In her first feature, Danish filmmaker Lise Birk Pedersen offers a chilling view of modern Russia, its fragile — perhaps illusory — democracy, and Nashi's alarmingly fascist tendencies (mass rallies, book burnings, "patriotic education," and vilification of opponents). But, distinguished by an artful, cinematic aesthetic and astonishing intimacy, the film's emotional weight lies in the evolution of Masha's political consciousness. Putin's Kiss reminds us that all politics are deeply personal.
- John Nein, Sundance Film Festival

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