, Jeremy, and best of luck with Kill the Messenger. And I hope to speak to you again about your next project.
JR: Yeah, yeah. I really appreciate it, Kam.
To see a trailer for Kill the Messenger, visit:
https://www.youtube.com/watch?v=2N2nuDtJX0M
To see Jeremy singing “Stuck in the Middle with You” with family and friends, visit: https://www.youtube.com/watch?v=o5TXSqGnLto
Kill the Messenger
Film Review by Kam Williams
Jeremy Renner Riveting in True Tale as Intrepid Investigative Journalist
In August of 1996, the San Jose Mercury News published an eye-opening expose’ detailing exactly how the Central Intelligence Agency had orchestrated the importation of crack cocaine from Nicaragua as well as its distribution in the black community of South Central Los Angeles. Entitled “Dark Alliance,” the 20,000-word series was written by Gary Webb (Jeremy Renner), an investigative journalist who’d risked life and limb to release the incendiary information.
For, in the midst of conducting his research, he had been asked “Do you have a family?” by a CIA operative trying to intimidate him into killing the article. The spy agency was ostensibly determined to suppress any facts which might shed light on its covert dealings with the Contras, the rebels attempting to topple the government of Nicaragua.
But Webb, already a Pulitzer Prize-winning reporter, would not be intimidated and went with the piece. And even though he had supported his shocking allegations with declassified documents obtained via the Freedom of Information Act, the Establishment secretly enlisted the assistance of the New York Times, the Washington Post and the L.A. Times to discredit him.
These prominent papers pooh-poohed the very notion that the CIA could possibly be behind the dissemination of crack in the inner-city. Nevertheless, “Dark Alliance” became the biggest story of the year, especially among African-Americans, many of whom surfed the internet for the first time in order to read the damning report.
Congresswoman Maxine Waters (D-CA) took to the floor to warn that “Somebody’s going to have to pay for what they have done to my people.” Yet, the revelations seemed to take the greatest toll on Gary Webb, who lost his good name, his job, his career, his home, and even the love of his wife (Rosemarie DeWitt ) in due course.
This shameful chapter in American history is the subject of Kill the Messenger, a sobering biopic directed by Michael Cuesta and starring Jeremy Renner. The film features an A-list cast also including Ray Liotta, Barry Pepper, Tim Blake Nelson, Andy Garcia, Oliver Platt, Michael Sheen, Robert Patrick and Paz Vega.
However, make no mistake, this riveting thriller is a Renner vehicle, and the two-time Academy Award-nominee (for The Hurt Locker and The Town) delivers another Oscar-quality performance as a family man/respected writer slowly turned into a paranoid soul haunted by demons and hunted by Machiavellian mercenaries drunk with power.
A cautionary tale about what might easily transpire whenever the Fourth Estate is willing to serve as the Fifth Column rather than as a government watchdog.
Excellent (4 stars)
Rated R for profanity and drug use
Running time: 112 minutes
Distributor: Focus Features
To see a trailer for Kill the Messenger, visit:
One Chance
Film Review by Kam Williams
Overcoming-the-Odds Biopic Recounts Rise of Aspiring Opera Singer
For as long as Paul Potts (James Corden) can remember, all he every wanted to do was sing. Blessed with a big voice, the chubby boy sang everywhere as a child, whether in the shower, walking down the street, riding the school bus, or in the church choir.
Sadly, this inclination didn’t sit well with the ruffians of Port Talbot, the blue-collar town where Paul was raised. The more he sang, the more they would bully him, and vice-versa.
Fast-forward to 2004 where we find Paul, at 34, pursuing the pipe dream of an opera career and still living at home with his supportive mom (Julie Walters) and skeptical dad (Colm Meaney). Meanwhile, he’s taken a job as a cell phone salesman in order to save up enough money for a master class in Venice with the legendary Luciano Pavarotti (Stanley Townsend). And he is lucky to have an understanding girlfriend in Julz (Alexandra Roach), a portly pepperpot he met over the internet.
Thus unfolds One Chance, a delightful musical dramedy directed by Oscar-winner David Frankel (Dear Diary), best known for The Devil Wears Prada. Here, the Native New Yorker has fashioned an overcoming-the-odds biopic revolving around Potts’ real-life exploits as a contestant on the TV show “Britain’s Got Talent.”
The film feels a lot like The Full Monty (striptease) and Billy Elliot (ballet) in terms of the protagonist’s pursuit of an unconventional art form. However, it also is evocative of Notting Hill and Four Weddings and a Funeral in the way it wins your heart via a charming courtship.
A touching, true tale chronicling a talented troubadour’s televised triumphs.
Excellent (4 stars)
Rated PG-13 for profanity and sexuality
In English and Italian with subtitles
Running time: 103 minutes
Distributor: The Weinstein Company
To see a trailer for One Chance, visit: https://www.youtube.com/watch?v=1wtq5hN2eOE