Ava DuVernay

The “Selma” Interview

with Kam Williams

Retracing the Road to Justice!

Ava DuVernay is a writer, producer, director and distributor of independent film. Winner of the Best Director Award at the 2012 Sundance Film Festival, Ava was honored with the 2013 John Cassavetes Independent Spirit Award and the Tribeca Film Institute 2013 Affinity Award for her second feature film, Middle of Nowhere.

She made her directorial debut with the critically-acclaimed 2008 hip hop documentary, This is The Life. A couple years later, she wrote, produced and directed her first narrative feature, I Will Follow, starring Salli Richardson-Whitfield.

Prior to directing, Ava founded DVA Media + Marketing in 1999, and worked as a film publicist for over a dozen years. Her award-winning firm provided strategy and execution for more than 120 film and television campaigns for such industry icons as Steven Spielberg, Clint Eastwood and Michael Mann.

The UCLA grad is the founder of AFFRM, the African-American Film Festival Releasing Movement. And she is a member of the Academy of Motion Picture Arts and Sciences, as well as the Academy of Television Arts & Sciences, as well as a board member of both Film Independent and the Sundance Institute.

Here, she talks about her new film, Selma, which has been nominated for four Golden Globes, including Best Director.

Kam Williams: Hey, Ava, long time-no speak.

Ava DuVernay: It sure has been awhile, Kam. How are you?

KW: I’m great. How about you? Congrats on the Golden Globe nominations, and with the Oscars just over the horizon!

AD: I don’t know about that, but it’s been a nice ride so far.

KW: I was surprised to see you in Life Itself, the documentary about Roger Ebert, and to learn that an encouraging encounter with him as an adolescent had been such a big influence on your life. 

AD: He was such a champion of underrepresented filmmakers. He was a very big deal to me. It shows the power of critics. People who write about film, like you, can really affect the confidence of a young filmmaker. He did that for me, so it was such a pleasure to have an opportunity to talk about Roger in the movie.

KW: Editor/Legist Patricia Turnier asks: Why was it important for you to bring this story about Selma to the big screen?  

AD: Because there’s never been a film with Dr. Martin Luther King, Jr. at the center released in theaters. Ever! One does not exist. You’ve only seen tele-films and stage plays about him. Yet, we have big screens biopics about all kinds of people. So, I think it’s only right that there be a full-length feature about Dr. King. I don’t think there could be enough of them, but there should be at least one. So, here it is! 

KW: Patricia also says: The contributions of many black women to the movement, including Coretta Scott King, haven’t been credited enough. Will the audience learn more about this aspect of history in your picture? In other words, did you bring your perspective as a black female to directing Selma?

AD: Yes, Patricia, it was vital to me to include woman characters, and Coretta Scott King [played by Carmen Ejogo] is a prominent one. There’s a full arc where she’s painted, and you get to see behind the veil of her quiet dignity. Another character is Amelia Boynton [played by Lorraine Toussaint], a freedom-fighter who’s still alive and 104 years-old. She’s the woman who invited Dr. King to Selma. Oprah Winfrey plays Annie Lee Cooper, a woman who tried to register to vote five times, but was rejected and humiliated every time, and had a very infamous tussle with the local sheriff in Selma that landed on President Johnson’s desk through the newspaper accounts. Richie Jean Jackson [played by Niecy Nash] and Diane Nash [played by Tessa Thompson] are also in the film. There are a lot of sisters there who contributed to the fabric of the Civil Rights Movement.

KW: Lastly, Patricia says: The interview you did in the past with Kam Williams was translated into Spanish on my trilingual webmag. Will Selma be available in movie theaters in French and/or Spanish? I have a friend, a beautiful sister who is deaf and mute, who would like to see Selma. Will it be shown in theaters with special glasses so the deaf can watch it with subtitles?

AD: Yes, the film will be subtitled in some French and Spanish-speaking countries around the world, but I don’t know whether it will be subtitled for the deaf.

KW: Environmental activist Grace Sinden says: Congratulations on the Golden Globes nomination for directing Selma. I cannot wait to see it. We know that it is difficult for women to move up in many fields but this issue has recently received much focus, especially in terms of Hollywood directors. What advice do you have for women trying to break the glass ceiling? Can you share your thoughts on this issue? Was it any more difficult for you personally?

AD: Ignore the glass ceiling and do your work. If you’re focusing on the glass ceiling, focusing on what you don’t have, focusing on the limitations, then you will be limited. My way was to work, make my short… make my documentary… make my small films… use my own money… raise money myself… and stay shooting and focused on each project.  

KW: Editor Lisa Loving says there have been thousands of people marching in cities all across the country since the Missouri police officer who killed Michael Brown was not charged in his death. In our town, Portland, we see a whole new generation of community leaders stepping forward, right now. As you made this film did you have any idea it would be released at a time in history when thousands and thousands of young black people would again be marching in the streets for civil rights?

AD: I had no idea. It’s very poignant and it moves me beyond words that this film that we’ve made, that this piece of art would be released in such a robust way during this cultural moment rife with energy for change, with people taking to the streets, the power of the people being heard, and their voices being amplified. It’s an honor to have something that speaks to that right now. It certainly wasn’t anything that we knew was going to happen. But I find it thrilling that people are standing up, and I’m hopeful that it will really move the needle this time around. And it’s a little eerie that some of the events in our film are so similar to some of the things you’re actually seeing on cable news today.     

KW: Lisa also says: I feel that many people – people of all kinds – really do not know what Dr. King did in leading street protests against racist laws even as the FBI, at the highest levels, was breaking privacy laws and even laws of basic human decency to stop him. Do you think learning that about the FBI might surprise people?

AD: If you don’t know your history, I think you’ll be surprised to learn it. But it’s very prominent in the public records that there had been this counterintelligence program called COINTELPRO, for short that during the Fifties and Sixties placed leaders of progressive movements in the United States under surveillance. It was created by FBI Director J. Edgar Hoover, and was signed off on by every president in office during those decades. It’s disturbing… it certainly served to dismantle a lot of the progressive movements that existed back then. If you don’t know about it, it’s in the film, and you can Google it and learn more about it.

KW: Sangeetha Subramanian says: There are so many lessons to take away from this film and story. Is there one lesson you would like to hear discussed more that may not be getting enough attention?

AD: No, I think the film is getting plenty of attention right now. I’m just excited about January 9th when the film will be opening everywhere, and people in the real heart of the country will be able to see it. That’s the day I’m really hopeful about. That’s the day I’ll be on Twitter wanting to listen to what people have to say about the picture, good or bad, as they come out of the theater.

KW: Cinema Professor Mia Mask asks: Will you come to Vassar? We'd like you to be a guest of the film department as a visiting artist. We’ve asked you in the past, but your shooting schedule prevented it. 

AD: Thanks for the invite, Mia. You’d have to put the request in to the office. But I’m pretty booked up right now.

KW: David Roth asks:Did you have any hesitation about casting British actors in the iconic roles of Coretta Scott King and Dr. Martin Luther King?

AD: Not at all, I just wanted to cast the best actor for the job and, without a doubt, David Oyelowo and Carmen Ejogo are transformative in these roles. And I knew that they would be. David was the first black man to play a King of England on the stage of the Royal Shakespeare Theater. His chops, his acting abilities are exceptional. He gave all of himself to the part, so I hope people will come check it out.

KW: Children’s book author Irene Smalls asks: How will you judge the success of Selma, and what movie would you like to make next, if you could do anything you wanted?

AD: I will judge the success, not on any awards or on the box-office, but on how people feel and what they say after seeing it. That’s what really matters to me. The film has something to say, and in a very specific way, about freedom and dignity in this country, and about some of the great leaders who worked hard and lost their lives in the pursuit of justice.

KW: Well, I loved the film, Ava, and all the best during awards season.

AD: Thank you, Kam. I’m so glad I got to talk to you, and I look forward to talking to you again.

To see a trailer for Selma, visit: https://www.youtube.com/watch?v=kPgs2zshD9Y

Annie
Film Review by Kam Williams

Little Orphan Annie was a syndicated comic strip created by Harold Gray (1894-1968) which debuted in the New York Daily News on August 5, 1924. The cartoon revolved around the misadventures of an adorable 11 year-old with curly red hair who’d exclaim “Leapin’ lizards!” whenever she got excited.

The original strip also featured Oliver “Daddy” Warbucks, the millionaire who rescued her from an orphanage; Punjab, his loyal manservant; and Sandy, her adopted stray puppy. The popular serial was first brought to the big screen in 1932, and was adapted to the stage in 1977 as a Broadway musical.

Directed by Will Gluck (Easy A), this fifth film version is very loosely based on that Tony-sweeping production. But the story unfolds in the present at a foster home in Harlem instead of during the Depression at an orphanage located in lower Manhattan. And a few names have been changed, but the roles and motivations basically remain the same.

At the point of departure, we find Annie (Quvenzhane Wallis) and her fellow wards of the state caught in the clutches of cruel Colleen Hannigan, (Cameron Diaz), an abusive alcoholic with a mean streak who takes delight in exploiting the little girls entrusted to her care. This predicament inspires the mistreated waifs to do what else but sing about how “It’s the Hard Knock Life” for them.

Meanwhile, Annie futilely sits in front of the restaurant where she was abandoned long ago, praying for the return of the parents who’d abandoned her, so the sun’ll come out “Tomorrow.” However, a ray of hope arrives when she crosses paths with mobile phone magnate Will Stacks (Jamie Foxx) who soon invites the grimy street urchin to move into his posh penthouse with a panoramic view and state-of-the-art amenities.

But did the billionaire make the generous overture merely for a photo opportunity to improve his image as a mayoral candidate? Will the cute kid be callously kicked back to the curb once the campaign’s over?

The outcome won’t be much of a mystery to the average adult, though it will probably prove compelling enough to keep tykes and maybe even tweens glued to the edges of their seats for the full two hours. As for the lead performance, Quvenzhane Wallis is quite endearing as the latest incarnation of Annie, right from the opening scene where she ostensibly takes the proverbial baton from a freckle-faced redhead (Taylor Richardson) resembling the other actresses who’d previously played the part.

Still, the film has a glaring Achilles heel, a mediocre soundtrack. Jamie Foxx has the best singing voice here, by far. The rest of the cast members give it their all, but simply fail to deliver any show-stopping renditions of either the familiar or new tunes.

A 21st Century variation on the age-old theme where an insufferable 1%-er finally gets in touch with his sensitive side with the help of an irresistible ragamuffin representing the downtrodden rest of humanity.

Good (2 stars)

Rated PG for mild epithets and rude humor

Running time: 118 minutes

Distributor: Columbia Pictures

To see a trailer for Annie, visit: https://www.youtube.com/watch?v=nasLuiP-1E0  

Top Five

Film Review by Kam Williams

Chris Rock Rolls in Romantic Comedy/Film Industry Satire

            In Birdman, Michael Keaton played a fading star trying to revive a career that had been in decline since he’d become typecast after playing a superhero in a series of blockbusters on the big screen. That plotline wasn’t all that far off from the arc of Keaton’s real-life fate following an outing as Batman back in 1989.

The similarly-themed Top Five features Chris Rock as Andre Allen, a comedian who has become too closely associated with “Hammy the Bear,” the popular protagonist of a humor-driven film franchise. Consequently, he’s been having a hard time making the transition to dramatic roles.

At the point of departure, we find Andre in the midst of promoting his newest movie, Uprize, an historical drama about a slave insurrection on the island of Haiti. He’s allowed New York Times reporter Chelsea Brown (Rosario Dawson) to tag along for the day, since she’s been assigned by the paper to prepare a profile on him.

Sparks fly, the two flirt, and it’s pretty obvious right off the bat that the two are attracted to each other. Trouble is, he’s already engaged and about to marry Erica Long (Gabrielle Union), a shallow, self-centered reality show star.

It’s equally clear that Andre and his high maintenance fiancée are ill-matched, so anybody who’s ever seen a romantic comedy can figure out where this one’s headed. And while the plot does everything to prevent Andre from wising up until the very end, it simultaneously affords the acid-tongued funnyman ample opportunities to point out show business’ shortcomings.

Besides being peppered with plenty of inside jokes and pithy comments about Hollywood, Top Five is memorable for boasting the most star-studded cast of the year. The dramatis personae includes J.B. Smoove, Kevin Hart, Adam Sandler, Jerry Seinfeld, Cedric the Entertainer, Tracy Morgan, Whoopi Goldberg, Charlie Rose, DMX, Jay Pharoah, Taraji P. Henson, Romany Malco, Gabby Sidibe, Luis Guzman, Sherri Shepherd and Ben Vereen.

As you might imagine, many of the celebs are limited to blink and you missed it cameos, though the production does manage to milk a little magic out of each one’s brief moment in the limelight. Nevertheless, make no mistake, this is a Chris Rock vehicle, and the picture is at its best when the irreverent comic is at his cockiest.

A clever, laff-a-minute adventure worth the investment for the hilarity, even if it telegraphs where the love story might be headed.

Excellent (3.5 stars)

Rated R for sexuality, nudity, crude humor, pervasive profanity and drug use

Running time: 101 minutes

Distributor: Paramount Pictures

To see a trailer for Top Five, visit: https://www.youtube.com/watch?v=jejCmmawzLY    

David Oyelowo
The “Selma” Interview
with Kam Williams

Mellow Oyelowo!

David Oyelowo (pronounced – “oh-yellow-oh”) is a classically-trained stage actor who is working successfully and simultaneously in film, television and theater, and has quickly become one of Hollywood’s most sought-after talents. He was recently nominated for a Golden Globe for his stirring performance as Dr. Martin Luther King, Jr. in the highly-anticipated, civil rights drama Selma. Directed by Ava DuVernay and produced by Oprah Winfrey and Brad Pitt’s Plan B, the film follows the black fight for the right to register to vote culminating in the march from Selma to Montgomery and in President Lyndon Johnson’s signing of the historic Voting Rights Act of 1965.

David can currently be seen in Christopher Nolan’s space travel, sci-fi adventure Interstellar and in A Most Violent Year opposite Jessica Chastain and Oscar Isaac. He just wrapped production on Captive, a true-life crime thriller, and will soon co-star in Nina, a biographical drama about Nina Simone (played by Zoe Saldana).

A year ago, he co-starred in Lee Daniels’ The Butler, alongside Forest Whitaker, John Cusack, James Marsden and Oprah Winfrey. And in 2012, he was seen in Steven Spielberg’s Oscar-nominated drama Lincoln, with Daniel Day-Lewis, Sally Field and Tommy Lee Jones.

Additionally, David starred in the critically-acclaimed independent drama, Middle of Nowhere, also directed by Ava DuVernay, and in Lee Daniels’ The Paperboy, opposite Nicole Kidman, Matthew McConaughey and Zac Efron. His other screen credits include the George Lucas-produced Red Tails, Rise of The Planet of The Apes, The Help, 96 Minutes, The Last King of Scotland and Who Do You Love.

David first impressed audiences on the stage when he starred in The Suppliants at the Gate Theatre playing King Palasgus. Next, he played the title role of Henry VI, becoming the first black actor to play an English king for the Royal Shakespeare Company.

Kam Williams: Hi David, thanks for the interview.

David Oyelowo: My pleasure, Kam. How are you?

KW: I’m great! Congratulations on the announcement of Golden Globe nominations for you and Ava DuVernay.

DO: Yes, that was a very, very nice moment for us. I’m particularly proud of her. When you look at that list of directors she’s in the company of, it’s pretty extraordinary to think that she’s only been directing for five years, and that she’s the first black woman to be afforded this honor. So, we’re really, really happy, particularly when it comes to her.

KW: Environmental activist Grace Sinden says: You have had a very successful and varied career but your role portraying Martin Luther King in Selma must have been an extraordinary experience. I have only seen the trailer online and was deeply moved by your performance. How emotional an experience was portraying Dr. King for you?  

DO: It was a deeply-emotional experience for numerous reasons, not the least of it being that the film had been very hard to get off the ground. So, there were several times when I had to pinch myself about the fact that we were actually getting it made. When you reflect upon the significance of Dr. King to this nation, it’s criminal that he hasn’t had a feature film that was centered around him until now. That, in and of itself, was emotional. But when you’re doing scenes on the Edmund Pettus Bridge, with people still living in Selma and now in their 60s and 70s who had actually marched, who were there that original Bloody Sunday, that’s humbling… that’s deeply moving. You’re no longer acting at that stage, you’re just reacting, because it takes the filmmaking process to another dimension. So, yes it was an intensely emotional shoot, but also an intensely joyful shoot, since we really felt we were paying honor and doing service to these great men and women who had participated.

KW: Rel Dowdell, Patricia Turnier and Sangeetha Subramanian all ask: How did you prepare for your definitive performance as the iconic Dr. Martin Luther King?

DO: Even though the journey towards doing it was long and at times frustrating, one of the good by-products of its taking awhile was that I had time to really study King, to study his movements. I also had the God-given opportunity to be in films like Lincoln, The Help, The Butler and Red Tails, films that look at the black experience in this country over the past 150 years. So, I had this historical education going on before stepping into this role. All of those things, combined with talking to Dr. King’s children, and spending a lot of time with Andrew Young who, of course, knew him intimately, were all elements that helped me immeasurably get to where I got.

KW: Harriet Pakula-Teweles asks: How does an actor faithfully embody an historical figure without simply presenting another newsreel portrayal?

DO: Well, I think the way you do that is by focusing on what’s behind the newsreels. If you merely focus on what we already know, then it’s not revelatory. You may as well just go and watch a documentary or a few videos on Youtube, and you’re good. What I had to do was go and find the guy who is the father, the friend, the man who was unsure, the man who needed friends around him in order to be able to keep on going. What does a moment where he’s home alone with his wife feel like? What does a moment where he’s just completely on his own feel like? To show what he’s like when he’s quiet, as opposed to when he’s giving a speech are things that I think are absolutely necessary in order for an audience to feel like they’re seeing a side of this historical figure that they didn’t know before.    

KW: David Roth asks: What was it like collaborating with director Ava DuVernay again? Did it make a difference that you’d worked with her before?

DO: Well, in what I do for a living, trust and confidence are key. Inevitably, you can’t make brave choices and do your best work, if you don’t have those, because it’s such a subjective art form, and you don’t have eyes on yourself.   

Having done Middle of Nowhere with Ava, I had found someone I deeply trust, not just as a human being, but in terms of her creative and artistic vision. And in playing a role as exposing as Dr. King, you want someone leading you that you implicitly trust. That was one of the blessings of working with Ava again on this. And not only do I trust her as a person, but I think her ability as a director is world class. She’s as good as anyone I’ve worked with before, and that’s something that instills confidence.

KW: Chandra McQueen says: Your performance in Selma was remarkable. We saw the human and iconic side of Dr. Martin Luther King Jr. in your      performance. Was there anything that surprised you, something new that you discovered about Dr. King, while studying for the role? 

DO: I think what a lot of people don’t realize is how much being the leader of this movement weighed upon him. After all, he was only 39 years-old when he was assassinated, and only 36 during the Selma campaign. He always seemed older than he actually was, and I believe part of that had to do with just how much life he had to live in order to lead this movement. He was away from home 28 days of any given month. He was a voice for the voiceless and had so many people relying upon him. As a result, that made for a man who, to be perfectly frank, had lived two lifetimes by the time he was killed. That was something I felt in the playing of it. I don’t think I could have done what he did. That was quite extraordinary.

KW: Well, you made history in your own right with your performance as Henry VI when you were the first black actor to play an English king with the Royal Shakespeare Company. How did that accomplishment feel?

DO: It felt great, because I was glad to be the one to break the deadlock. Yet, it was bittersweet because, like Ava says of her Golden Globe nomination, even though I was the first to be afforded the honor, I’m sure I wasn’t the first black person deserving of that honor. So, it’s something to be proud of, but we’re keen to move on from the first and to be an undeniable part of the conversation going forward.  

KW: Thanks again for the time, David.

DO: Thanks so much, Kam, and have a good day.

To see a trailer for Selma, visit: https://www.youtube.com/watch?v=kPgs2zshD9Y

Mark Wahlberg
The “The Gambler” Interview
with Kam Williams

Two-Time Oscar-Nominee Talks about His Latest Film

Mark Wahlberg earned Academy Award nominations for his standout work in both the The Fighter and The Departed. Mark’s breakout role in Boogie Nights established him as one of Hollywood’s most sought-after talents, and he has since played diverse characters for such visionary filmmakers as David O. Russell, Tim Burton and Paul Thomas Anderson.

His remarkable acting career began with Renaissance Man, directed by Penny Marshall, and The Basketball Diaries, with Leonardo DiCaprio, followed by a star turn opposite Reese Witherspoon in the thriller Fear. He later headlined Three Kings and The Perfect Storm, with George Clooney, and The Italian Job, with Charlize Theron.

Mark then starred in the football biopic Invincible, with Greg Kinnear, and Shooter, based on the best-selling novel, “Point of Impact.” He reunited with The Yards director James Gray and co-star Joaquin Phoenix for We Own the Night, which he also produced. Most recently, he collaborated with Pain & Gain director Michael Bay for Transformers: Age Of Extinction. His additional credits include 2 Guns, with Denzel Washington, Peter Berg’s Lone Survivor, The Lovely Bones, The Other Guys, Contraband and Ted.

An accomplished film and television producer, Mark produced The Gambler, Lone Survivor, Broken City, Contraband, The Fighter (for which he was nominated for an Oscar for Best Picture) and We Own the Night. For television, he executive produced HBO’s “Entourage” through its impressive eight-season run. In addition, he executive produced HBO’s “Boardwalk Empire,” “How to Make It in America” and “In Treatment,” as well as A&E’s “Wahlburgers.”

A committed philanthropist, he founded The Mark Wahlberg Youth Foundation in 2001 to benefit inner-city children and teens. Here, he talks about his latest film, The Gambler, a remake of the 1974 classic starring James Caan.

Kam Williams: Hi Mark, thanks for the interview. I’m honored to have this opportunity.

Mark Wahlberg: Oh, my pleasure, Kam. Thank you.

KW: I told my readers I’d be interviewing you, so I’ll be mixing my questions in with theirs. “Realtor to the Stars” Jimmy Bayan says: He asks: Was there something about this script which appealed to your East Coast sensibilities that drew you to this project?

MW: Well, when you think about the person responsible for creating the character and the dialogue, Bill Monahan, who’s a Boston guy, obviously, his words roll off my tongue quite nicely. Previously, I’ve worked with him on The Departed, he recently wrote American Desperado for us, and I just acted in a movie he directed called Mojave. So, yes, Jimmy, that goes without saying.  

KW: James Cryan was wondering whether your Boston background was of help in making The Departed?

MW: Absolutely! Absolutely! That thing was so in my wheelhouse. I told Marty [director Martin Scorcese] “Watch out, because I’m going after everybody in this one.” Although that’s who the character was. It allowed me to have a real “take no prisoners” attitude.

KW: Documentary filmmaker Kevin Williams says: Thank you for being such a good example of how to build a career on your own terms and for making such inspirational films like Invincible and Lone Survivor. Now that you are moving towards producing bigger projects for yourself and other filmmakers, how do you define success and how do you decide what to produce?

MW: You’d be surprised. My taste continues to grow and expand. I define success as being in a position where I can do a picture like The Gambler after making Transformers and other movies that have enjoyed tremendous commercial success. That allowed me to go to a studio and say, “Wow, now take a chance on me with this smaller movie that is not the typical type of film that studios want to greenlight.” It’s a small character piece about a man who’s not the most likable guy in the world that I find fascinating. And hopefully, people will find it interesting enough that the movie will be a success and allow me to keep making more films like it. So, success for me is just having a job and having the studio feel confident that I can go out there and make a movie that people will enjoy.

KW: Andrew DeAngelo, who was born and raised in Dorchester, asks: How similar is the show Entourage to your actual rise as a movie star? Were any of your real-life experiences incorporated into the show?

MW: Some of the experiences, definitely, Andrew. The only problem was we couldn’t find four guys from Boston. We originally wanted the characters to all be from Boston, which would have given them a more urban and gritty feel. But the hardest part of the casting was finding a guy who was believable as a movie star who wasn’t already a movie star. So, we then made the compromise of having these guys come from New York. 

KW: When’s the screen version coming out?

MW:  June. I’m very excited about it. The movie’s done. And it’s off the charts!

KW: Kate Newell asks: When are you finally going to hosting Saturday Night Live?

MW: I’ve been asked to host a few times, but I’ve never done it.

KW: Kate also asks: Who do you think does the best impression of you?

MW: Andy Samberg is the only person I’ve ever seen do an impression of me, and I didn’t think it was that accurate. I’d like to see somebody else impersonate me, especially if they can do a good job.

KW: David Roth asks: Who would win in a fight between Jim Bennett and Axel Freed, the gambler played by James Caan in 1974?

MW: [Chuckles] Axel Freed, because Jim Bennett does not fight. He will push every button, and infuriate people to the point where they want to beat the crap out of him, but he won’t be bothered by that. He will not fight. 

KW: I really enjoyed the film. I loved the gritty dialogue-driven script, the earthy soundtrack, and what a supporting cast! You got great performances from Brie Larson, Jessica Lange, John Goodman, and Michael Kenneth Williams.

MW:  Again, I have to credit Bill Monahan for creating these characters and writing the dialogue that attracted that level of talent. Don’t forget the great George Kennedy who had another scene in the movie that, unfortunately, didn’t make the final cut. We found ourselves in that difficult situation where the movie we wanted to make was three hours, but we had to hand in a film that was about two hours-long. Where do you compromise? How do you make a movie that is going to both best service the story and the main character? It was just one of those things.

KW: I thought it was a very powerful way to start the film with that deathbed scene where your character’s grandfather [played by George Kennedy] asks you, “What are you going to do when I leave you with nothing?”  

MW:  It’s funny, because that scene was originally supposed to take place in the middle of the movie. But then, we thought that maybe it would be good to open the movie with that scene, because Jim’s dad wasn’t a part of his life, and his granddad was the only person that he was connected to.  

KW: Yeah, I think it worked really well. Sangeetha Subramanian asks: What's your favorite food to eat on set?

MW: If I’m not training then, gosh, anything: donuts… Kentucky Fried Chicken 20-piece hot wings… corned beef hash and eggs… But because I’m training right now, I’m eating very healthily: almond milk… Ezekiel bread… chicken… fish… I’m on a strict diet right now, so I’m not having any fun eating. Normally, our caterer makes these wonderful chocolate chip cookies for lunch. It was my one treat of the day, after getting beat up on the mountain while shooting Lone Survivor. I’d eat a couple cookies and then take a 15-minute nap on the top of the mountain.

KW: What movie are you in training for?

MW: Will Ferrell and I are teaming up again on a film called Daddy’s Home. In the movie I play a Special-Ops soldier who has just discovered that Will Ferrell’s character is married to my ex-wife and is my children’s stepfather. So, I have to come home and try to win them back and take him out.

KW: I thought you guys were great together in The Other Guys. Wasn’t that film where The Rock and somebody else died in the opening scene?

MW: Samuel L. Jackson.

KW: Yeah, that film was hilarious. Harriet Pakula-Teweles says: If—because for over two decades you have been trying to right the wrongs while being a model for youth—you are able to obtain a pardon from the Massachusetts Parole Board, how might your potential pardon be a possible inspiration to others who have committed wrongs in their youth?

MW: Hopefully, it will show them that it isn’t too late to turn their lives around. People are always speculating about what the reason was for my requesting a pardon. The important thing is that ever since I realized all the wrongs that I had done, I have been trying to correct them for the past 27 years. I just focus on my work with inner-city kids, and in my community, and on my philanthropic work. If I am awarded a pardon for my philanthropic work, great; if not, I will continue to be involved in the community and to work just as hard, if not harder, to prevent kids from going down the same road and making the same mistakes. But hopefully, we’re still living in the land of second chances. Even my going back to school was to inspire young people that it’s never too late to get your education. That’s all I can do, and try to be the best father and husband that I can be.

KW: I’m sure you’ll get the pardon. You’ve earned it. Good luck! The Ling-Ju Yen question: What is your earliest childhood memory?

MW: Gosh! It’s of being alone with my dad. He drove a truck for a living. But he had a few free hours in the middle of the day, between the morning shift and the late afternoon shift. Because I was the youngest of nine, I could have him all to myself when they were at school. We’d watch movies at home, or go to the movies, and he introduced me to the guys who still inspire me today. The first movie I can remember ever seeing was Hard Times with Charles Bronson and James Coburn. My dad also introduced me to the likes of Jimmy Cagney… John Garfield… Robert Ryan… Steve McQueen… James Caan… Those are my fondest memories.

KW: When you look in the mirror, what do you see?

MW: I see a guy getting old. I try to not look in the mirror too much.

KW: If you could have one wish instantly granted, what would that be for?

MW: Peace and harmony in the world.

KW: The Sanaa Lathan question: What excites you?

MW: Working with talented people and challenging myself as an actor.

KW: The Viola Davis question: What’s the biggest difference between who you are at home as opposed to the person we see on the red carpet?

MW: Not much. Dad’s just gotta put on a suit and go out there and take some pictures. I do understand that going out and promoting the movie is a big responsibility, and part of the reason they give me the job in the first place. I also like to get out there to promote a positive message about the importance of family and faith and of doing the right thing.

KW: The Judyth Piazza question: What key quality do you believe all successful people share? 

MW: That “never give up” attitude, not taking “no” for an answer, and working twice as hard as the next guy. Doing it the good, old-fashioned way. Real hard work pays off.

KW: What exercise regimen do you follow to stay in such great shape?

MW: It changes. I’m only doing whatever the next role calls for. To give you an idea, I’m at the halfway point of shooting this movie. I woke up at 3 AM today, and had egg whites and Ezekiel bread with almond butter 5 minutes later. At 3:15, I was reading my prayer book and saying my prayers. At 3:30, I was in the gym for an hour, doing jump rope, and all types of high-impact functional movement exercises: kettle bells, dumbbells, step up planks, battle rope, rip cord trainer, etcetera. I came back up here and had a shake. Then I went to the basketball court and played 2-on-2 for an hour. Came back here and had a roasted chicken, tuna salad and a big sweet potato. That was all before 6 AM. Then, I went to do the Today Show and Michael & Kelly. Then I came back here, had two turkey burgers and an avocado. Then I did 90 minutes of phone interviews before having a filet mignon with sautéed spinach. Then I went to a meeting at 1:30, came back here and had another roasted chicken with steamed carrots. And when we finish, I’m going to read my script and start learning my lines for the scenes we’ll be shooting tomorrow. At 6 PM, I’ll take a shower, and wait to get a call from my wife letting me know that she and the kids landed safely. At 7:15, I’ll go to sleep, and wake up at 3 AM again tomorrow.

KW: That’s amazing! I remember speaking with Anthony Mackie, for Pain & Gain, and he credited you with helping him sculpt his physique for that film.

MW: There’s nothing better than meeting somebody with a great soul, and a great spirit and a good heart. I took him to the gym the first day we met in Miami. Then we had a nice meal and a big shake. And he and I have remained close. He just called me the other day to ask me how I was doing, since we’re shooting in his hometown, New Orleans. So, I hope to see him and get together with him. He’s a good guy who’s going to have a great career. I told him that he’ll be able to do whatever he wants for as long as he wants, as long as he’s patient. And you have to always be ready. It’s a marathon, not a sprint.

KW: The Tavis Smiley question: How do you want to be remembered?

MW: As a great servant of God who tried to give back as much as possible, and as a great father and husband.

KW: Lastly, what’s in your wallet?

MW: Picture books of all my kids when they were young, a lucky pendant, a few receipts, a couple of credit cards, a spiritual relic and a couple other mementos, and a two-dollar bill I got from a dear friend.  

KW: Thanks again for the time, Mark, and best of luck with The Gambler.

MW: Thank you, Kam. Bye.

To see a trailer for The Gambler, visit: https://www.youtube.com/watch?v=NiiaoUnkMvQ