Pad Yatra: A Green Odyssey
Film Review by Kam Williams

700 Buddhist monks and nuns decided to embark on a 500-mile trek across the Himalayas to bring attention to the ecological devastation being visited upon the region’s glaciers by climate change. That perilous journey across treacherous terrain and at altitudes as high as 17,000 feet is the subject of Pad Yatra: A Green Odyssey, an Earth-friendly documentary marking the directorial debut of Wendy J.N. Lee.

Ms. Lee, an Asian American, shot the visually-captivating adventure with a solar-powered camera, and subsequently enlisted actress Daryl Hannah to provide the picture’s voiceover. The ascetic march was led by a guru named Ngawang Sodpa, whose devotees were quite photogenic, outfitted in brightly-colored robes, as they negotiated narrow paths through the mountains and valleys.

Along the way, the hardy band of travelers deal with frigid temperatures, illness, injuries and starvation while periodically stopping at villages to preach about preserving the planet. At one port-of-call, they encounter an obnoxious German tourist intent on purchasing some of a monastery’s ancient artifacts.

Wendy’s sister, Carrie, an attorney also making the pilgrimage, informs the European interloper that the priceless spiritual items aren’t for sale. But instead of taking “no” for an answer, the would-be looter asks to speak to the white person in charge. When resolute Carrie insists that the buck stops with her and reiterates her decision, the guy gets so incensed that he starts hitting her with a stick.

Otherwise, the well-intentioned Pad Tatra proves to be a peaceful walk effectively warning about global warming from the top of the world.

Very Good (3 stars)

Unrated

In English and Tibetan with subtitles

Running time: 72 minutes

Distributor: Quad Cinema

Out of the Furnace

Film Review by Kam Williams

 

Ex-Con Searches for Missing Sibling in Gruesome Revenge Thriller

            Russell Baze’s (Christian Bale) is stuck in a dead-end job at a rural Pennsylvania steel mill rumored to be closing soon. He’s not in a position to abandon the Rust Belt in search of greener pastures, between having to care for his terminally-ill, widowed father (Bingo O’Malley) and a kid brother (Casey Affleck) suffering from Post-Traumatic Stress Syndrome.

            Military veteran Rodney, Jr. hasn’t been able to make the adjustment back to civilian life following several tours of duty over in Iraq. In fact, he hasn’t been the same since their mother died.

            Because of a burgeoning gambling debt, Rodney has agreed to participate in fixed street fights being staged by the bookie (Willem Dafoe) he owes a lot of money. Trouble is he becomes so blinded with rage after being punched, that he can’t be relied upon to throw a contest as promised.

            Russell is so desperate to save his troubled sibling that he’s even willing to pay off Rodney’s I.O.U. in increments on his modest salary. But even that plan goes up in smoke the day Russell is arrested for manslaughter after driving under the influence.

            By the time he’s paroled, Rodney’s disappeared, and is rumored to have been abducted out of state by a ruthless gang of drug dealers led by a sadistic Ramapo Indian (Woody Harrelson) with a short fuse. The local police chief (Forest Whitaker) is sympathetic, but has no jurisdiction in Jersey, which leaves Russell no choice but to take the law into his own hands with the help of hard-nosed Uncle Red (Sam Shepard).

            Written and directed by Scott Cooper (Crazy Heart), Out of the Furnace is a gritty revenge thriller unfolding against the telling backdrop of a decaying American landscape. Thus, almost overshadowing the desperate search at the center of the story is the sobering specter of an aging national infrastructure irreversibly past its prime.

            While the gratuitous violence goes over the top occasionally, the film nevertheless remains highly recommended, at least for folks with a cast iron stomach. For, the veteran cast of this character-driven splatterfest proves to be as adept at delivering dialogue as dispensing street justice.

            A gruesome showdown between warring clans reminiscent of an old-fashioned, backwoods feud between the Hatfields and the McCoys.

Very Good (3 stars)

Rated R for profanity, drug use and graphic violence

Running time: 116 minutes

Distributor: Relativity Media 

To see a trailer for Out of the Furnace, visit: http://www.youtube.com/watch?v=YhsGY8jZnR4 

Mandela: Long Walk to Freedom
Film Review by Kam Williams

Nelson “Mandiba” Mandela (Idris Elba) secretly started writing his autobiography “Long Walk to Freedom” while still serving what he had every reason to believe might very well be a life sentence on Robben Island. The lawyer-turned-spokesman for the outlawed African National Congress had been convicted of treason for trying to dismantle South Africa’s racist regime.

But he was indeed freed following 27 years in prison of imprisonment when the bloody civil war was on the brink of bringing an end to Apartheid. At that point, Mandela assured the apprehensive white minority that despite the fact that, “Fear has made you an unjust and brutal people, when we come to power, there will be no revenge.”

Soon thereafter, he was democratically elected the nation’s first black president, assuming the reigns of power in 1994. And that transition to majority rule did prove to be smooth, with the help of pardons for crimes against humanity being granted by the Truth and Reconciliation Commission to guilty parties from both sides of the conflict.

Directed by Justin Chadwick, Mandela: Long Walk to Freedom is an epic biopic chronicling the rise, incarceration and ultimate redemption of the revered political icon. Versatile British actor Idris Elba exhibits the requisite combination of outrage, dignity, empathy and steely resolve needed to portray the picture’s complex title character convincingly.

Still, since Mandela spends the bulk of the movie behind bars, much of the action revolves around his wife Winnie’s (Naomie Harris) efforts to raise their children while serving as a leader of the movement in her husband’s absence. Sadly, the decades-long separation eventually took a toll on their marriage, between the denial of conjugal visits and Winnie’s resorting to ruthless methods to silence suspected snitches.

This film easily eclipses a biopic covering the same subject-matter called Winnie Mandela. Released just a couple of months ago, that relatively-pathetic disappointment co-starring Terence Howard and Jennifer Hudson as Nelson and Winnie, respectively, was marred by the protagonists’ atrocious accents as well as by a godawful script.

By contrast, this inspirational adaptation of Mandiba’s autobiography more than does justice to the legacy of the triumphant freedom fighter who made so many selfless sacrifices on behalf of his people.

Excellent (4 stars)

PG-13 for sexuality, intense violence, disturbing images and brief profanity

In English, Afrikaans and Xhosa with subtitles

Running time: 146 minutes

Distributor: The Weinstein Company

To see a trailer for Mandela: Long Walk to Freedom, visit

Naomie Harris
The “Mandela: Long Walk to Freedom” Interview
with Kam Williams

As a critically acclaimed actress in film, television, and theatre, Naomie Harris is making more of a name for herself with each of her successive, luminous performances. Last year, she starred as Bond girl ‘Eve’ opposite Daniel Craig in the 007 feature Skyfall.

She also appeared in Danny Boyle's production of Frankenstein at The National Theater in London alongside Jonny Lee Miller and Benedict Cumberbatch. In the The First Grader, she played 'Jane,' a first-grade teacher in Kenya who fought for the right of an 84 year-old man to be educated, even if it meant learning in a classroom with six-year-olds.

The London-born actress enjoyed her first major breakthrough performance in 2002 in Danny Boyle's 28 Days Later, and she went on to receive further critical acclaim for her role as 'Tia Dalma' in Pirates of the Caribbean: Dead Man's Chest, and Pirates of the Caribbean: At World's End. Her other major film credits include Miami Vice, Tristram Shandy: A Cock and Bull Story; Street Kings; and Sex & Drugs & Rock and Roll.

After earning a degree in social and political science with honors from Cambridge University, Naomie trained at the prestigious Bristol Old Vic Theatre School. Here, she talks about her latest outing as ‘Winnie Mandela’ opposite Idris Elba in Mandela: A Long Walk to Freedom.

Kam Williams: Hi Naomie, I’m honored to have another opportunity to speak with you.

Naomie Harris: Oh, no, my pleasure, Kam. 

 

KW: What interested you in Mandela: Long Walk to Freedom?

NH: I’d made a film produced by Anant Singh and David Thompson and directed by Justin Chadwick called The First Grader. And while promoting that movie in Toronto, they asked me whether I wanted to do Mandela. I said, “Yeah!” because I really wanted to work with the same team again and also because I wanted to be part of a film honoring Nelson Mandela’s life.    

 

KW: What did you know about Winnie Mandela when you accepted the role?

NH: I actually had no idea who Winnie Mandela was. Obviously, I knew she was Nelson Mandela’s wife, but I thought the role was basically going to revolve around her supporting him. I had no idea that she was a political activist in her own right, and that she was integral to the anti-Apartheid movement.

 

KW: Editor/Legist Patricia Turnier asks: What did it mean to you to portray Winnie Mandela and what is your vision of her?

NH: Since, as I said, I was unfamiliar with Winnie Mandela, for me, this project was really more about a celebration of Nelson Mandela. And he, for me, represents this incredible iconic figure. But in terms of who I discovered Winnie to be once I did all my research, which was pretty intense and fairly in depth, I found her to be the most complex character I’ve ever played. She’s almost seven different characters in one. She’s done some controversial things that are very difficult to justify. She’s also a woman of immense compassion. And she’s a person of the people. In South Africa, she’s known as Mother Africa, and is loved and admired by many for having helped hundreds of thousands of people. So, she’s complex, and very hard to define in a brief space of time.    

 

KW: Children’s book author Irene Smalls asks: What kind of research did you do in creating the role?

NH: I read Nelson Mandela’s autobiography, “Long Walk to Freedom,” I watched documentaries about the Apartheid era, I interviewed people who knew Winnie, I read biographies about her, and even got to sit down with her and ask her questions about her life.

 

KW: Larry Greenberg asks: Did you spend any time with Winnie’s daughters Zenani and Zindzi Mandela in preparation for the film?

NH: Yes, I had an opportunity to go out to dinner with both Zenani and Zindzi.

 

KW: Obama biographer Dinesh Sharma asks: Did you actually shoot on location in the prisons in Joburg, Robben Island and Pretoria?

NH: No, we had an extraordinary set designer. When you watch the movie, it looks like we shot on Robben Island and those other places. But it was all replicated in studio. However, we did shoot in South Africa, in Cape Town and Johannesburg, and in the actual courthouse where the trial took place. So, there are some historical moments which were filmed on location in the same places where they originally happened.    

 

KW: Kate Newell asks: What was the most surprising thing you learned about Winnie that you didn't know going into the film?

NH: Learning how integral she was to the anti-Apartheid movement, and that Nelson Mandela might not have become the Nelson Mandela we know today without her. Also, learning about the contributions of so many women who sacrificed their lives was very educational for me.

 

KW: Patricia also asks: What do you want audiences to remember most about the movie?

NH: I hope that they remember this extraordinary period in history that should never, ever be repeated. And I hope that they take away from the film that freedom was hard won. I want people to remember to cherish their freedom. In terms of Winnie, it’s not my place to judge her and some of the actions that she’s taken. What I wanted to do was show with as much compassion as possible a comprehensive and detailed portrayal of how she started out in life, why she made the choices she made, and who she ultimately became. I hope to bring some understanding to the woman.  

 

KW: Kevin Williams asks: Did you have any reservations about playing Winnie? Many actresses might have declined the role given her tarnished image. 

NH: No, it’s not like I always want to play saints. The sinners are actually much more interesting to play, because they’re more complex. And as an actor, that’s what you’re always looking for, complexity and layers.  

 

KW: The Harriet Pakula-Teweles question: With so many classic films being redone, is there a remake you'd like to star in?

NH: Wow! If I could sing, I would do the remake of West Side Story or The Sound of Music, because I’m obsessed with musicals. But unfortunately, I can’t sing or dance, so I don’t see that happening anytime soon. [Chuckles] 

 

KW: Harriet also asks: Was it a blessing or a bane to be cast as a Bond girl?

NH: Definitely a blessing. Definitely! I’m very proud of my role as Eve, and really enjoyed the experience. And it’s been a great boost for my career. So, 100% a blessing.

 

KW: Rel Dowdell asks: Do you find that opportunities are opening up in Hollywood for actors and actresses of color from outside of America?

NH: Yeah, I find that America has always embraced international talent. That’s why so many people from all around the world have come to Hollywood to make films. It’s a big melting pot, and I’m very grateful for that. If I’d stayed in England, I doubt if I’d enjoyed the kind of career that I’ve had. 

 

KW: The bookworm Troy Johnson question: What was the last book you read?

Last time we spoke, you were reading, “How to Leave Twitter.”

NH: I recently began reading the Steve Jobs biography, but I haven’t finished it. It’s still sitting by my bedside.

 

KW: The music maven Heather Covington question: What was the last song you listened to? 

NH: Now that’s interesting! I just got off a plane, and on the flight I watched 20 Feet from Stardom which featured a fantastic collection of songs from the Sixties and Seventies. 

 

KW: The Sanaa Lathan question: What excites you?

NH: That’s really interesting as well. A challenge. Playing a completely different role, something that makes me almost feel scared. That’s exciting for me. 

 

KW: The Mike Pittman question: What was your best career decision?

NH: Saying “Yes” to doing 28 Days Later, although there’s no way I would have ever turned it down. That role, for me, was really the catalyst for everything.

 

KW: The Jamie Foxx question: If you only had 24 hours to live, how would you spend the time? 

NH: Nothing dramatic, eating with my family and my closest friends because that is my favorite thing to do.

 

KW: The Anthony Mackie question: Isthere anything that you promised yourself you’d do if you became famous, that you still haven’t done yet?

NH: I never ever thought about becoming famous. I just wanted to become an actress and make great movies and to play roles that challenged me. So, I never made that sort of commitment to myself.

 

KW: The Melissa Harris-Perry question:How did your first big heartbreak impact who you are as a person?

NH: My first big heartbreak? Gosh, I only dated him for about three weeks and ended up being heartbroken for a year. It was awful! That taught me that the heart is quite fragile, and to look after and cherish it, and to not give it to just anybody.

 

KW: The Viola Davis question: What’s the biggest difference between who you are at home as opposed to the person we see on the red carpet?

NH: At home, I like comfy clothes, so I ‘m pretty casual in the way that I dress. But on the red carpet, I like to glam it up and really push the boundaries in terms of fashion.

 

KW: The Anthony Anderson question: If you could have a superpower, which one would you choose?

NH: [Whispers] Wow! That’s really interesting. Any superpower? That would be amazing. [In normal voice] I would like to have the power to heal the sick.

 

KW: The Gabby Douglas question: If you had to choose another profession, what would that be?

NH: I’d definitely be a novelist. I like the idea of creating an imaginary world with imaginary characters, which is somewhat similar to what I do as an actress. 

 

KW: The Pastor Alex Kendrick question: What do you wish other people would note about you?

NH: Nothing. I like the idea of being mysterious and people not knowing too much about me. I think it’s nicer if they focus on the characters I play as opposed to on me as a person.

 

KW: Pastor Alex also asks: What motivates you at this stage of your career?

NH: Playing inspirational characters who really have a voice and something meaningful to say.

 

KW: The Tasha Smith question: Are you ever afraid?

NH: I’m always afraid! There’s a great book called, “Feel the Fear and Do It Anyway,” which is how I feel is the best way to live. We all feel afraid of so many things, but when you do them, you realize they’re a lot less scary than you thought. 

 

KW: The Columbus Short question: Are you happy?

NH: Happiness isn’t a constant state. One has moments of happiness throughout the day, but we’re meant to experience anger, joy, sadness, pain, excitement, a full range of emotions. 

 

KW: The Teri Emerson question: When was the last time you had a good laugh?

NH: I have a good laugh everyday. And just before this interview, I was laughing while dancing to imaginary music.

 

KW: What is your guiltiest pleasure?

NH: Dark chocolate. I know sugar isn’t good for you, but every now and then I succumb and have a bit.

 

KW: The Tavis Smiley question: How do you want to be remembered?

NH: As somebody who lived life to the fullest.

 

KW: Thanks again for the time, Naomie, and congratulations on your tremendous performance, one not to be forgotten during the upcoming awards season.

NH: I really appreciate that, Kam. Nice to speak to you again. Take care.  

 

To see a trailer for Mandela: Long Walk to Freedom, visit

Black Nativity
Film Review by Kam Williams

Naima (Jennifer Hudson) is a single-mom struggling to pay the rent on the apartment she shares with son Langston (Jacob Latimore), 15, who’s the same age she was when she had him. Back then, she was as headstrong as he is now, which explains why she ran away from a good home in Harlem to raise him alone in Baltimore.

Today, upon receiving an eviction notice, cash-strapped Naima reluctantly sends the rebellious adolescent in need of a father figure to New York to live with her parents, Aretha (Angela Bassett) and Reverend Cornell Cobbs (Forest Whitaker), prominent members of the black community. But Langston lands in trouble even before they have a chance to pick him up at the bus station, so they end-up having to bail him out of jail.

Is it too late for anyone to make a difference in the rebellious juvenile delinquent’s life? Can the Cobbs mend the fractured relationship with their long-estranged daughter? Will Langston belatedly bond with the absentee father he’s never known?

These are the pivotal questions raised in Black Nativity, a modern morality play based on the Langston Hughes musical of the same name. Adapted and directed by Kasi Lemmons (Eve’s Bayou), the film features an engaging soundtrack sprinkled with evocative onscreen performances by cast members including Mary J. Blige, Nas and Tyrese, though all pale in comparison to those by Jennifer Hudson.

Fair warning to theatergoers ordinarily operating on CPT. Don’t take the risk of arriving too late to catch the incomparable diva’s unforgettable opener, “Test of Faith,” a showstopper every bit as memorable as her heartfelt rendition of “And I Am Telling You I’m Not Going” as Effie in Dreamgirls.   

A timeless parable as memorable for its uplifting spirituals as for its moving message about the importance of faith and family.

Excellent (4 stars)

Rated PG for menacing, mature themes and mild epithets

Running time: 93 minutes

Distributor: Fox Searchlight

To see a trailer for Black Nativity, visit