Veronica Mars
Film Review by Kam Williams
Veronica Mars was a critically-acclaimed TV series which enjoyed a three-year run from 2004 until 2007. Kristen Bell starred in the title role as a smart aleck teen detective who spent most of her free time solving crimes committed in her mythical hometown of Neptune, California.
Fans of the franchise will delighted to learn that Kristen and eight other principal cast members have returned for the big screen version of their much-beloved program. Written and directed by the show’s creator, Rob Thomas, this faithful reboot was substantially funded by a Kickstarter crowdfunding campaign.
At the point of departure, we find Veronica happy to be living in New York City, where she’s preparing for the bar exam, having recently graduated from Columbia Law School. She’s also now in a long term relationship with Stosh “Piz” Piznarski (Chris Lowell) and expects to be offered a job with a prestigious Manhattan firm.
But fate intervenes when pop singer Bonnie De Ville’s (Andrea Estrella), body is found lying in her bathtub and Veronica’s ex-boyfriend Logan (Jason Dohring) is the prime suspect. So, she impulsively returns to Neptune only to help him find a good attorney, since she’s convinced he’s innocent.
However, her super sleuth instincts soon kick-in and it’s not long before, just like old times, she’s uncovering clues with the help of her Private Investigator father (Enrico Colantoni). Her arrival back in town conveniently coincides with her 10th high school reunion where many of her classmates have congregated to catch-up and reminisce.
The gathering also proves to be the best place to interrogate persons of interest in the unsolved murder. For, Bonnie had attended Neptune High, and several alums seem to have had a reason to want her silenced. That’s as far as it’s fair to spoil this nostalgic whodunit delicately laced with surprising twists each step of the way.
Though back by popular demand, consider this edition of Veronica Mars compelling enough even to hold the attention of folks unfamiliar with the original TV show.
Very Good (3 stars)
Rated PG-13 for sexuality, violence, profanity and drug use
Running time: 108 minutes
Distributor: Warner Brothers
To see a trailer for Veronica Mars, visit
300: Rise of an Empire
Film Review by Kam Williams
The bloody epic 300 (2007) chronicled the Battle of Thermopylae in 480 B.C. when a badly outnumbered band of 300 soldiers were sent on a suicide mission to defend Sparta against a horde of over 100,000 Persian invaders. Based on Frank Miller’s graphic novel of the same name, that minimalist, monochromatic adventure was shot almost entirely against blue screens on assorted soundstages.
300: Rise of an Empire is one of those rare sequels which actually improves on an original’s formula. This relatively-expansive, higher body-count affair arrives replete with sweeping seascapes and panoramic mob scenes. It also ups the ante in terms of sensuality, especially by exploiting the visual appeal of Eva Green.
At the point of departure, we find the previous picture’s triumphant King Xerxes (Rodrigo Santoro) plotting to lead the Persian army against forces led by Greek General Themistocles (Sullivan Stapleton). The play-by-play is narrated by Sparta’s Queen Gorgo (Headey) who devotes considerable time to a detailed lesson in ancient history to set the table for the wanton slaughter about to ensue.
Among other things, we learn that the commander of the Persian 1,000-ship armada is the warrior goddess Artemisia (Green), a Greek traitor who turned against her own people for good reason. In her youth, she’d been brutally raped and sold into slavery after being forced to witness the murder of her entire family.
The revenge-minded orphan was freed and raised as a warrior by Xerxes late father, Darius (Yigal Naor). Today, she has blossomed into a ravishing fighting machine as likely to subdue an adversary with her womanly wiles as with her sword. In perhaps the movie’s most memorable moment, she decapitates a foe before planting a kissing on his skull’s lips.
Such gruesome displays are par for the course, as scene after scene seizes on any excuse for stomach-churning depictions of torture and gore. A revisionist tale of female empowerment suggesting the fairer sex was the equal of any man even when engaged in mortal hand-to-hand combat.
Excellent (4 stars)
Rated R for sexuality, nudity, profanity and pervasive violence
Running time: 102 minutes
Distributor: Warner Brothers Pictures
To see a trailer for 300: Rise of an Empire, visit
Life in Motion: An Unlikely Ballerina
by Misty Copeland
Book Review by Kam Williams
Touchstone Books
Hardcover, $24.99
286 pages, illustrated
ISBN: 978-1-4767-3798-0
“As the only African-American soloist dancing with the prestigious American Ballet Theatre, Misty Copeland has made history. But when she first placed her hands on the barre at an after-school community center, no one expected the undersized, anxious thirteen year-old to become a groundbreaking ballerina.
When she discovered ballet, Misty was living in a shabby motel room, struggling with her five siblings for a place to sleep on the floor. A true prodigy, she was dancing en pointe within three months of taking her first dance class, and performing professionally in just over a year: a feat unheard of for any classical dancer.
From behind the scenes at her first auditions to her triumphant roles in some of the most iconic ballets… Misty opens a window into the life of a professional ballerina… Life in Motion is a story of passion and grace for anyone who has dared to dream of a different life.
-- Excerpted from the inside book jacket
Who would ever have guessed Misty Copeland would one day become a world-class ballerina with the prestigious American Ballet Theatre? After all, she had a rocky childhood as one of six kids born to a struggling mother and several different fathers.
Plus, Misty and her siblings were raised in a rough L.A. ‘hood ruled by the Crips where you had to be careful to wear the right colors, not the sort of upscale locale one ordinarily associates with ballet. Furthermore, Misty couldn’t afford any lessons, let alone accoutrements such as shoes which alone can cost as much as $80 a pair. Then there was the fact that she was African-American and didn’t start training until the age of 13 when she enrolled in a class being offered by her local Boys and Girls Club.
Nevertheless, Misty miraculously managed to leap over or, should I say pirouette past, all of those hurdles in pursuit of a career in ballet as a featured soloist. And, ala Tiger Woods in golf and the Williams sisters in tennis, she’s blossomed into a black rarity excelling in a field where being white and from a privileged background are ordinarily prerequisites just to have a shot at making it.
Upon arriving in New York City at 16, Misty found herself ostracized by fellow ballerinas in the company on account of her color. Thus, it only makes sense that “This is for the little brown girls” might be an inspirational refrain repeated intermittently throughout her moving memoir.
A poignant primer proving the power of perseverance in the face of adversity.
To order a copy of Life in Motion, visit:
http://www.amazon.com/exec/obidos/ASIN/1476737983/ref%3dnosim/thslfofire-20
HairBrained
Film Review by Kam Williams
Boy Wonder Befriends Late Bloomer in Odd Couple Comedy
On the drive with his mother (Parker Posey) to his new school, precocious Eli Pettifog (Alex Wolff) is fretting about fitting-in with his classmates. After all, it’s not the 13 year-old’s first day of high school, but rather of college.
The clown-haired boy genius is entering Whittman College, an elite institution catering to students not quite bright enough for the Ivy League. Eli had hoped to attend Harvard, and is still bitter that he had to settle for his safety school.
Upon moving into the dorm, he makes the acquaintance of Leo Searly (Brendan Fraser), a fellow freshman living across the hall. Long in the tooth Leo is 41, and has belatedly matriculated less to crack the books than to recapture his fading youth.
Nevertheless, these two fish out of water forge a fast friendship as they make the awkward adjustment to campus life. Early on, we find the pair partying, with late bloomer Leo generally making a fool of himself while prepubescent Eli’s seduced by an attractive blonde (Elisabeth Hower) after being plied with alcohol.
The plot bifurcates and sobers a bit when Eli takes an interest in an eccentric townie (Julia Garner) his own age and Leo’s long-estranged daughter (Lizzy DeClement) shows up unexpectedly. But HairBrained is at its most inspired from the point Eli joins the trivia team representing his alma mater in the Collegiate Mastermind competition against other top schools like Stanford, Michigan and Princeton.
Not surprisingly, all roads lead to a big showdown with Harvard. Thus, the burning question becomes whether the pint-sized brainiac will be able prove the exclusive school made a mistake by sending him a rejection letter.
Far more quirky than it is comical, HairBrained is an uneven, unlikely-buddies flick that’s only funny in fits and starts. Think a poor man’s cross of Napoleon Dynamite (2004) and Old School (2003) where a coming-of-age tale merges with a midlife crisis.
Good (2 stars)
Rated PG-13 for sexuality, profanity, nudity, crude humor, and teen smoking, drug use and alcohol consumption
Running time: 97 minutes
Distributor: Vertical Entertainment
To see a trailer for Hair Brained, visit: https://www.youtube.com/watch?v=YJicQHKB4p0
Repentance
Film Review by Kam Williams
Psychological Thriller Traces Grief-Stricken Man’s Slow Descent into Insanity
Therapist Thomas Carter (Anthony Mackie) has just published a popular self-help book about the near death experience which helped him turn his life around. He is proud of the fact that after almost perishing in a horrific, alcohol-related car crash in his teens, he eventually not only earned graduate degrees in World Religion and Clinical Psychology but went on to wed his soul mate, Maggie (Sanaa Lathan).
Today, Tommy has a happy marriage and a flourishing practice founded on a spiritual philosophy combining faith and positive thinking. But sadly, his enviable fortunes have proven to be the polar opposite of his wayward brother Ben’s (Mike Epps) lot.
The recently-paroled ex-con was barely back on the streets before word of a $12,000 bounty being placed on his head spread around their native New Orleans. So, when Ben approaches his successful sibling for enough cash to keep his bloodthirsty adversaries at bay, empathetic Thomas opts to raise the ransom by extending the best-selling tome’s publicity tour.
At a local book signing, he is approached for an autograph by a fan also urgently in need of 1-on-1 counseling. Against his better judgment, the literary rock star agrees to see Angel Sanchez (Forest Whitaker) as a patient, since the $300/session fee definitely will put a dent in brother Ben’s debt.
Even worse is Dr. Carter’s fateful decision to make house calls to the home of this loner left devastated by the death of his mother (Adella Gautier). For, although it might be easy to diagnose the source of the deeply-disturbed man’s anguish, the only hint that he’s at the end of his emotional rope is his estrangement from his wife (Nicole Ari Parker) and young daughter (Ariana Neal).
The plot thickens when Angel takes his new shrink hostage, tying him up in his basement-turned-makeshift torture chamber. The psycho proceeds to behave sadistically while conveniently managing to keep up appearances for the sake of any visitors and passersby.
Directed by Philippe Caland (Ripple Effect), Repentance is a momentarily-intriguing psychological thriller that establishes a compelling premise only to morph into an otherworldly horror flick. Over the course of this rudderless adventure, Forest Whitaker ultimately finds himself abandoned by an implausible script.
The Silence of the Butler!
Fair (1.5 stars)
Rated R for profanity, violence and torture
Running time: 90 minutes
Studio: Code Black Films
Distributor: Lionsgate Films
To see a trailer for Repentance, visit: http://www.youtube.com/watch?v=iwBgGZIzliw