Michael Moore gracefully accepted the Cinema Eye award for co-Directors Emad Burnat and Guy Davidi.
New York, NY - January 10, 2013 - The critically acclaimed Palestinian and Israeli co-production 5 BROKEN CAMERAS, co-directed by Emad Burnat and Guy Davidi and distributed in the United States by Kino Lorber Inc., has been nominated by the Academy of Motion Pictures Arts and Sciences in the Best Documentary category for the 85th Academy Awards®.
5 BROKEN CAMERAS has also won the top prize (Outstanding Achievement in Nonfiction Filmmaking) at yesterday's Cinema Eye awards, presented at The Museum of the Moving Image in Astoria, Queens. Michael Moore gracefully accepted the award for co-Directors Emad Burnat and Guy Davidi.
2013 Oscar Nominations
by Kam Williams
"Lincoln" and "Life of Pi" Lead Academy Award Sweepstakes
Quvenzhane Wallis, 9, and Emmanuelle Riva, 85, Nominated
Lincoln and Life of Pi emerged as the early favorites in the Academy Award Sweepstakes with 12 and 11 nominations respectively. Buy don't forget that just a year ago this critic warned of irrational exuberance when Hugo landed the most, only to ultimately be beaten by The Artist on Oscar night, thanks in part to an ad campaign carefully orchestrated by Harvey Weinstein.
And the Weinstein Company has a few horses in this year's race, most notably, Silver Linings Playbook, which has netted a nomination in every major category. So, don't be surprised to see that picture's stock rise considerably in the coming weeks. Another dark horse which might blossom into the favorite is Zero Dark Thirty, a film which suffered from political controversy and the fact that it only went into wide release on January 11th.
In terms of the acting categories, most of the buzz surrounds cutie-pie Quvenzhane Wallis (Beasts of the Southern Wild) and grand dame Emmanuelle Riva (Amour) as the youngest and oldest actresses ever to be nominated, at 9 and 85 years of age, respectively. A lot of attention is being been paid to the contenders in the Best Supporting Actor category, too, since they all are former winners.
But practically overshadowing the nominees is the conspicuous absence of Quentin Tarantino (Django Unchained), Ben Affleck (Argo) and Kathryn Bigelow) in the Best Director category. Joining them in the snub club are actors John Hawkes (The Sessions) and Suraj Sharma (Life of Pi), as well as actresses Rachel Weisz (The Deep Blue Sea) and Ann Dowd (Compliance).
Regardless, the 85th Academy Awards show is set to air live on ABC on Sunday, February 24th at 8 PM ET/5 PM PT, and will be hosted by the ever-irreverent Seth MacFarlane.
Best Motion Picture of the Year
Amour
Argo
Beasts of the Southern Wild
Django Unchained
Les Misérables
Life of Pi
Lincoln
Silver Linings Playbook
Zero Dark Thirty
Best Performance by an Actor in a Leading Role
Bradley Cooper (Silver Linings Playbook)
Daniel Day-Lewis (Lincoln)
Hugh Jackman (Les Misérables)
Joaquin Phoenix (The Master)
Denzel Washington (Flight)
Best Performance by an Actress in a Leading Role
Jessica Chastain (Zero Dark Thirty)
Jennifer Lawrence (Silver Linings Playbook)
Emmanuelle Riva (Amour)
Quvenzhané Wallis (Beasts of the Southern Wild)
Naomi Watts (The Impossible)
Best Performance by an Actor in a Supporting Role
Alan Arkin (Argo)
Robert De Niro (Silver Linings Playbook)
Philip Seymour Hoffman (The Master)
Tommy Lee Jones (Lincoln)
Christoph Waltz (Django Unchained)
Best Performance by an Actress in a Supporting Role
Amy Adams (The Master)
Sally Field (Lincoln)
Anne Hathaway (Les Misérables)
Helen Hunt (The Sessions)
Jacki Weaver (Silver Linings Playbook)
Best Achievement in Directing
Michael Haneke (Amour)
Ang Lee (Life of Pi)
David O. Russell (Silver Linings Playbook)
Steven Spielberg (Lincoln)
Benh Zeitlin (Beasts of the Southern Wild)
Best Writing, Screenplay Written Directly for the Screen
Amour: Michael Haneke
Django Unchained: Quentin Tarantino
Flight: John Gatins
Moonrise Kingdom: Wes Anderson, Roman Coppola
Zero Dark Thirty: Mark Boal
Best Writing, Screenplay Based on Material Previously Produced or Published
Argo: Chris Terrio
Beasts of the Southern Wild: Lucy Alibar, Benh Zeitlin
Life of Pi: David Magee
Lincoln: Tony Kushner
Silver Linings Playbook: David O. Russell
Best Animated Feature Film of the Year
Brave
Frankenweenie
ParaNorman
The Pirates! Band of Misfits
Wreck-It Ralph
Best Foreign Language Film of the Year
Amour (Austria)
War Witch (Canada)
No (Chile)
A Royal Affair (Denmark)
Kon-Tiki (Norway)
Best Achievement in Cinematography
Anna Karenina
Django Unchained
Life of Pi
Lincoln
Skyfall
Best Achievement in Editing
Argo
Life of Pi
Lincoln
Silver Linings Playbook
Zero Dark Thirty
Best Achievement in Production Design
Anna Karenina
The Hobbit: An Unexpected Journey
Les Misérables
Life of Pi
Lincoln
Best Achievement in Costume Design
Anna Karenina
Les Misérables
Lincoln
Mirror Mirror
Snow White and the Huntsman
Best Achievement in Makeup
Hitchcock
The Hobbit: An Unexpected Journey
Les Misérables
Best Achievement in Music Written for Motion Pictures, Original Score
Anna Karenina
Argo
Life of Pi
Lincoln
Skyfall
Best Achievement in Music Written for Motion Pictures, Original Song
Chasing Ice: J. Ralph("Before My Time")
Les Misérables: Alain Boublil, Claude-Michel Schönberg, Herbert Kretzmer("Suddenly")
Life of Pi: Mychael Danna, Bombay Jayshree("Pi's Lullaby")
Skyfall: Adele, Paul Epworth("Skyfall")
Ted: Walter Murphy, Seth MacFarlane("Everybody Needs a Best Friend")
Best Achievement in Sound Mixing
Argo
Les Misérables
Life of Pi
Lincoln
Skyfall
Best Achievement in Sound Editing
Argo
Django Unchained
Life of Pi
Skyfall
Zero Dark Thirty
Best Achievement in Visual Effects
The Avengers
The Hobbit: An Unexpected Journey
Life of Pi
Prometheus
Snow White and the Huntsman
Best Documentary, Features
5 Broken Cameras
The Gatekeepers
How to Survive a Plague
The Invisible War
Searching for Sugar Man
Best Documentary, Short Subjects
Inocente
Kings Point
Mondays at Racine
Open Heart
Redemption
Best Short Film, Animated
Adam and Dog
Fresh Guacamole
Head Over Heels
Paperman
The Simpsons: The Longest Daycare
Best Short Film, Live Action
Asad
Buzkashi Boys
Curfew
Death of a Shadow
Henry
Gangster Squad
Film Review by Kam Williams
Mickey Cohen (Sean Penn) was born and raised in Brooklyn where he started out as a prizefighter before moving to Chicago during Prohibition to become an enforcer for Al Capone. In the Forties, he was sent by Meyer Lansky to Los Angeles to establish extortion, gambling, prostitution and loan shark operations on behalf of the Jewish Mafia.
Mickey gradually began to make inroads, which didn't sit well with LA Police Chief Bill Parker (Nick Nolte) who was determined to prevent any crime syndicate from gaining a foothold in his city. But that would prove easier said than done since the vicious mobster had already succeeded in bribing and/or intimidating many cops, judges and powerful politicians.
Given the frightening degree of corruption, Parker decided that the only way to bring down Mickey was to behave just as ruthlessly. So, he asked one of his most fearless officers, Sergeant John O'Mara (Josh Brolin), to form a top secret team whose mission would be to enforce the law by breaking it.
For, the so-called Gangster Squad's mission was simply to enter each of Cohen's establishments anonymously in order to break kneecaps and generally trash the place. Of course, if any of O'Mara's goons were killed or captured, the Commissioner would have to disavow any knowledge of their actions.
Thus unfolds Gangster Squad, a stylized costume drama with far more charm than one would ordinarily expect to find in an old-fashioned shoot ‘em up. Directed by Ruben Fleisher (Zombieland), the film is based on the clever Paul Lieberman best-seller of the same name.
The production was blessed with an A-list cast which includes Sean Penn, Ryan Gosling, Josh Brolin, Emma Stone, Nick Nolte, Anthony Mackie, Giovanni Ribisi, Michael Pena, Robert Patrick and Mireille Enos. Therefiore, there are no throwaway roles here, with even lesser characters benefitting from development as a consequence of veteran thespians putting their all into their performances.
As a result, you come to care not only about whether or not Mickey will ever be brought to justice, but about surprisingly-engaging subplots involving a lawman (Gosling) going gaga over the gangsta's moll (Stone), and about a pregnant wife's (Enos) worry about whether her gung-ho hubby's (Brolin) will live long enough to witness his baby's birth. Nevertheless, the front story does feature all the staples of the genre, from flashy Zoot suits to Tommy guns to street smart dialogue mixing slang and savoir faire in a manner reminiscent of Damon Runyon.
A high body-count showdown between rogue cops and the Kosher Nostra for the future of Los Angeles!
Excellent (4 stars)
Rated R for profanity and graphic violence
Running time: 113 minutes
Distributor: Warner Brothers
To see a trailer for Gangster Squad, visit
The Impossible
Film Review by Kam Williams
On the day after Christmas in 2004, a magnitude 9.3 earthquake, the third largest ever measured on the Richter scale, triggered a mammoth tsunami in the Indian Ocean which cost a quarter million people their lives. Thanks to the ubiquity of surveillance and cell phone cameras, the world was able to witness much of the tragedy, including tidal waves crashing ashore and creeping deep inland before sweeping humans, cars and everything else in its path back out to sea.
Maria (Naomi Watts) and Henry Belon (Ewan McGregor), a married couple from Spain, had the misfortune to be vacationing in Thailand with their three sons (Tom Holland, Samuel Joslin and Oaklee Pendergast) that fateful day. Because they had rented a ground level cottage at a luxurious beachfront resort, they were engulfed by water and separated from each other the moment disaster struck.
The family's ensuing ordeal is the subject of The Impossible, a harrowing tale of survival directed by Juan Antonia Bayona (The Orphanage). The Belons' nationality has admittedly been changed from Spanish to British for the sake of the film, but one can only assume that the rest of their terrifying experience has been accurately recreated here.
The film opens with a relatively serene tableau covering their uneventful, Christmas Eve flight to Khao Lak as well as their subsequent celebration of the holiday opening presents and snorkeling. Of course, that deceptively idyllic setup is just the quiet before the storm.
When the tsunami hits the following morning, their hotel is engulfed, and from that point forward the picture is presented primarily from Maria's point of view. We first witness her clinging to a palm tree, and then saving eldest son Lucas (Holland).
The kid eventually escorts his profusely bleeding mother through the chaos to a makeshift hospital for some urgently-needed medical attention. While she teeters between life and death, Lucas perambulates the devastated region for any sign, living or dead, of his missing father and siblings.
Did they make it? Sorry, far be it from this critic to spoil the resolution of any edge-of-your-seat thriller, even if based on actual events.
Forget National Lampoon, this flick chronicles the real vacation from Hell!
Very Good (3 stars)
Rated PG-13 for brief nudity, disturbing images and intense disaster sequences
In English and Thai with subtitles
Running time: 114 minutes
Distributor: Summit Entertainment
To see a trailer for The Impossible, visit
Zero Dark Thirty
Film Review by Kam Williams
After 9/11, the United States intensified its efforts in the international manhunt for Osama bin Laden (Ricky Sekhon). Nevertheless, the elusive mastermind of the terrorist attack continued to orchestrate mass murders in Bali, Istanbul, London, Saudi Arabia and elsewhere around the world.
Dismayed by the ever-mounting death toll, the authorities rationalized the use of rough interrogation tactics bordering on torture in the hope of expediting the capture, dead or alive, of the slippery al-Qaida leader. He was ultimately tracked down to a walled compound in Abbottabad, Pakistan where he died on May 2, 2011 during a daring, helicopter raid conducted by Navy SEAL Team Six,
Directed by two-time, Academy Award-winner Kathryn Bigelow (for The Hurt Locker), Zero Dark Thirty (military speak for 12:30 AM) is a riveting, super-realistic account of the decade-long search for bin Laden. Bigelow has again collaborated with Oscar-winning scriptwriter Mark Boal (also for The Hurt Locker), with the pair apparently gaining access to classified materials in preparing the project.
The film is structured as a tale of female empowerment revolving around Maya (Jessica Chastain), a cool, calm and collected CIA agent who manages to keep her head even when so many around her seem to be losing theirs, literally and/or figuratively. She also has an uncanny knack for deciphering which clues might be worth following, cutting a sharp contrast in this regard to bumbling colleagues who fritter away most of their time on wild goose chases.
At the point of departure, we find Maya finally getting her first taste of fieldwork after starting her career boning-up on bin Laden behind a desk in Washington, D.C. She's been reassigned to participate in the questioning of al-Qaida members and sympathizers being detained at secret sites located outside the U.S. where the Geneva Conventions provisions relating to torture presumably don't apply.
Soon, Maya's chasing clues from Pakistan to Kuwait to Afghanistan and back, alongside tone-deaf bosses (Jason Clarke and Kyle Chandler) who could crack the case quickly if they weren't such male chauvinists suffering from Persistent Disbelief Syndrome. That's the shopworn plot device which pits a frustrated, unappreciated protagonist against an army of stubbornly skeptical naysayers.
Whether a convenient, cinematic contrivance or an accurate portrayal of what transpired, Zero Dark Thirty's version of history certainly makes for a very convincing piece of patriotic storytelling. Credit Jessica Chastain for imbuing her character, Maya, with a compelling combination of vulnerability, sagacity and steely resolve in a memorable, Oscar-quality performance.
CIA Agent Strangelove, or how I learned to stop worrying and love waterboarding!
Excellent (4 stars)
Rated R for profanity, disturbing images and graphic violence.
Running time: 157 minutes
Distributor: Columbia Pictures
To see a trailer for Zero Dark Thirty, visit